Iacobus Leodiensis [Iacobus de Montibus, Iacobus de Oudenaerde]



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london.


Royal Academy of Music: over 250 string instruments and part of the Broadwood Collection of Antique Instruments.

‘Eine Klavier-Ausstellung der Firma Broadwood & Sons in London’, ZI, xxi (1900–1), 647–50; Collection of Antique Instruments at John Broadwood & Sons (1903); ‘Eine Klavierhistorisches Ausstellung’, ZI, xxiv (1903–4), 757–9; D. Rattray: Masterpieces of Italian Violin Making 1620–1850: Twenty-Six Important Stringed Instruments from the Collection at the Royal Academy of Music (1991)


london.


Royal Armouries and the Jewel House, Tower of London: c35 brass winds and drums.

london.


Royal College of Music: 500 mainly European art, incl. Day, part of Tagore (Indian), Donaldson, Hipkins, King Edward VII and G.E.W. Hartley collections.

G. Donaldson: Catalogue of the Musical Instruments and Objects Forming the Donaldson Museum (1899); G. Dyson: The Royal College of Music Catalogue of Historical Instruments, Paintings, Sculpture, and Drawings (1952); The Ridley Collection of Musical Wind Instruments in the Luton Museum (Luton, 1957); E. Wells: Guide to the Collection (1964); E. Wells: ‘The RCM Collection of Instruments’, Royal College of Music Magazine, lxiii (1967), 83–7, xxlii (1976), 39–43; E. Wells: Guide to the Collection (1984); Royal College of Music Museum Catalogue, i: E.A.K. Ridley: European Wind Instruments (1982, addenda, 1998, ed. E. Wells), ii: Keyboard Instruments (in preparation)


london.


Victoria and Albert Museum: European art and some Asian collected by Carl Engel and C.R. Day (Indian).

C. Engel: A Descriptive Catalogue of Musical Instruments in the South Kensington Museum (1870, 2/1874); A Picture Book of Keyboard Musical Instruments (1929); R. Russell: Catalogue of Musical Instruments, i: Keyboard Instruments (1968, rev. 2/1984 by H. Schott); Musical Instruments as Works of Art (1968, rev. 2/1982 by P. Thornton); A. Baines: Catalogue of Musical Instruments, ii: Non-Keyboard Instruments (1968); Catalogue of Musical Instruments, iii: Additional and Detailed Photographs of the Collection (1968); G. Thibault and others: Eighteenth Century Musical Instruments, France and Britain/Les instruments de musique au XVIIIe siècle: France et Grand-Bretagne (1973) [exhibition catalogue]; D. Fitz-Gerald: Victoria and Albert Museum: the Norfolk House Music Room (1973); C. Patey: Musical Instruments at the Victoria and Albert Museum: an Introduction (1978); J. Yorke: Keyboard Instruments at the Victoria and Albert Museum (1986)


london.


William Waterhouse collection: c60, many bassoons.

W. Waterhouse: The Proud Bassoon: an Exhibition Showing the Development of the Bassoon over the Centuries, the Waterhouse Collection of Bassoons and Related Items (1983)


maidstone.


Museum and Art Gallery: c85.

manchester.


Manchester Museum, University of Manchester: 225 non-European.

manchester.


Royal Northern College of Music: c310 incl. Henry Watson and Josiah Chapman collections.

H. Watson: The Royal Manchester College of Music: Catalogue of the Henry Watson Collection of Musical Instruments (1906); L.W. Duck: Musical Instruments in the Henry Watson Library (1950); A. Temple: Glories of Keyboards: an Exhibition of Keyboard Instruments from the Henry Watson Collection (1995); W. Waterhouse: RNCM Collection of Historical Musical Instruments (1998) [catalogue]


merthyr tydfil.


Museum and Art Gallery, Cyfarthfa Castle: c40, many from Cyfarthfa Band.

A. Myers and T. Herbert: Catalogue of the European Wind and Percussion Instruments in the Cyfarthfa Castle Museum Collection (1990)


morpeth.


Morpeth Chantry Bagpipe Museum: c120 from W.A. Cocks collection.

W.A. Cocks: The Northumbrian Bagpipes: their Development and Makers (Newcastle-upon-Tyne, 1933); W.A. Cocks and F. Bryan: The Northumbrian Bagpipes (1967)


newcastle upon tyne.


Hancock Museum, University of Newcastle-upon-Tyne: c85 ethnological incl. W.A. Cocks collection.

northleach.


Keith Harding’s World of Mechanical Music

oxford.


Ashmolean Museum, University of Oxford: European art string and keyboard, 17th-century non-European, and some archaeological, incl. W.E. Hill & Son and J. Francis Mallet collections.

T. Dart: ‘The Instruments in the Ashmolean Museum’, GSJ, vii (1954), 7–10; D.D. Boyden: Catalogue of the Hill Collection of Musical Instruments in the Ashmolean Museum (1969); J. Charleton: Viols, Violins, and Virginals (1985)


oxford.


Jeremy Montagu collection: 1900 worldwide.

J. Montagu: Musical Instruments of the World: Sheffield Festival Exhibition (Sheffield, 1967, 2/1970)


oxford.


Philip Bate Collection of Historical Instruments, Faculty of Music, University of Oxford: 1100 European art, traditional, and Javanese double gamelan, incl. Philip Bate, part of the Reginald Morely-Pegge, Edgar Hunt, Miss Lloyd Baker, Taphouse, R. Warner, W.C. Retford and Anthony Baines collections.

A. Baines: The Bate Collection of Historical Wind Instruments: Catalogue (1976); J. Montagu: The Bate Collection of Historical Wind Instruments, Supplement to the Printed Catalogue of 1976: End, Notch and Duct Flutes (1987); The Javanese Gamelan ‘Kyai Madu Laras’ (n.d.); J. Montagu: The Bate Collection of Historical Instruments: Check List of the Collection (1989); J. Montagu: Keyboard Instruments (1993); J. Montagu: Keyed and Fingerholed Brass Instruments (1993); J. Montagu: Check List of the Collection (1993)



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