or may not contain something disgusting called bone char, which is from the
bones
of animals, and then I can’t even look at the cookies or at the people
eating them. I stare out the window, but the trees of the arboretum are thin and
brown and dead, and so I keep my eyes on Demetrius, who sits in the middle
where we can all see him.
He recites facts I already know about suicide and teenagers, and then we go
around the room and say our names and how old we are and the thing we’ve
been diagnosed with and if we’ve had any firsthand experience trying to kill
ourselves. Then we say the phrase “________ is life,” as in whatever strikes
us in that moment as something to celebrate, like “Basketball is life,” “School
is life,” “Friends are life,” “Making out with my girlfriend is life.” Anything
that reminds us how good it is to be alive.
A number of these kids have the slightly dull, vacant look of people on
drugs, and I wonder what they’re taking to keep them here and breathing. One
girl says, “
Vampire Diaries
is life,” and a couple of the other girls giggle.
Another says, “My dog is life even when she’s eating my shoes.”
When it’s my turn, I introduce myself as Josh Raymond,
seventeen, no
previous experience beyond my recent halfhearted experiment with sleeping
pills. “The Jovian-Plutonian gravitational effect is life,” I add, even though no
one knows what this means.
At that moment the door opens and someone runs in, letting the cold air in
with her. She is hatted and scarved and mittened up tightly, unwrapping
herself like a mummy as she finds her seat. We all turn and Demetrius smiles
a comforting smile. “Come in, no worries, we’re just getting started.”
The mummy sits down, losing the scarf, mittens, and hat. She turns away
from me, blond ponytail swinging, as she hooks her purse strap over her chair.
She settles back, smoothing the loose strands of hair off her cheeks, which are
pink from the cold, and leaves her coat on. “I’m sorry,”
Amanda Monk
mouths at Demetrius, at the table. When her eyes get around to me, her face
goes completely and immediately blank.
Demetrius nods at her. “Rachel, why don’t you go ahead?”
Amanda, as Rachel, avoids looking at me. In a wooden voice, she recites,
“I’m Rachel, I’m seventeen, I’m bulimic, and I tried to kill myself twice, both
times with pills. I hide myself away with smiles and gossip. I am not happy at
all. My mother is making me come here. Secrecy is life.” She says this last
line to me and then looks away.
The others take their turns, and by the time we get all the way around, it’s
clear I am the only one here who hasn’t tried to really and truly kill himself. It
makes me feel superior, even though it shouldn’t, and I can’t help thinking,
When I actually try, I’m not going to miss
. Even Demetrius has a story. These
people are here and trying to get help and they’re alive, after all.
But the whole thing is heartbreaking. Between thoughts of bone char, and
180
stories of wrist cutting and hangings, and bitchy Amanda Monk with her little
pointed chin jutted out, so exposed and scared, I want to put my head on the
table and let the Long Drop just come. I want to get away from these kids
who never did anything to anyone except be born
with different brains and
different wiring, and from the people who aren’t here to eat these bone char
cookies and share their tales, and the ones who didn’t make it and never had a
chance. I want to get away from the stigma they all clearly feel just because
they have an illness of the mind as opposed to, say, an illness of the lungs or
blood. I want to get away from all the labels.
“I’m
OCD,” “I’m depressed,”
“I’m a cutter,”
they say, like these are the things that define them. One poor
bastard is ADHD, OCD, BPD, bipolar, and on top of it all has some sort of
anxiety disorder. I don’t even know what BPD stands for. I’m the only one
who is just Theodore Finch.
A girl with a fat black braid and glasses says, “My sister died of leukemia,
and you should have seen the flowers and the sympathy.” She holds up her
wrists, and even across the table I can see the scars. “But when I nearly died,
no flowers were sent, no casseroles were baked.
I was selfish and crazy for
wasting my life when my sister had hers taken away.”
This makes me think of Eleanor Markey, and then Demetrius talks about
medicines that are out there and helpful, and everyone volunteers the names
of the drugs that are helping them get through. A boy at the other end of the
table says the only thing he hates is feeling like everyone else. “Don’t get me
wrong—I’d rather be here than dead—but sometimes I feel that everything
that, like, makes me up has gone away.”
I stop listening after that.
When it’s over, Demetrius asks me what I thought, and I tell him it was
eye-opening and enlightening and other things along those lines to make him
feel good
about the work he is doing, and then I chase down Amanda, as
Rachel, in the parking lot before she can run away. “I’m not going to say
anything to anyone.”
“You better not. I’m so serious.” Her eyes are wild, her face flushed.
“If I do, you can just tell them I’m a freak. They’ll believe you. They’ll
think I’m just making shit up. Besides, I was expelled, remember?” She looks
away. “So do you still think about it?”
“If I didn’t, I wouldn’t be here.” She looks up. “What about you? Were you
really going to jump off the bell tower before Violet talked you down?”
“Yes and no.”
“Why do you do that? Don’t you get tired of people talking about you?”
“Including you?”
She goes quiet.
“I do it because it reminds me to be here, that I’m still here and I have a say
in the matter.”
181