Table of contents introduction 1

Conclusion on chapter II
Thus, comedy’s construction of what Derrida names the u-topia, or, non-place, can be usefully explored as a liberating play space which perpetuates the principle of the excluded middle. 19 Illuminated in this way, comic discourse is identified as a form of deconstruction as close to the ludic postmodernism of Derridean philosophy as is possible. The use of both deconstruction and psychoanalytical terms within this chapter assists in the formulation of a postmodernism of resistance which could be traced back to the Renaissance texts under analysis, through a critique of high-rationalist theory that resists a descent into relativism. is an attempt to escape the relativism of historical context whilst simultaneously maintaining a contextual link. Such critical judgements need to grasp both the artwork’s complex internal dynamics and the dynamics of the socio-historical totality to which it belongs. Such content is not a metaphysical idea, or essence hovering outside the text, but neither is it a merely human construct. It is historical but not arbitrary; non-propositional, yet calling for propositional claims to be made about it; utopian in its reach, Comedy is firmly tied to specific societal conditions.
Conclusion
William Shakespeare undeniably made a huge impact on the world. To this day, Shakespeare still manages to influence people, young and old, through his works. His career spanned 28 years, and in that time he managed to write 37 plays, 154 sonnets, two long narrative poems, and a few other verses.
Shakespeare also helped create the literature we know today by combining classical and medieval literature. Also, Shakespeare influenced theatre by emphasizing literary devices and combining genres. He also added roughly 3,000 words to the English language. To this day, the themes of his works are still relevant. Although William Shakespeare has not been alive for many centuries, he still leaves behind an everlasting legacy.
In conclusion, William did incredible things. He was able to write 37 plays, averaging 1.5 plays per year, all while dealing with social, family, and business life. Some scholars believe that he wrote 20 more that were lost, making the total 57 plays and 154 sonnets! None of his plays were published until after his death. Now, some are questioning whether the great Shakespeare wrote all the plays himself. In fact, some are questioning whether he existed at all. Either way, his works were so magnificent that they are now translated to every major language in the world.