CHAPTER XIII.
Next morning Wilhelm started up with an unpleasant feeling, and found
himself alone. His head was still dim with the tumult, which he had not yet
entirely slept off; and the recollection of his nightly visitant disquieted his mind.
His first suspicion lighted on Philina; but, on second thoughts, he conceived that
it could not have been she. He sprang out of bed: and, while putting on his
clothes, he noticed that the door, which commonly he used to bolt, was now ajar;
though whether he had shut it on the previous night, or not, he could not
recollect.
But what surprised him most was the Spirit’s veil, which he found lying on his
bed. Having brought it up with him, he had most probably thrown it there
himself. It was a gray gauze: on the hem of it he noticed an inscription broidered
in dark letters. He unfolded it, and read the words, “For the first and the last
time! Flee, Youth! Flee!” He was struck with it, and knew not what to think or
say.
At this moment Mignon entered with his breakfast. The aspect of the child
astonished Wilhelm, we may almost say frightened him. She appeared to have
grown taller over night: she entered with a stately, noble air, and looked him in
the face so earnestly, that he could not endure her glances. She did not touch
him, as at other times, when, for morning salutation, she would press his hand,
or kiss his cheek, his lips, his arm, or shoulder; but, having put his things in
order, she retired in silence.
The appointed time of a first rehearsal now arrived: our friends assembled, all
of them entirely out of tune from yesternight’s debauch. Wilhelm roused himself
as much as possible, that he might not at the very outset violate the principles he
had preached so lately with such emphasis. His practice in the matter helped him
through; for practice and habit must, in every art, fill up the voids which genius
and temper in their fluctuations will so often leave.
But, in the present case, our friends had especial reason to admit the truth of
the remark, that no one should begin with a festivity any situation that is meant
to last, particularly that is meant to be a trade, a mode of living. Festivities are fit
for what is happily concluded: at the commencement, they but waste the force
and zeal which should inspire us in the struggle, and support us through a long-
continued labor. Of all festivities, the marriage festival appears the most
unsuitable: calmness, humility, and silent hope befit no ceremony more than this.
So passed the day, which to Wilhelm seemed the most insipid he had ever
spent. Instead of their accustomed conversation in the evening, the company
began to yawn: the interest of Hamlet was exhausted; they rather felt it
disagreeable than otherwise that the play was to be repeated next night. Wilhelm
showed the veil which the royal Dane had left: it was to be inferred from this,
that he would not come again. Serlo was of that opinion; he appeared to be deep
in the secrets of the Ghost: but, on the other hand, the inscription, “Flee, youth!
Flee!” seemed inconsistent with the rest. How could Serlo be in league with any
one whose aim it was to take away the finest actor of his troop?
It had now become a matter of necessity to confer on Boisterous the Ghost’s
part, and on the Pedant that of the King. Both declared that they had studied
these sufficiently: nor was it wonderful; for in such a number of rehearsals, and
so copious a treatment of the subject, all of them had grown familiar with it:
each could have exchanged his part with any other. Yet they rehearsed a little
here and there, and prepared the new adventurers, as fully as the hurry would
admit. When the company was breaking up at a pretty late hour, Philina softly
whispered Wilhelm as she passed, “I must have my slippers back: thou wilt not
bolt the door?” These words excited some perplexity in Wilhelm, when he
reached his chamber; they strengthened the suspicion that Philina was the secret
visitant: and we ourselves are forced to coincide with this idea; particularly as
the causes, which awakened in our friend another and a stranger supposition,
cannot be disclosed. He kept walking up and down his chamber in no quiet
frame: his door was actually not yet bolted.
On a sudden Mignon rushed into the room, laid hold of him, and cried,
“Master! save the house! It is on fire!” Wilhelm sprang through the door, and a
strong smoke came rushing down upon him from the upper story. On the street
he heard the cry of fire; and the harper, with his instrument in his hand, came
down-stairs breathless through the smoke. Aurelia hurried out of her chamber,
and threw little Felix into Wilhelm’s arms.
“Save the child!” cried she, “and we will mind the rest.”
Wilhelm did not look upon the danger as so great: his first thought was, to
penetrate to the source of the fire, and try to stifle it before it reached a head. He
gave Felix to the harper; commanding him to hasten down the stone stairs, which
led across a little garden-vault out into the garden, and to wait with the children
in the open air. Mignon took a light to show the way. He begged Aurelia to
secure her things there also. He himself pierced upwards through the smoke, but
it was in vain that he exposed himself to such danger. The flame appeared to
issue from a neighboring house; it had already caught the wooden floor and
staircase: some others, who had hastened to his help, were suffering like himself
from fire and vapor. Yet he kept inciting them; he called for water; he conjured
them to dispute every inch with the flame, and promised to abide by them to the
last. At this instant, Mignon came springing up, and cried. “Master! save thy
Felix! The old man is mad! He is killing him.” Scarcely knowing what he did,
Wilhelm darted down stairs; and Mignon followed close behind him.
On the last steps, which led into the garden-vault, he paused with horror.
Some heaps of fire-wood branches, and large masses of straw, which had been
stowed in the place, were burning with a clear flame; Felix was lying on the
ground, and screaming; the harper stood aside, holding down his head, and
leaned against the wall. “Unhappy creature! what is this?” said Wilhelm. The old
man spoke not; Mignon lifted Felix, and carried him with difficulty to the
garden; while Wilhelm strove to pull the fire asunder and extinguish it, but only
by his efforts made the flame more violent. At last he, too, was forced to flee
into the garden, with his hair and his eyelashes burned; tearing the harper with
him through the conflagration, who, with singed beard, unwillingly accompanied
him.
Wilhelm hastened instantly to seek the children. He found them on the
threshold of a summer-house at some distance: Mignon was trying every effort
to pacify her comrade. Wilhelm took him on his knee: he questioned him, felt
him, but could obtain no satisfactory account from either him or Mignon.
Meanwhile, the fire had fiercely seized on several houses: it was now
enlightening all the neighborhood. Wilhelm looked at the child in the red glare
of the flames: he could find no wound, no blood, no hurt of any kind. He groped
over all the little creature’s body, but the boy gave no sign of pain: on the
contrary, he by degrees grew calm, and began to wonder at the blazing houses,
and express his pleasure at the spectacle of beams and rafters burning all in
order, like a grand illumination, so beautifully there.
Wilhelm thought not of the clothes or goods he might have lost: he felt deeply
how inestimable to him was this pair of human beings, who had just escaped so
great a danger. He pressed little Felix to his heart with a new emotion: Mignon,
too, he was about to clasp with joyful tenderness; but she softly avoided this: she
took him by the hand, and held it fast.
“Master,” said she (till the present evening she had hardly ever named him
master; at first she used to name him sir, and afterwards to call him father), —
“Master! we have escaped an awful danger: thy Felix was on the point of death.”
By many inquiries, Wilhelm learned from her at last, that, when they came
into the vault, the harper tore the light from her hand, and set on fire the straw.
That he then put Felix down, laid his hands with strange gestures on the head of
the child, and drew a knife as if he meant to sacrifice him. That she sprang
forward, and snatched it from him; that she screamed; and some one from the
house, who was carrying something down into the garden, came to her help, but
must have gone away again in the confusion, and left the old man and the child
alone.
Two or even three houses were now flaming in a general blaze. Owing to the
conflagration in the vault, no person had been able to take shelter in the garden.
Wilhelm was distressed about his friends, and in a less degree about his
property. Not venturing to quit the children, he was forced to sit, and see the
mischief spreading more and more.
In this anxious state he passed some hours. Felix had fallen asleep on his
bosom: Mignon was lying at his side, and holding fast his hand. The efforts of
the people finally subdued the fire. The burned houses sank, with successive
crashes, into heaps; the morning was advancing; the children awoke, and
complained of bitter cold; even Wilhelm, in his light dress, could scarcely brook
the chillness of the falling dew. He took the young ones to the rubbish of the
prostrate building, where, among the ashes and the embers, they found a very
grateful warmth.
The opening day collected, by degrees, the various individuals of the party.
All of them had got away unhurt: no one had lost much. Wilhelm’s trunk was
saved among the rest.
Towards ten o’clock Serlo called them to rehearse their “Hamlet,” at least
some scenes, in which fresh players were to act. He had some debates to
manage, on this point, with the municipal authorities. The clergy required, that,
after such a visitation of Providence, the playhouse should be shut for some
time; and Serlo, on the other hand, maintained, that both for the purpose of
repairing the damage he had suffered, and of exhilarating the depressed and
terrified spirits of the people, nothing could be more in place than the exhibition
of some interesting play. His opinion in the end prevailed, and the house was
full. The actors played with singular fire, with more of a passionate freedom than
at first. The feelings of the audience had been heightened by the horrors of the
previous night, and their appetite for entertainment had been sharpened by the
tedium of a wasted and dissipated day: every one had more than usual
susceptibility for what was strange and moving. Most of them were new
spectators, invited by the fame of the play: they could not compare the present
with the preceding evening. Boisterous played altogether in the style of the
unknown Ghost: the Pedant, too, had accurately seized the manner of his
predecessor; nor was his own woful aspect without its use to him; for it seemed
as if, in spite of his purple cloak and his ermine collar, Hamlet were fully
justified in calling him a “king of shreds and patches.”
Few have ever reached the throne by a path more singular than his had been.
But although the rest, and especially Philina, made sport of his preferment, he
himself signified that the count, a consummate judge, had at the first glance
predicted this and much more of him. Philina, on the other hand, recommended
lowliness of mind to him; saying, she would now and then powder the sleeves of
his coat, that he might remember that unhappy night in the castle, and wear his
crown with meekness.
Do'stlaringiz bilan baham: |