The architecture of light: architectural lighting design concepts and techniques. A textbook of procedures and practices for the architect, interior designer and lighting designer pdfdrive com

Try This:
After you experiences a piece of art or design with this goal in mind, make a chart on a piece of paper. On the left side of the paper, start a column titled “Emotion and Feeling.” Fill this column with the many identifiable feelings associated with the design. On the right side of this paper, start a column titled “Mechanism Responsible.” Take the time to identify what specific ingredients were responsible for the emotions and feeling. Is it a perspective or a point of view? Is it a tone or tempo or beat? Is it a specific color, texture, or quality of light? Identifying these ingredients puts the designer on a path to call on the min the future to create a predictable effect in his/her own design.
Figure 1.4 Dissecting an environment gives one specific ingredients for use later to create a similar emotional experience.
If we can adopt the habit of reverse engineering the world around us, we can quickly hone our skills as creative thinkers and designers. Once we have taken the time to identify the mechanisms that work in an environment to create certain feelings, we can use those mechanisms to create the same effect in our own design. In this manner, the designer builds an ever-growing toolbox of techniques and ingredients that can be put to use to elicit a predictable effect.
The designer gains the ability to translate the feelings of an environment into
tangible, tactile ingredients that can be injected into any setting.
As we move forward and discuss the specific nuances and effects we can encourage with light, let us keep these two tools as part of our everyday design process. Our techniques for cultivating and expressing lighting design ideas are quite specific, but let us always make use of these fundamental skills. Design starts with the ability to conjure ideas without self-censure and a constant dedication to figuring out why our favorite environments work the way they do. If we can incorporate these tools as habits, we will be much better prepared to provide the constant flow of ideas and concepts that people expect of us.