Usmanov g’iyosiddin murotjonovich abdurauf fitrat adabiy merosini xorijda o’rganilishi va adabiy talqin masalalari

ulus
 , instead of 
halq
 . Perhaps, the word 
ulus
 holds the 
sui generis
 character 
of nation which the new elites are trying to form. 
Salix Bishakchi Fitrat asarida Xalq so`zi o`rniga ulus so`zini ishlatganini va 
bu so`z O`zbek tiliga bu so`z yangilik ekanligini aytib o`tadi. U maqolasining 
so`ngida Fitratning ushbu dramasiga qo`yidagi ta`rifni beradi. 
Namik Kemal and Fitrat have their own writing style and fiction in these 
plays. The provocative approach to nationalism in both dramas are critical to 
grasp the mental condition of 20th century Islamic people who were mainly under 
the domination of colonial powers such as the British, Russians, and French. 
Fitrat also tries to individualize the nationalism and liberation feelings by adding 
a love theme to the play. The love theme is the main subject of many legends and 

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83 
stories of oral tradition in the Central Asia. Thus, the reader would catch the 
notion from a different point of view. The Bukharan Jadids also emphasized the 
education of woman and participation to their modernization efforts. Hind 
Ikhtilalchilari was also stressing the importance of role of women in the 
transformation process of Bukhara and Turkestan at a higher level. Fitrat defined 
women as solid supporters of the men during the modernization process of 
Bukhara. The Hind Ikhtilalchilari proves that in all Muslim societies the 
modernization process was affected by each other. 
Demak u bu ikki asarni alohida-alohida mukammal asar deb xisoblaydi. 
Yozuchilarini mustamlakachilik siyosatini qoralovchi va sevgi va vatanparvarlik 
g’oyalarini olg’a suruvchilar deb xisoblaydi. “Xind istilolchilari” dramasida 
ayollarini ilmga jalb etish Turkiston va Buxoroni yangi darajaga olib chiquvchi 
muhim jarayon ekanligini va asar hamma Musulmonlar jamiyati rivojida ijobiy 
ta`siri borligini yozadi