CHAPTER XI.
After a short consideration, he called the landlord, and bade him mark to his
account both the damage and the regular charge. At the same time he learned,
not without vexation, that his horse had been so hard ridden by Laertes last
night, that, in all probability, it was foundered, as they term it; the farrier having
little hope of its recovering.
A salute from Philina, which she threw him from her window, restored him in
some degree to a more cheerful humor: he went forthwith into the nearest shop
to buy her a little present, which, in return for the powder-knife, he still owed
her; and it must be owned, that, in selecting his gift, he did not keep himself
within the limits of proportional value. He not only purchased her a pair of
earrings, but added likewise a hat and neckerchief, and some other little articles,
which he had seen her lavishly throw from her on the first day of their
acquaintance.
Madam Melina, happening to observe him as he was delivering his presents,
took an opportunity before breakfast to rate him very earnestly about his
inclination for this girl; at which he felt the more astonished, the less he thought
it merited. He swore solemnly, that he had never once entertained the slightest
notion of attaching himself to such a person, whose whole manner of proceeding
was well known to him. He excused himself as well as possible for his friendly
and polite conduct towards her, yet did not by any means content Madam
Melina, whose spite grew ever more determined, as she could not but observe
that the flatteries, by which she had acquired for herself a sort of partial regard
from our friend, were not sufficient to defend this conquest from the attacks of a
livery, younger, and more gifted rival.
As they sat down to table, her husband joined them, likewise in a very fretful
humor; which he was beginning to display on many little things, when the
landlord entered to announce a player on the harp. “You will certainly,” he said,
“find pleasure in the music and the songs of this man: no one who hears him can
forbear to admire him, and bestow something on him.”
“Let him go about his business,” said Melina: “I am any thing but in a trim for
hearing fiddlers, and we have singers constantly among ourselves disposed to
gain a little by their talent.” He accompanied these words with a sarcastic side-
look at Philina: she understood his meaning, and immediately prepared to punish
him, by taking up the cause of the harper. Turning towards Wilhelm, “Shall we
not hear the man?” said she: “shall we do nothing to save ourselves from this
miserable ennui?”
Melina was going to reply, and the strife would have grown keener, had not
the person it related to at that moment entered. Wilhelm saluted him, and
beckoned him to come near.
The figure of this singular guest set the whole party in astonishment: he had
found a chair before any one took heart to ask him a question, or make any
observation. His bald crown was encircled by a few gray hairs, and a pair of
large blue eyes looked out softly from beneath his long white eyebrows. To a
nose of beautiful proportions was subjoined a flowing, hoary beard, which did
not hide the fine shape and position of his lips; and a long dark-brown garment
wrapped his thin body from the neck to the feet. He began to prelude on the
harp, which he had placed before him.
The sweet tones which he drew from his instrument very soon inspirited the
company.
“You can sing, too, my good old man,” said Philina.
“Give us something that shall entertain the spirit and the heart as well as the
senses,” said Wilhelm. “The instrument should but accompany the voice; for
tunes and melodies without words and meaning seem to me like butterflies or
finely variegated birds, which hover round us in the air, which we could wish to
catch and make our own: whereas song is like a blessed genius that exalts us
towards heaven, and allures the better self in us to attend him.”
The old man looked at Wilhelm, then aloft, then gave some trills upon his
harp, and began his song. It contained a eulogy on minstrelsy, — described the
happiness of minstrels, and reminded men to honor them. He produced his song
with so much life and truth, that it seemed as if he had composed it at the
moment, for this special occasion. Wilhelm could scarcely refrain from clasping
him in his arms: but the fear of awakening a peal of laughter detained him in his
chair; for the rest were already in half-whispers making sundry very shallow
observations, and debating if the harper was a Papist or a Jew.
When asked about the author of the song, the man gave no distinct reply;
declaring only that he was rich in songs, and anxious that they should please.
Most of the party were now merry and joyful; even Melina was grown frank in
his way; and, whilst they talked and joked together, the old man began to sing
the praise of social life in the most sprightly style. He described the loveliness of
unity and courtesy, in soft, soothing tones. Suddenly his music became cold,
harsh, and jarring, as he turned to deplore repulsive selfishness, short-sighted
enmity, and baleful division; and every heart willingly threw off those galling
fetters, while, borne on the wings of a piercing melody, he launched forth in
praise of peacemakers, and sang the happiness of souls, that, having parted, meet
again in love.
Scarcely had he ended, when Wilhelm cried to him, “Whoever thou art, that as
a helping spirit comest to us with a voice which blesses and revives, accept my
reverence and my thanks! Feel that we all admire thee, and confide in us if thou
wantest any thing.”
The old man spoke not: he threw his fingers softly across the strings, then
struck more sharply, and sang, —
“‘What notes are those without the wall, Across the portal sounding? Let’s
have the music in our hall, Back from its roof rebounding.’ So spoke the king,
the henchman flies: His answer heard, the monarch cries, ‘Bring in that ancient
minstrel.’
‘Hail, gracious king! each noble knight, Each lovely dame, I greet you! What
glittering stars salute my sight! What heart unmoved may meet you! Such lordly
pomp is not for me, Far other scenes my eyes must see: Yet deign to list my
harping.’
The singer turns him to his art, A thrilling strain he raises: Each warrior hears
with glowing heart, And on his loved one gazes. The king, who liked his playing
well, Commands, for such a kindly spell, A golden chain be given him.
‘The golden chain give not to me; Thy boldest knight may wear it, Who,
‘cross the battle’s purple sea, On lion breast may bear it: Or let it be thy
chancellor’s prize, Amid his heaps to feast his eyes; Its yellow glance will please
him.’
“I sing but as the linnet sings, That on the green bough dwelleth; A rich
reward his music brings, As from his throat it swelleth: Yet might I ask, I’d ask
of thine One sparkling draught of purest wine, To drink it here before you.’
He viewed the wine: he quaffed it up. ‘O draught of sweetest savor! O happy
house, where such a cup Is thought a little favor! If well you fare, remember me,
And thank kind Heaven, from envy free, As now for this I thank you.’“
When the harper, on finishing his song, took up a glass of wine that stood
poured out for him, and, turning with a friendly mien to his entertainers, drank it
off, a buzz of joyful approbation rose from all the party. They clapped hands,
and wished him health from that glass, and strength to his aged limbs. He sang a
few other ballads, exciting more and more hilarity among the company.
“Old man,” said Philina, “dost thou know the tune, ‘The shepherd decked him
for the dance’?”http://www.gutenberg.org/files/36483/36483-h/36483-h.htm -
Footnote_2_2
“Oh, yes!” said he: “if you will sing the words, I shall not fail for my part of
it.”
Philina then stood up, and held herself in readiness. The old man commenced
the tune; and she sang a song, which we cannot impart to our readers, lest they
might think it insipid, or perhaps undignified.
Meanwhile the company were growing merrier and merrier: they had already
emptied several flasks of wine, and were now beginning to get very loud. But
our friend, having fresh in his remembrance the bad consequences of their late
exhilaration, determined to break up the sitting; he slipped into the old man’s
hand a liberal remuneration for his trouble, the rest did something likewise; they
gave him leave to go and take repose, promising themselves another
entertainment from his skill in the evening.
When he had retired, our friend said to Philina, “In this favorite song of yours
I certainly find no merit, either moral or poetical; yet if you were to bring
forward any proper composition on the stage, with the same arch simplicity, the
same propriety and gracefulness, I should engage that strong and universal
approbation would be the result.”
“Yes,” said Philina: “it would be a charming thing indeed to warm one’s self
at ice.”
“After all,” said Wilhelm, “this old man might put many a player to the blush.
Did you notice how correctly the dramatic part of his ballads was expressed? I
maintain there was more living true representation in his singing than in many of
our starched characters upon the stage. You would take the acting of many plays
for a narrative, and you might ascribe to these musical narratives a sensible
presence.”
“You are hardly just,” replied Laertes. “I pretend to no great skill, either as a
player or as a singer; yet I know well enough, that when music guides the
movements of the body, at once affording to them animation and a scale to
measure it; when declamation and expression are furnished me by the
composer, — I feel quite a different man from what I do when, in prose
dramas, I have all this to create for myself, — have both gesture and
declamation to invent, and am, perhaps, disturbed in it, too, by the awkwardness
of some partner in the dialogue.”
“Thus much I know,” said Melina: “the man certainly puts us to the blush in
one point, and that a main point. The strength of his talent is shown by the profit
he derives from it. Even us, who perhaps erelong shall be embarrassed where to
get a meal, he persuades to share our pittance with him. He has skill enough to
wile the money from our pockets with an old song, — the money that we
should have used to find ourselves employment. So pleasant an affair is it to
squander the means which might procure subsistence to one’s self and others.”
This remark gave the conversation not the most delightful turn. Wilhelm, for
whom the reproach was peculiarly intended, replied with some heat; and Melina,
at no time over studious of delicacy and politeness, explained his grievances at
last in words more plain than courteous. “It is now a fortnight,” said he, “since
we looked at the theatrical machinery and wardrobe which is lying pawned here:
the whole might be redeemed for a very tolerable sum. You then gave me hopes
that you would lend me so much; and hitherto I do not see that you have thought
more of the matter, or come any nearer a determination. Had you then consented,
we should ere now have been under way. Nor has your intention to leave the
place been executed, nor has your money in the mean time been spared: at least
there are people who have always skill to create opportunities for scattering it
faster and faster away.”
Such upbraidings, not altogether undeserved, touched Wilhelm to the quick.
He replied with keenness, nay, with anger; and, as the company rose to part, he
took hold of the door, and gave them not obscurely to understand that he would
no longer continue with such unfriendly and ungrateful people. He hastened
down, in no kindly humor, and seated himself upon the stone bench without the
door of his inn; not observing, that, first out of mirth, then out of spleen, he had
drunk more wine than usual.
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