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wrocław.
Muzeum Etnograficzne, Oddzial Museum Narodowego we Wrocławiu [Ethnographical Museum]
zakopane.
Muzeum Tatrzańskie im Tytusa Chałubińskiego [Tatra Museum and Tytusa Chałubiński Memorial]: 183 Polish traditional
portugual belém.
Museu Nacional dos Côches: 22 trumpets from the Lisbon Court Trumpeters Corps.
E.H. Tarr: ‘Die Musik und die Instrumente der Charamela real in Lissabon’, Forum musicologicum, ii (1980), 181–229
coimbra.
Museu e Laboratório Antropológico, Universidade de Coimbra: c250 African, Southeast Asian, Brazilan and Portuguese.
lisbon.
Museu Etnográfico do Ultramar, Sociedade de Geográfia de Lisboa: c100 from former Portuguese colonies.
M. Dias: ‘Os instrumentos musicais de Moçambique’, Geographica, ii/6 (1966)
lisbon.
Museu de Música, Instituto Português dos Museus (formerly Museu Instrumental do Cónservatório Nacional): c800 European art and traditional, esp. Portuguese incl. Alfredo Keil, Michelangelo Lambertini, António Lamas and King D. Lúis I
Breve notícia dos instrumentos de música antigos e modernos da collecção Keil (1904); M. Lambertini: Primeiro nucleo de um museo instrumental em Lisboa: catálogo summario (1914); M.A. de Lima Cruz: ‘O museu instrumental’, Boletim do Cónservatorio nacional e revista panorama, i/1 (1946–7), 70–81; G. Doderer: Clavicórdios portugueses do século XVIII (1971); B. Brauchli: ‘Comments on the Lisbon Collection of Clavichords’, GSJ, xxxiii (1980), 98–105; Instrumentos musicais 1747–1807: uma colecção à procura de um museu (1984); Com eles se fez música, instrumentos de uma collecção esquecida (1989); Fabricas de Sons: instrumentos de música europeus dos séc. XVI a XX (1994)
lisbon.
Museu de São Roque, Santa Casa da Misericordia de Lisboa
mafra.
Basilica: 6 organs.
ponta delgada, azores.
Centro de Estudos Etnologicos, Universidade dos Açores: traditional Azorean
queluz.
Museu do Palácio Nacional de Queluz
Instrumentos musicais 1747–1807: uma collecção à procura de um museu (1984)
romania bucharest.
Complexul Muzeal Timis: c250 ethnological, incl. many flutes.
bucharest.
Muzeul de Artă populară ‘Minovici’ [Minovici Museum of Popular Art]: c50 worldwide ethnological, incl. the Dr. Nicolae Minovici collection.
bucharest.
Muzeul Muzicii Romanesti
bucharest.
Muzeul Satuluişi de Artă Populară (formerly Muzeul de Artă a Republicii): c850 worldwide.
cluj-napoca.
Muzeul Etnografic al Transilvaniei [Transylvanian Museum of Ethnography]: c280 Transylvanian traditional.
cluj-napoca.
Muzeul de Istorie al Transilvaniei [Museum of the History of Transylvania]: c50 art.
A. Ardoş and Ş. Lakatos: ‘Instrumentele muzicale ale muzeului de istorie Cluj’, Acta Musei Napocensis, iii (1966); M. Ardács and I. Lakatos: ‘Musikinstrumente im historischen Museum Klausenburg’, SMH, xv (1973), 336–7 AŞI. Muzeul Etnografic al Moldovei [Moldavian Museum of Ethnography]: c60 regional IAŞI. Sectia Inregistrarea şi Reproducerea Sunetului, Muzeum Politehnic [Sound Recording and Reproduction Section, Polytechnic Museum]: c60 mechanical
russia moscow.
Alfred M. Mirek collection of accordions: c100; another 100 given to Saint Petersburg Museum of Music, Theatre and Cinematography.
A.M. Mirek: Iz istorii akkordeona i bayana [History of Accordeons and Bayans] (1967); A.M. Mirek: Bavans (1968); A.M. Mirek: Skhema vozniknoveniya i klassifikatsiya osnovnïkh vidov garmonik: spravochnik [Schematic classification of harmonicas in the world] (1989); A.M. Mirek: Garmonika: proshloe i nastoyashcheye, ėntsiklopediya [Harmonicas: Past and Present, an Encyclopaedia] (1994)
moscow.
Gosudarstvennïy Tsentral'nïy Muzey Muzïkal'noy Kul'turï imeni M.L. Glinki [Glinka State Central Museum of Musical Culture]: c2600 European, from all former USSR republics, Asian, African, Latin American art, traditional, archaeological and ethnological, incl. August Eichhorn collection from Kazakhstan and Central Asia.
Muzïkal'nïye instrumentï narodov Sovetskogo Soyuza v fondakh Gosudarstvennogo tsentral'nogo muzeya muzïkal'noy kul'turï imeni M.I. Glinki: katalog [Glinka State Central Museum of Musical Culture: catalogue] (1977; Eng. trans., 1985); P. Holden: ‘Galpin Society Members Visit Soviet Museums’, AMIS Newsletter, xvii/1 (1988)
moscow.
Gosudarstvennïy Istoricheskiy Muzey [State Historical Museum]: c200 worldwide.
moscow.
State Collection of Antique Bowed String Instruments: 240 European loaned to performers.
novgorod.
Cultural History Museum, Kremlin: medieval.
D. Popławska: ‘String Instruments in Medieval Russia’, RIdIM/RCMI Newsletter, xxi/2 (1996), 63–70
st petersburg.
Gosudarstvennïy Muzey Ėtnografii Narodov Rossiyskoy Federatsii: c1000 traditional from throughout the former USSR.
st petersburg.
Muzey Antropologii i Ėtnografii imeni Petra I [Anthropology and Ethnography Museum]: 1500 ethnological, mainly Asian incl. Peter the Great’s collection.
st petersburg.
Muzey Muzïkal'nïkh Instrumentov [Museum of Musical Instruments] (formerly Muzey muzïkal'nïkh instrumentov, teatra, muzïki i kinematografii [State Museum for Theater, Music, and Cinematography]): c3500 European and non-European (Russian, Siberian, Ukranian) art, traditional and ethnological, founded c1900 by Baron de Stackelberg, director of St. Petersburg Imperial Chapel Music Museum that became the third César Snoeck collection; also Nikolay Pirvalov, half of the Alfred Mirik (accordion), and Mr. Valery Bruntsev collections.
J.H. Johnson: ‘The Exhibition in St. Petersburg, Department for Musical Instruments’, MO, xxv (1901–2), 471; G.I. Blagodatov and K.A. Vertkov: Postoyannaya vïstavka muzïkal'nïkh instrumentov (1962); G.I. Blagodatov: Katalog sobraniya muzïkal'nïkh instrumentov [Catalogue of the musical instrument collection of the Leningrad Institute of Theater, Music and Cinematography] (1972); Look of Music (1980) [exhibition catalogue, Vancouver]; P. Holden: ‘Galpin Society Members Visit Soviet Museums’, AMIS Newsletter, xvii/1 (1988); M. Birley: ‘Report on a Conference at the St. Petersburg Museum of Musical Instruments ... 1998’, CIMCIM Bulletin, no.36 (1998), repr. in AMIS Newsletter, xxvii/3 (1998); V. Koshelev: ‘Das St. Petersburger Musikinstrumenten-Museum: zur Geschichte seiner Entstehung’, Musica Instrumentis, ii (1999)
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