EAT, PRAY, LOVE: CONFRONTING AND RECONSTRUCTING FEMALE IDENTITY
8
have emerged over the past six decades. Drawing from the wide ranging fields of
communication, psychology,
philosophy, religion, cultural studies, and quantum physics, Foss
and Foss (2011) offered the paradigm of constructed potentiality as an alternative means for
generating change and relieving various forms of exigence where “in
dividuals focus on symbolic
resources and use interpretation to change their own
internal states
” (p. 205) instead of focusing
solely on material, or outside resources. Through choices of interpretation sought from internal
sources, the Fosses argue, an endless supply of possibilities is available to the individual for
ways of creating change and transcending their circumstances. In addition, they say looking to
“others’ perspectives can [also] be seen as beneficial rather than detrimental to individuals’
t
hinking because they provide diverse ideas about how to interpret conditions” (p. 230).
In other
words, instead of individuals looking to outside material conditions
for their identity and well-
being, they can seek the symbolic resources of new perspectives (both internal and external) - but
in the end, “they assume responsibility for generating well
-
being themselves” (Foss & Foss,
2011, p. 216).
In looking at Gilbert’s personal narrative, we can immediately see how this paradigm is
especially useful in understanding how she transforms herself throughout her journey. As I
discuss later in this paper, she uses the symbolic resources of Yogi wisdom, the stories of
strangers and a reframing of her own emotions to re-interpret
both her identity and what
happiness looks like for her. While various people and cultures she encounters along the way
present her with these new possibilities for changing her life, she takes the responsibility for
interpreting, choosing and actualizing these possibilities.
EAT, PRAY, LOVE: CONFRONTING AND RECONSTRUCTING FEMALE IDENTITY
9
METHODOLOGY
This study involves a narrative analysis of
Eat, Pray, Love
using Walter Fisher’s
narrative rationality as well as the extensions of his assessment framework offered by William
Kirkwood (1992) and Scott Stroud (2002). Through this analysis I will show
how Gilbert focuses
on both symbolic, internal resources as well as outside possibilities to reconstruct a new identity
for herself following an early-onset midlife crisis. A narrative analysis is a compelling method
for studying these messages in
Gilbert’s personal narrative
since stories can reveal the
complexities and rich accounts of identity as well as the process of identity creation (Webster &
Matrova, 2007;
Kirkwood, 1983). As Kirkwood (1992) offers,
“Through storytelling, rhetors can con
front the states of awareness and intellectual beliefs
of audiences; through it they can show them previously unsuspected ways of being and
acting in the world. Furthermore,
stories
…can expand an audience’s moral responsibility
by showing them they are fr
eer and more capable that previously imagined” (
Kirkwood,
1992, p. 32).
In addition, since individual female subjects are left to forge their own identities based on
individual values in light of postmodern, third wave influences,
personal stories become a
powerful vehicle for identity exploration in the absence of one fixed, prescribed view of
“woman.”
Through sharing their personal narratives, women
may “discover new self
-perceptions
and strengths that fall outside previous ‘problem saturated’ or negative constructions,
held either
by themselves or others” (Williams, Labonte & O’Brien, 2003, p. 36).
Storytelling has an
especially important impact on marginalized groups of women who may not have had these
possibilities presented to them otherwise (Williams, 2001; James, 1996, Sarup, 1996). Given