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by Bram Stoker (1897)



At the far end of the 19th century, in the age of Jack the Ripper, and 80 years after Frankenstein (No 8 in this series), Dracula is a classic of Gothic horror by an Irish contemporary of Oscar Wilde who wrote popular fiction to boost his income. Like Mary Shelley's tale of the supernatural, the vampire tale of Dracula – partly derived from John Polidori's The Vampyre (1819) and Sheridan Le Fanu's Carmilla (1871), about a lesbian vampire – may also have begun with a bad dream. Just as Mary was partly motivated by Byron and her husband, the poet Shelley, so Bram Stoker, the business manager for the Lyceum theatre, was inspired by his devoted service to the great Shakespearean actor Henry Irving. The idea of the vampire as a silver-tongued aristocrat, like Count Dracula, is mirrored in Irving's thespian mannerisms, and his fascination with theatrical villains.



Хошимова Наргиза

Йўлдошева Умида

Азизова М.

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Хуррамов Фазлиддин Баҳодир ўғли

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Шодиев Ойдинжон Шавкат ўғли

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Шоназаров Солойжон Мухтарбек ўғл и

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Вафаева Шохсанам Чоршам қизи

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Абдужалилов Жаҳонгир ўғли Жалолиддин

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Рустамова Зилола Умаржон қизи

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Раззоқзода Динора Абдураҳим қизи




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КБИ 72i

Абдусаматова Фозила Равшан қизи

Банк иши



The Red Badge of Courage”
by Stephen Crane (1895)


Stephen Crane, born in Newark, New Jersey in 1871, completed the short novel that would become the godfather of all American war novels, and an inspiration for writers as diverse as Ernest Hemingway and JD Salinger, while still in his early 20s. His subject, the war between the States, had actually ended before he was born, and he never experienced the horrors of battle. But the laconic realism of his prose, the fierce investigation of the soldier's psyche, and his impressionistic use of colour and detail convinced many readers that Crane was a veteran turned novelist.


Some critics see The Red Badge of Courage as a founding text in the modernist movement, a seminal novel whose influence haunts the composition of The Naked and the DeadCatch-22The Thin Red Line and Matterhorn, among others. Crane, a struggling freelance writer, researched his subject partly through magazine accounts of the civil war, a popular subject, and partly through conversations with veterans. He later said that he "had been unconsciously working the detail of the story out through most of his boyhood" and had imagined "war stories ever since he was out of knickerbockers". The idea of a writer immersing himself in the literary expression of his subject to make a book for publication, so familiar today, was new in the 1890s, as was his chosen genre, the war story. At this point he had published, unsuccessfully, at his own expense, just one novel, Maggie: A Girl of the Streets (1893), and was creatively out of sorts.



Турсунова Феруза

Назарова Сайёра


Жўраев И.



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Эгамбердиева Дилдора Абдураим қизи

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Фозилжонов Сарварбек Уйғунжон ўғли

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Ибрагимов Саиджон Баходирович

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Бахтиёров Асрорбек Азизжон ўғли

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Боқиев Бахромжон Баходиржон ўғли

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Жуманов Анвар Ашир ўғли

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Махмудов Искандар Яшнаржон ўғли

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КБИ 72i

Муйтанов Сардор Нарқазоқ ўғли

Банк иши

The Call of the Wild”



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