CHAPTER V.
A violent knocking and shouting at the outermost gate — an interchange of
threatening and peremptory voices — lamp and torch-light in the courtyard —
interrupted the gentle singing. Yet the noise had subsided before they had
learned the cause of it, but quiet there was not: on the staircase the trample and
quick discussing of men ascending. The door sprang open without any
announcement; the ladies were terrified. Flavio rushed in in the most forlorn
condition, with disordered head, on which the hair was partly ruffled up and
partly hanging down drenched with rain; with tattered clothes, like one who has
been rushing through thorns and bushes, dreadfully soiled, as if he had been
wading through a mire and marsh.
“My father!” he exclaimed, “Where is my father?”
The ladies were out of their wits; the old huntsman, his earliest servant and
favorite attendant, entering along with him, called out to him, “Your father is not
here; calm yourself; here is your aunt, here is your cousin, see here!”
“Not here! then let me go away and find him. He alone shall hear it, and then I
will die! Let me get away from the lamps, from the light of day. It dazzles me, it
annihilates me.”
The house physician came in, seized his hand cautiously, feeling his pulse;
several servants were standing anxiously around.
“What am I doing on these carpets? I am spoiling them, I am ruining them;
my wretchedness drips down upon them, my abject destiny defiles them!”
He rushed towards the door; they took advantage of this effort to lead him
away, and take him to the distant guest-chamber that his father usually occupied.
Mother and daughter stood aghast; they had seen an Orestes chased by furies,
not ennobled by art, but in a horrible repugnant reality, which in contrast with
the comfort of a splendid dwelling in the brightest glow of waxen lights seemed
only the more fearful. Terror-stricken, the women looked at one another, and
each believed that she saw in the eyes of the other the picture of horror that had
impressed itself so deeply on her own.
Only half herself, the baroness sent one servant after another to get
information. It was some consolation to hear that he was being undressed, dried,
and taken care of; that half consciously, half unwittingly, he allowed all this to
be done. On repeating their inquiries, they were counselled to have patience.
At last the anxious ladies were informed that he had been bled, and in other
respects every possible soothing remedy employed; he had been brought to a
quiet condition, and sleep was hoped for.
Midnight arrived; the baroness asked to see him if he was asleep; the
physician opposed — the physician yielded; Hilaria pressed in with her mother.
The room was dimly lighted, only one candle glistened behind the green screen,
there was little to be seen, nothing to be heard; the mother approached the bed,
Hilaria with eager longing seized the candle and threw the light upon the sleeper.
There he lay, turned away from them, but a very well-formed ear, a rounded
cheek, now somewhat pale, peeped forth most gracefully among the locks that
by this time curled again; a hand lying quietly, with its long, delicate, yet strong
fingers, attracted the wandering glance. Hilaria, breathing gently, thought that
she even perceived his gentle breathing; she brought the light nearer, like
Psyche, at the risk of disturbing this most wholesome rest. The physician took
the candle away and lighted the ladies to their rooms.
How these kind persons, so worthy of all sympathy, spent the hours of night,
has remained a secret from us; but early the next morning they both showed
themselves very impatient. There was no end to their questioning, to their desire
to see the patient, proffered diffidently yet urgently; only towards midday the
physician allowed a short visit.
The baroness stepped forward; Flavio extended his hand.
“Pardon, dearest aunt; only a little patience, perhaps not for long.”
Hilaria came forward; to her, too, he gave his right hand. “Welcome, dear
sister.”
This went through her heart: he did not leave hold; they looked at one another,
the most beauteous pair, a contrast in the finest sense. The youth’s black,
flashing eyes harmonized with the dark tangled locks; she, on the other hand,
stood, to all appearance divine in peace, and yet with the agitating past was now
associated the present full of foreboding. That name, sister! — her inmost heart
was stirred.
The baroness spoke: “How are you, dear nephew?”
“Pretty well, but they treat me badly.”
“How so?”
“They have bled me; it is cruel; they have carried it away, it was audacious; it
does not belong to me, it is all — all hers.”
With these words his face seemed to change, but with hot tears he hid his face
in the pillow.
Hilaria’s countenance betrayed to her mother a terrible expression; it was as if
the dear child saw the gates of hell open before her, and for the first time looked
on a monster, and forever. Swiftly, passionately, she hurried through the saloon,
threw herself in the last chamber upon the sofa; her mother followed, and asked
what, alas! she already perceived.
Hilaria, looking up in a strange way, cried, “The blood, the blood! it all
belongs to her — all to her, and she is not worthy of it. Unhappy man! poor
man!”
With these words, the bitterest storm of tears relieved the agonized heart.
Who is there that would undertake to reveal the situation that was developing
itself from the foregoing scene — to bring to light the inward mischief for the
women growing from this first meeting? To the patient, too, it was in the highest
degree hurtful; so at least affirmed the physician, who came, it is true, often
enough to impart news and to give consolation, but who felt himself in duty
bound to forbid all further visiting. In this also he found a willing obedience; the
daughter did not venture to ask what her mother would not have allowed, and so
the order of the sensible gentleman was obeyed. But, on the other hand, he
brought the welcome tidings that Flavio had asked for writing materials, and
written down something, but had forthwith hidden it close by him in the bed.
Curiosity was now added to their remaining restlessness and impatience; those
were painful hours. After some time, however, he brought a scrap, written in a
fine free hand, although hastily; it contained the following lines:
A marvel comes poor Man into the world,
In marvels lost Man to and fro is hurl’d.
With steps uncertain, hard it is to tell
To what dark gate he wends his pathless way;
For in heaven’s living light and midmost ray
I see, I feel but night, and death, and hell.
So here once again could the noble art of poetry display its healing power.
Intimately associated with music, she heals all sorrows of the soul from its very
depths, whilst powerfully arousing, evoking, and putting them to flight with
liberating pangs. The physician had convinced himself that the youth would soon
be well; sound in body, he would soon feel cheerful again, if the passion
weighing upon his mind could be removed or mitigated. Hilaria meditated upon
a reply; she sat down to the piano, and tried to accompany the lines of the patient
with a melody. She did not succeed; nothing in her soul responded to such deep
grief; yet, at this attempt, rhythm and rhyme accommodated themselves to such a
degree to her ideas, that she responded to the poem with soothing cheerfulness,
and taking her time, composed and worked up the following strophe:
Though still in very depths of woe and pain,
Thou ‘rt destined for the joys of youth again.
Arise and man thyself for health’s quick pace!
To friendship’s clear and heavenly light be led;
Midst good and true ones find a resting-place —
So may life’s joyous dew be o’er thee shed!
The medical friend of the family took charge of the missive; it succeeded, the
youth already replied in a moderate tone; Hilaria continued soothingly, and thus,
little by little, they seemed to gain daylight and open ground once more, and
perhaps we may be allowed, when occasion serves, to describe the whole course
of this pleasing treatment. Enough, some time was spent most pleasantly in this
sort of occupation; a quiet interview was being arranged beforehand, and the
physician no longer thought it necessary to defer it.
In the meantime the baroness had busied herself in sorting and arranging old
papers, and this occupation, which so completely accorded with present
circumstances, acted wonderfully upon her excited spirit. She passed in review
many years of her own life; deep, threatening sorrows had gone by, the
reconsideration of which strengthened her courage for the present moment;
particularly was she moved by the recollection of her beautiful friendship with
Makaria, and indeed under trying circumstances. The excellence of that unique
woman was again brought to her mind, and she at once formed the resolution of
applying to her on this occasion also; for to whom else could she express her
present feelings, to whom else candidly avow her fears and hopes?
But in the midst of her researches she found amongst other things her
brother’s miniature portrait, and was forced with a smile to sigh at its likeness to
the son. Hilaria surprised her at this moment, possessed herself of the portrait,
and she too was strangely struck with the resemblance.
Some time passed thus; at last, with the assent of the physician, and attended
by him, Flavio, after having been announced, came in to breakfast. The women
had been afraid of this first appearance; but as it very often happens in
important, nay, in terrible moments, that something amusing, or even ridiculous,
will take place, so it happened here. The son came in dressed completely in his
father’s clothes; for nothing of his own suit was wearable; they had availed
themselves of the major’s country and home wardrobe, which he had left in his
sister’s keeping in readiness for shooting or house wear. The baroness laughed,
and recovered herself; Hilaria was startled, she knew not why; at all events she
turned her face away, and at this moment would give the youth neither a cordial
word nor a phrase of greeting. However, in order to help the whole party out of
their embarrassment, the doctor began a comparison of the two figures. The
father was somewhat taller, he said, and for that reason the coat was a little too
long; the son was slightly broader, and the coat therefore was too tight across the
shoulders. Both differences of proportion gave a comical appearance to this
disguise; yet, with these trifles, they escaped the momentary difficulty. To
Hilaria, however, the likeness between the juvenile effigy of the father and the
fresh living presence of the son remained discomforting — nay, oppressive.
But now we might well have wished to see the next interval of time
circumstantially described by a woman’s delicate hand, since in our own style
and manner we venture to occupy ourselves only with the general. For here the
discourse must again be of the influence of poetic art.
Our Flavio must be credited with a certain amount of talent; but it needed only
too much a passionate, sensual impulse, if it was to have any striking success;
and it was on that account that almost all the poems dedicated to that irresistible
woman seemed in the highest degree impressive and praiseworthy, and now,
when read aloud with enthusiastic delivery in the presence of a most amiable
beauty, must needs produce no little effect.
A young lady, who sees that another is loved passionately, willingly
accommodates herself to the rôle of a confidante; she nourishes a secret,
scarcely conscious feeling, that it would certainly not be unpleasant to see
herself gently elevated to the place of the adored one. The conversation also
became more and more significant. Responsive poems, such as a lover likes to
compose, because, though but diffidently, he can half-and-half reply to himself,
as from his fair one, what he himself wishes, and what he could hardly expect to
hear from her own beautiful lips. Such poems, too, were read alternately with
Hilaria, and in fact, as it could only be from the one manuscript, into which both
had to look to strike in at the right time, and to this end both had to hold the little
volume, it so came to pass that, sitting close together, little by little body and
hand drew ever nearer, and at last, quite naturally, the contact was secretly
maintained.
But amidst these sweet relations, in spite of the charming delight which they
caused, Flavio felt a painful anxiety, which he concealed but ill, and longing
continually for his father’s arrival, made it evident that he had to confide the
most important thing to him. This secret, meanwhile, it would not have been
difficult to guess with a little reflection. The charming woman, in a moment of
excitement, provoked by the youth’s importunities, may have peremptorily
dismissed the unhappy one, and have banished and destroyed the hope which he
had hitherto obstinately cherished. We have not ventured to depict the scene in
which this may have passed, from fear that the fire of youth might fail us here. In
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