The architecture of light: architectural lighting design concepts and techniques. A textbook of procedures and practices for the architect, interior designer and lighting designer pdfdrive com

DAYLIGHT AS A CONTROLLABLE ELEMENT
The bottom line is that sunlight and skylight are controllable, predictable sources of light that can be used to satisfy the needs of all of our five layers when implemented properly. There are daylight ingredients to serve the needs of way finding, mood, accenting, spatial revelation and tasks.
The key is to take control of daylight and design systems that use it. Even
simple wall windows deserve the consideration of diffusing curtains, blinds and shading devices. Daylight should never be an accident, nor should it be neglected. Like many other aspects of light, fear keeps designers from confidently implementing daylight. Daylight is such an elemental material that there are numerous simple ways to successfully put it to use.
Unlike electric light devices, there are few product catalogs that illustrate
daylight systems. Good daylight use is often the product of unique situations and a fair amount of experimenting. If you come across an application that you like, take note, sketch it, and start a collection of daylight systems that you can draw from the next time you need to lean on the sublime character of sunlight and skylight.
I am a strong believer in the unique mood and visual attraction of
daylight. I go to great lengths to study the opportunities for introducing skylight and diffuse sunlight into my environments. I think this affinity is so strong that I tend to design my electrical lighting systems to mimic the intensity, shape and texture of controlled daylight systems. This also offers the advantage of seamless integration between electric light and daylight. Despite all of the caution encouraged regarding daylight integration, remember that a little bit of daylight can go a long way towards a positive effect in the designed environment.

Chapter 17 Graphic Tools: Rendering and Light Maps

Figure 17.1 Lighting symbols on a construction document do very little to describe how the space will look, feel, or function.
We mentioned earlier that the designer’s ability to visualize lighting ideas is only one of the necessary skills. In order to implement lighting design, the designer must also be able to translate those ideas to other designers and ultimately back to themselves.
Communicating ideas is
necessary for working through challenges, getting feedback and assistance, thinking innovatively, and, foremost, being free to think creatively. For a designer, representing ideas visually is the fastest, clearest way to get those ideas out of one’s head and into the
design process. The credo that a lighting designer should adopt can be stated as simply as this: