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spaarndam.
Frans Vester Collectie: c35 European flutes, 1740–1900.
utrecht.
Instituut voor Muziekwetenschap, Rijksuniversiteit: c400 worldwide, 17th- to 20th-century incl. the H.G.J. Minnaert Collection.
H.J. van Royen: Beischrijving van een aantal musziekinstrumenten (1965); J. Boogaarts: Beschrijving van de muziekinstrumenten van de instrumentenverzameling in het Instituut voor Muziekwetenschap der Rijksuniversiteit te Utrecht (1984)
utrecht.
Nationaal Museum van Speelklok tot Pierement: c800 mechanical.
R. de Waard: From Musical Boxes to Street Organs (New York, 1967); R. de Waard: Catalogus (Arnhem, 1971); J.J. Haspels: Muziek op rolletjes (Amsterdam, 1975); National Museum van speelklock to Pierement: Museum Guide (1985); J.J. Haspels: Automatic Musical Instruments (1987); R. Doornekamp: Orgels in de stad Utrecht: zis eeuwen geschiedenis en een inventarisatie (1992)
utrecht.
Otto Stam Collectie: c400 African, Asian, Oceanian, Middle American, Dutch and Flemish violin bows.
vlaardingen.
Muziek Informatie- en Documentatiecentrum Ton Stolk: c650 exotic, historic, traditional, pre-Colombian to present, incl. musicians’ autographs, stamps and musical iconography.
voorburg.
Louise Schepel collection: c50 French horns.
zaandam.
Gerrit and Ineke van der Veer collection: c60 European art
new zealand auckland.
Auckland Institute and Museum: 725 mainly worldwide ethnological, esp. Polynesian, Melanesian, Maori wind and some Western; Zillah and Ronald Castle collection: 500 European art and traditional, esp. from colonial New Zealand.
Old Instruments in New Zealand: a Short Survey of the Zillah and Ronald Castle Collection of Early and Unusual Musical Instruments (n.d.); M. Hamber and L. Stanners: Musical Instruments Through the Ages (1986); R.M. Moyle: The Sounds of Oceania: an Illustrated Catalogue of the Sound Producing Instruments of Oceania in the Auckland Institute and Museum (1989)
auckland.
David L. Smith collection: c160 European winds and some string instruments.
dunedin.
Otago Museum: c350 mostly Oceanian, some Asian, African and European.
J.C. Andersen: ‘Maori Music with its Polynesian Background’, Journal of the Polynesian Society xlii/167–8 (1933)
wellington.
Ethnomusicology Section, School of Music, Victoria University of Wellington: Javanese gamelans, Thai/Cambodian Maori orchestra, Philippine Kulintang ensemble, Asian, Oceanian, African, Middle Eastern, and Jack Body Collection of Asian and Oceanian sound makers.
T. Allan: ‘Gamelan in New Zealand: a Chronology’, Balungan, ii/3 (1986)
wellington.
National Art Gallery and Museum of New Zealand: c100 incl. mostly Maori, some Marquesan and other ethnological, some from Captain Cook.
J. Andersen: Maori Music with its Polynesian Background (1934); A. Kaeppler: Articifial Curiosities: Exposition of Native Manufactures Collected on the Three Pacific Voyages of Captain James Cook (1978); R. Neich: Pacific Cultural Material in New Zealand Museums (1982)
niger niamey.
Musée national du Niger: 150 exhibited
nigeria benin city.
National Museum: c65.
jos.
National Museum: c1400 African.
lagos.
Nigerian Museum: c465 African.
lagos.
National Commission for Museums and Monuments: c1270.
Laoye 1 (Timi of Ede): ‘Yoruba drums’, NIGERIA, xlv (1954); A.N.G. Okosa: ‘Ibo Musical Instruments’, NIGERIA, lxxv (1962); W.W.C. Echezona: Nigerian Msical Instruments in Nigerian Culture (n.d.); U. Bierer: ‘Three Igbin drums’, NIGERIA, lxxiii (1963); Nigerian Drums: Sounds of Unity (1991)
norway bergen.
Historisk Museum, Etnografisk Samling, Universitetet i Bergen: c230 European art and traditional, incl. many hardanger fiddles.
Musikkinstrumenter fra hele verden: undervisningsopplegg (n.d.)
drammen.
Drammens Museum Fylkesmuseum for Buskerud: c85 Norwegian traditional and Western art.
elverum.
Glomdalsmuseet: c61 art and Norwegian traditional.
jakobsli.
Bjørn Aksdal collection: c250 Norwegian traditional, worldwide ethnological and some art.
lillehammer.
De Sandvigske Samlinger: c150 art and Norwegian traditional.
oslo.
Norsk Folkemuseum: 270 art, mainly Norwegian traditional, incl. loan from Norges musikkhøgskole, Oslo, the Trygve Lindemans, and Olav Gurvins collections (280 European art and traditional, African and Asian).
H. Fett: Musik-Instrumenter Katalog (1904); P.A. Kjeldsberg: A Checklist of Olav Gurvins Instrumentsamling (1975)
oslo.
Universitetets Etnografiske Museum: c300 non-European incl. African, esp. Zaïre, Asian (Borneo and Chinese) from King Oskar II.
O. Aarflot: Kinesisk musikk (1948); A.M. Klausen: Totem, tam-tam, duk-duk, Glimt fra Universitets etnografiske museums samlingar (1961)
skien.
Fylkesmuseet for Telemark og Grenland: c50 art and Norwegian traditional.
trondheim.
Ringve Musikhistorisk Museum: c1700 Western art and traditional, non-European incl. the Victoria Bachke collection.
K. Michelsen: Katalog over musikalieutstillingen (1975) [exhibition catalogue]; H. Sivertsen: Det Trondhjemske musikalske selskab av 1786, i (1975); B. Aksdal: Musikk-instrumentenes historie i de islamske kulturområder (1980); P.A. Kjeldsberg: Musikinstrumenter ven Ringve museum/The Collection of Musical Instruments (1976, 2/1981); P.A. Kjeldsberg: ‘Ringve Museum in Trondheim’, CIMCIM Newsletter (1986) [special issue]; P.A. Kjeldsberg: Piano i Norge: et uundvaerligt instrument (1985); P.A. Kjeldsberg: Leve langeleiken! (1987); K. Michelsen, ed.: Johan Daniel Berlin 1714–1787 (1987); S. Gutormsen, P.A. Kjeldsberg and J. Voigt: Ringve museum, Trondheim (1988); P.A. Kjeldsberg: Ringve museum Trondheim: utgitt av Ringve museum Venner (1988); P.A. Kjeldsberg: Barokkorgelet i Nidarsdomen, bygget av Joachim Wagner 1739–41: restaurert av Jürgen Ahrend 1993–4 (1995)
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