The architecture of light: architectural lighting design concepts and techniques. A textbook of procedures and practices for the architect, interior designer and lighting designer pdfdrive com

Figure 13.4 An example of an over-developed solution for the space.
exceptional solutions that will support the rest of our design.
Figure 13.5 Examples of a few prudent lighting solutions.
The process we have just walked through is one for a very common and misunderstood space. This same methodology can be applied to all of the environments, large and small, that we will design. We have allowed ourselves to rely on our intuition and brainstorm in a fashion to identify lighting goals and then the methods for implementing them. No matter how complex our spaces
and environments become, lighting design is simply a matter of using design knowledge to determine where light goes, what kind of light it is, and how to get it there.
If we look carefully at the steps above, we will see that we are giving ourselves the opportunity to apply all of our procedure:
We think spatially and see our room as a collection of surfaces.
We identify specific objects first and visualize light on those specifics.
We consider the five layers of light (choreography, mood, accenting, architecture and tasks.)
We consider the controllable aspects of light (intensity, color, texture, shape, origin)
We consider all of the ways we can deliver the light we are after.
All the while, we are considering the real world aspects of efficiency, economy, maintenance, flexibility, and any other factors that may be a reality for this type of space. We may go on to solve lighting challenges with cost effective luminaries or high-efficiency sources, but since we have already identified where light will go, the integrity of the design solution will stay intact. By designing with light, rather than attaching ourselves to specific luminaries or a specific layout or tactic, we can respond to the changing program of the project.
Deciding where light belongs affords us the confidence to deal with changes in
budget or schedule that might otherwise derail a developed lighting design.
With a thorough knowledge of our design requirements, and an intimacy with the environment we are designing, all we need is the willingness to be thoughtful with light, and our intuition will do the rest.
This gives us great confidence to explore all of our ideas and lighting
design goals without an extensive knowledge of specific luminaires, specific light levels or complex lighting calculations.