Elif Shafak is one of Turkey’s most acclaimed and outspoken novelists



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The Forty Rules of Love ( PDFDrive )

Sultan Walad 
KONYA, JUNE 1246
“Beauty is in the eye of the beholder,” Shams kept saying. “Everybody will watch the same 
dance, but each will see it differently. So why worry? Some will like it, some won’t.” 
Yet on the evening of the sema, I told Shams I was worried that nobody would show up. 
“Don’t worry,” he said forcefully. “The townspeople might not like me, they might not even be 
fond of your father anymore, but they cannot possibly ignore us. Their curiosity will bring them 
here.” 
And just so, on the evening of the performance, I found the open-air hall packed. There were 
merchants, blacksmiths, carpenters, peasants, stonecutters, dye makers, medicine vendors, guild 


masters, clerks, potters, bakers, mourners, soothsayers, rat catchers, perfume sellers—even 
Sheikh Yassin had come with a group of students. Women were sitting in the rear. 
I was relieved to see the sovereign Kaykhusraw sitting with his advisers in the front row. That a 
man of such a high rank supported my father would keep tongues quiet. 
It took a long time for the members of the audience to settle down, and even after they had, the 
noise inside didn’t fully subside and there remained a murmur of heated gossip. In my itch to sit 
next to someone who would not speak ill of Shams, I sat next to Suleiman the Drunk. The man 
reeked of wine, but I didn’t mind. 
My legs were jumpy, my palms sweaty, and though the air was warm enough for us to take off 
our cloaks, my teeth chattered. This performance was so important for my father’s declining 
reputation. I prayed to God, but since I didn’t know what exactly to ask for, other than things 
turning out all right, my prayer sounded too lame. 
Shortly there came a sound, first from far away, and then it drew nearer. It was so captivating 
and moving that all held their breath, listening. 
“What kind of an instrument is this?” Suleiman whispered with a mixture of awe and delight. 
“It is called the ney,” I said, remembering a conversation between my father and Shams. “And its 
sound is the sigh of the lover for the beloved.” 
When the ney abated, my father appeared onstage. With measured, soft steps, he approached and 
greeted the audience. Six dervishes followed him, all my father’s disciples, all wearing long 
white garments with large skirts. They crossed their hands on their chests, bowing in front of my 
father to get his blessing. Then the music started, and, one by one, the dervishes began to spin, 
first slowly, then with breathtaking speed, their skirts opening up like lotus flowers. 
It was quite a scene. I couldn’t help but smile with pride and joy. Out of the corner of my eye, I 
checked the reaction of the audience. Even the nastiest gossipers were watching the performance 
with visible admiration. 
The dervishes whirled and whirled for what seemed like an eternity. Then the music rose, the 
sound of a 
rebab
 from behind a curtain catching up with the ney and the drums. And that was 
when Shams of Tabriz entered the stage, like the wild desert wind. Wearing a darker robe than 
everyone else and looking taller, he was also spinning faster. His hands were wide open toward 
the sky, as was his face, like a sunflower in search of the sun. 
I heard many people in the audience gasp with awe. Even those who hated Shams of Tabriz 
seemed to have fallen under the spell of the moment. I glanced at my father. While Shams spun 
in a frenzy and the disciples whirled more slowly in their orbits, my father remained as still as an 
old oak tree, wise and calm, his lips constantly moving in prayer. 


Finally the music slowed down. All at once the dervishes stopped whirling, each lotus flower 
closing up into itself. With a tender salute, my father blessed everyone onstage and in the 
audience, and for a moment it was as if we were all connected in perfect harmony. A thick, 
sudden silence ensued. Nobody knew how to react. Nobody had seen anything like this before. 
My father’s voice pierced the silence. “This, my friends, is called the sema—the dance of the 
whirling dervishes. From this day on, dervishes of every age will dance the sema. One hand 
pointed up to the sky, the other hand pointing down to earth, every speck of love we receive from 
God, we pledge to distribute to the people.” 
The audience smiled and mumbled in agreement. There was a warm, friendly commotion all 
over the hall. I was so touched by seeing this affirming response that tears welled up in my eyes. 
At long last my father and Shams were beginning to receive the respect and love that they most 
certainly deserved. 
The evening could have ended on that warm note and I could have gone home a happy man, 
feeling confident that things were improving, had it not been for what happened next, ruining 
everything. 

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