Article in Thinking Skills and Creativity · February 2019 doi: 10. 1016/j tsc



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Using interactive technologies to promote a dialogic space for creating
collaboratively: A study in secondary education
Article
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Thinking Skills and Creativity · February 2019
DOI: 10.1016/j.tsc.2019.01.004
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Manoli Pifarre
Universitat de Lleida
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PRE-PRINT VERSION OF THE PAPER:
Pifarré, M. (2019). Using interactive technologies to promote a dialogic space for 
creating collaboratively: a study in secondary education. 
Thinking Skills and 
Creativity, Volume 32, 1-16

https://doi.org/10.1016/j.tsc.2019.01.004
 
 
Using interactive technologies to promote a dialogic space for creating 
collaboratively: a study in secondary education 
Manoli Pifarré 
Manoli Pifarré, 
Psychology Department, Universitat de Lleida, Spain. Address: 
Avinguda Estudi General, 4. E25001, Lleida (Spain) 
e-mail: pifarre@pip.udl.cat 
Summary 
This research expands our understanding on the role of interactive technologies to 
draw learners into a dialogic space capable to promote ways of thinking creatively 
together. Grounded on dialogic theory, the research examines and characterizes the 
emergence of co-creative processes in an interactive technology framework. To this 
end, this paper reports on an empirical study with secondary-school students who 
followed a technology-enhanced dialogic pedagogy that promotes co-creativity in real 
secondary-education classrooms. Qualitative methodology was used to document real-
life multimodal interaction. The video data was processed in different phases to 
develop an analytical framework capable of identifying strings of episodes 
indicating typical facets of technology-enhanced co-creative processes. Results 
provided seven typical co-creative facets: 1) collective framing of the task; 2) 
overcoming technological challenges; 3) engagement in generating a shared pool of 
ideas; 4) developing intersubjectivity; 5) fusing ideas for a new perspective; 6) 
evaluation of ideas and 7) making ideas a reality. Furthermore, the findings show that 
each co-creative facet covers specific objectives in the co-creativity cycle and presents 
distinct features along three key dimensions: a) co-creative processes involved, b) 
typical discourse features and, c) dialogic use of specific technology affordances (e.g. 
visibility, interactivity, responsiveness, 
multimodal representation, provisional, 
stability, re-usability) for co-creating. Future educational implications to design a more 



effective technology-enhanced dialogic pedagogy that can connect learners to their 
creative potential are also discussed. 

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