Course work theme: Humor and satire in Shakespeare’s comedies. Done by: Abdurakhimova Nilufar Research adviser: Gaziyeva Saida Chirchik 2022 Content introduction chapter I. Shakespeare’s life and works



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CONCLUSION
It seems impossible the flower garden of world literature, poets and writers abound like unique flowers that do not repeat each other. One of them is William Shakespeare, a brilliant representative of English literature. Through his works we become intimately acquainted with the culture, customs, and way of life of the English people.
The great playwright William Shakespeare has always lived in mystery. Shakespeare's biographical evidence suggests that he was the second most cited author of the entire world space. It was Shakespeare who introduced the word “murder” into the daily lives of all people. As the facts of Shakespeare’s life say, he quickly became famous all over the world. Shakespeare is the greatest artist of today. The great playwright's surviving works include a collection of 38 plays.
Many of Shakespeare's works have been translated into other languages ​​of the world. Performances of this figure are performed in theaters more often than other characters.
The period from 1585 to 1592 is considered the period of Shakespeare's disappearance, as no data on this period have been made. According to Shakespeare, his works were only to be performed on stage. Shakespeare, before his death, tried to curse anyone who tried to bury him again. About 3,000 new words were created by Shakespeare. No manuscript of William Shakespeare has survived to this day.
William Shakespeare is a versatile artist. The role of his literary legacy left to us is incomparable. He created not only in one genre, but in many directions of prose. For example, the genre of tragedy is unimaginable without Shakespeare’s novels Hamlet and Othello. Shakespeare's play Macbeth is considered the most famous in the world.


THE LIST OF USED LITERATURE
1. "Uzbekistan: Head of security services gets chop amid talk of surveillance | Eurasianet"
2. Dates follow the Julian calendar, used in England throughout Shakespeare's lifespan, but with the start of the year adjusted to 1 January (see Old Style and New Style dates). Under the Gregorian calendar, adopted in Catholic countries in 1582, Shakespeare died on 3 May.[1]
3. The "national cult" of Shakespeare, and the "bard" identification, dates from September 1769, when the David Garrick organised a week-long carnival at Stratford to mark the town council awarding him the freedom of the town. In addition to presenting the town with a statue of Shakespeare, Garrick composed a doggerel verse, lampooned in the London newspapers, naming the banks of the Avon as the birthplace of the "matchless Bard".[6]
4. The exact figures are unknown. See Shakespeare's collaborations and Shakespeare Apocrypha for further details.
5. Individual play dates and precise writing span are unknown. See Chronology of Shakespeare's plays for further details.
6. The crest is a silver falcon supporting a spear, while the motto is Non Sanz Droict (French for "not without right"). This motto is still used by Warwickshire County Council, in reference to Shakespeare.
7. Inscribed in Latin on his funerary monument: AETATIS 53 DIE 23 APR (In his 53rd year he died 23 April).
8. Verse by James Mabbe printed in the First Folio.
9. Charles Knight, 1842, in his notes on Twelfth Night.
10. In the scribal abbreviations ye for the (3rd line) and yt for that (3rd and 4th lines) the letter y represents th: see thorn.
11. Grady cites Voltaire's Philosophical Letters (1733); Goethe's Wilhelm Meister's Apprenticeship (1795);
12. Stendhal's two-part pamphlet Racine et Shakespeare (1823–25); and Victor Hugo's prefaces to Cromwell (1827) and William Shakespeare (1864).
13. For example, A.L. Rowse, the 20th-century Shakespeare scholar, was emphatic: "He died, as he had lived, a conforming member of the Church of England. His will made that perfectly clear—in facts, puts it beyond dispute, for it uses the Protestant formula.
14. McMichael, George; Glenn, Edgar M. (1962). Shakespeare and his Rivals: A Casebook on the Authorship
15. Controversy. New York: Odyssey Press. OCLC 2113359 (https://www.worldcat.org/oclc/2113359) .
16. Meagher, John C. (2003). Pursuing Shakespeare's Dramaturgy: Some Contexts, Resources, and Strategies in his Playmaking. New Jersey: Fairleigh Dickinson University Press. ISBN 978-0-8386-3993-1.
17. Mowat, Barbara; Werstine, Paul (n.d.). "Sonnet 18" (https://shakespeare.folger.edu/shakespeares-works/shakespeares-sonnets/sonnet-18/) . Folger Digital Texts. Folger Shakespeare Library. Retrieved 20 March 2021.
18. Muir, Kenneth (2005). Shakespeare's Tragic Sequence. London: Routledge. ISBN 978-0-415-35325-0.
19. Nagler, A.M. (1958). Shakespeare's Stage (https://archive.org/details/shakespearesstag0000nagl) .
20. New Haven, CT: Yale University Press. ISBN 978-0-300-02689-4.

1 "Uzbekistan: Head of security services gets chop amid talk of surveillance | Eurasianet"



2 The "national cult" of Shakespeare, and the "bard" identification, dates from September 1769, when the David Garrick organised a week-long carnival at Stratford to mark the town council awarding him the freedom of the town. In addition to presenting the town with a statue of Shakespeare,

3 The exact figures are unknown. See Shakespeare's collaborations and Shakespeare Apocrypha for further details.



4 Muir, Kenneth (2005). Shakespeare's Tragic Sequence. London: Routledge. ISBN 978-0-415-35325-0.



5 Individual play dates and precise writing span are unknown. See Chronology of Shakespeare's plays for further details.

6 Charles Knight, 1842, in his notes on Twelfth Night.
Charles Knight, 1842, in his notes on Twelfth Night.



7 The "national cult" of Shakespeare, and the "bard" identification, dates from September 1769, when the David Garrick organised a week-long carnival at Stratford to mark the town council awarding him the freedom of the town. In addition to presenting the town with a statue of Shakespeare, Garrick composed a doggerel verse, lampooned in the London newspapers, naming the banks of the Avon as the birthplace of the "matchless Bard"


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