like someone who’s been driving for years. A woman answers the door, and
this must be his mother because her eyes are
the same bright-sky blue as
Finch’s. It’s strange to think, after all this time, I’m only meeting her now.
I hold out my hand and say, “I’m Violet. It’s nice to meet you. I’ve come to
see Finch.” It occurs to me that maybe she’s never heard of me, so I add,
“Violet Markey.”
She shakes my hand and says, “Of course. Violet. Yes. He should be home
from school by now.”
She doesn’t know he’s been expelled
. She is wearing a
suit, but she’s in her stocking feet. There’s a kind of faded, weary prettiness to
her. “Come on in. I’m just getting home myself.”
I follow her into the kitchen. Her purse sits on the breakfast table next to a
set of car keys, and her shoes are on the floor.
I hear a television from the
other room, and Mrs. Finch calls, “Decca?”
In a moment I hear a distant “What?”
“Just checking.” Mrs. Finch smiles at me and offers me something to drink
—water, juice, soda—as she pours herself a glass of wine from a corked
bottle in the fridge. I tell her water’s fine, and she asks ice or no ice, and I say
no ice, even though I like it better cold.
Kate walks in and waves hello. “Hey.”
“Hey. I came to see Finch.”
They chat with me like everything is normal, like he hasn’t been expelled,
and Kate pulls something out of the freezer and sets the temperature on the
oven. She tells her mother to remember to listen for the buzzer and then tugs
on her coat. “He’s probably upstairs. You can go on up.”
I knock on the door to his room, but don’t get any answer. I knock again.
“Finch? It’s me.”
I hear a shuffling, and the door opens. Finch wears pajama bottoms but no
shirt, and glasses. His hair spikes up in all directions, and I think,
Nerd Finch
.
He gives me a lopsided grin and says, “The only person I want to see. My
Jovian-Plutonian gravitational effect.” He moves out of the way so I can come
in.
The
room has been stripped bare, down to the sheets on the bed. It looks
like a vacant blue hospital room, waiting to be made up for the next patient.
Two medium-sized brown boxes are stacked by the door.
My heart does this weird little flip. “It almost looks like—are you
moving?”
“No, I just cleared some things out. Giving a few things to Goodwill.”
“Are you feeling okay?” I try not to sound like the blaming girlfriend.
Why
won’t you spend time with me? Why won’t you call me back? Don’t you like
me anymore?
“Sorry, Ultraviolet. I’m still feeling kind of under the weather. Which,
when you think about it, is a very odd expression. One that finds its origins in
184
the sea—as in a sailor or passenger feels seasick from the storm, and they
send him below to get out of the bad weather.”
“But you’re better now?”
“It was touch-and-go for a while, but yeah.” He grins and pulls on a shirt.
“Want to see my fort?”
“Is that a trick question?”
“Every
man needs a fort, Ultraviolet. A place to let his imagination run
wild. A ‘No Trespassing/No Girls Allowed’ type of space.”
“If no girls are allowed, why are you letting me see it?”
“Because you’re not just any girl.”
He opens the door to his closet, and it actually looks pretty cool. He’s made
a kind of cave for himself, complete with guitar and computer and notebooks
of staff paper, along with pens and stacks of Post-its. My picture is tacked to
the blue wall along with a license plate.
“Other people might call it an office, but I like fort better.”
He offers me a seat on the blue comforter and we sit side by side, shoulder
to shoulder, backs against the wall. He nods at the opposite wall, and that’s
when I see the pieces of paper there, kind of like his Wall of Ideas, but not as
many or as cluttered.
“So I’ve discovered I think better in here. It gets loud out there sometimes
between Decca’s music and my mom yelling at my dad over the phone.
You’re lucky you live in a house of no yelling.” He writes down
Do'stlaringiz bilan baham: