2
Father and Son
Discussion
The relationship between Christy and his father
is an awkward hostile one, which becomes quite competitive at
times. Paddy Brown is portrayed as an aggressive, bullying character who resents Christy because of his condition
and dismisses him as a “cripple”. It is clear from the film’s opening scenes (in the hospital and at the pub), that
Paddy feels ashamed and undermined for producing a son with a physical disability and makes very little attempt
to develop any understanding of him.
Christy frequently challenges his father’s
authority, his most subversive method being to provoke laughter at
his father’s expense. Paddy is the only member of the family who cannot understand Christy’s speech - a symptom
of their lack of communication. Christy makes jokes to diffuse tension created by the father and to undermine his
command. We see this particularly in the scene at the dinner table where they are eating porridge. Paddy is at
once defied, and excluded from the family.
Although a tension
permeates their relationship, Paddy does display love for Christy on a number of
occasions. He builds a cart for him so that he can go out and play with the other boys. He proudly carries
Christy
to the pub to celebrate his achievement in writing the word ‘MOTHER’, thus, for him, proving his intelligence.
Paddy also assumes the task of building Christy’s room. On his completion of the room, Mrs. Brown remarks “Well
Christy, that’s the nearest he’ll ever come to saying he loves you.”
Despite Christy’s obvious bitterness towards his father and disapproval of his boorish ways,
he proceeds to
emulate many of his father’s characteristics. His mother comments in one scene: “You get more like your father
every day. All hard on the outside and putty on the inside”. Like his father he is quick tempered, fond of alcohol,
prone to stubbornness, and has a tendency towards violence. In the scene following his father’s funeral, Christy
initiates a fight between the Browns and a group of local men in the name of family honour. This recalls an earlier
scene when Paddy head-butts a man in the same pub for insulting his ‘manhood’.
The most obvious difference between the two is physical; Paddy is a physically strong man who solves his
problems with his fists, while Christy’s condition confines him to a wheelchair and
to fighting his battles with
words or images. Yet this physical/intellectual opposition is not enough to distinguish them completely. During the
scene in which his father dies, the film draws a very strong parallel between the two as they lie side by side on the
floor, heads facing the same direction. The camera frames this composition tightly and it is the closest that these two
characters have been positioned in the entire course of the film.
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