Preface to the catalogue
TSARSKAYA OKHOTA (THE TSAR'S HUNT)
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1154 TSARSKAYA OKHOTA (THE TSAR'S HUNT) 1990, 121 min., color, ”Golos”, “Lenfilm”, “Sojuzkinoservis”, “Barrandov” (Chekoslovakia), “Ekccelsiorfilm” (Italy) Historical drama Director: Vitaly Melnikov, screenplay: Leonid Zorin, camera: Yuri Veksler, production designer: Bella Manevich, misic: Edison Denisov, sound: Asya Zvereva Cast: Nikolai Yeremenko, Svetlana Kryuchkova, Anna Samokhina, Mikhail Kononov, Oleg Tabakov, Alexander Romantsev, Alexander Goloborodko, Anatoly Shvederski, Svetlana Smirnova, Alexander Novikov The screenplay features the tragic fate of the impostor Princess Tarakanova, a pretender to the Russian throne. It is one of the most dazzling subjects presented to art by the Russian history. Leonid Zorin came up with his own view of the hunt put up by Tsarina Catherine II in pursuit of Princess Tarakanova. In the eyes of many Count Orlov, the executor of the Empress's will, was an accomplished villain. The playwright renounced this simple description. Orlov was too much of an individual to turn into a common executioner. The extent of his suffering might have exceeded that of the victim herself; for he truly fell in love with Princess Yelizaveta Tarakanova, the one he betrayed.
1155 GENIY (THE GENIUS) 1991, 162 min., color, ”Ladoga”, “Vilon” Detective Director: Viktor Sergeyev, screenplay: Igor Ageyev, camera: Sergei Sidorov, production designer: Yevgeny Gukov, misic: Eduard Artemyev, sound: Asya Zvereva Cast: Aleksander Abdulov, Innokenty Smoktunovsky, Larisa Byelogurova, Yuri Kuznetsov, Valentina Talyzina, Sergei Prokhanov, Viktor Ilyichov A gifted innovator, Sergei Nenashev, who is an underpaid engineer at a research institute, has the walls of his toilet covered with his useless diplomas and patents. He then decides to start his own business. Equipped with sophisticated electronic devices, Sergei blackmails dishonest rich men. 1156 DEISTVUY, MANYA! (GO AHEAD, MANYA!) 1991, 110 min., color, ”Diapazon”, Sovkino, NIISK Comedy Director: Roman Yershov, screenplay: Igor Vinnichenko, Roman Yershov, camera: Valery Mulgaut, Radik Askarov, production designer: Sergei Shemyakin, misic: Andrei Andersen, sound: Galina Lukina Cast: Julia Menshova, Sergei Bekhterev, Yevgeny Vestnik, Stanislav Sadalsky, Georgy Millyar, Yevgeny Morgunov, Viktor Bychkov, Semyon Furman A young biologist and a young computer programmer create a super-robot Mania designed to fight the mafia. Like Pygmalion, the young researcher falls in love with his creation… 1157 DOM NA PESKE (HOUSE STANDING ON SAND) 1991, 85 min., color, ”Petropol”, Sojuztelefilm Director: Niyole Adomenaite, screenplay: Nataliya Chepik, camera: Aleksander Shumovich, production designers: Yelena Zhukova, Eduard Zyuzikov, misic: Algirdas Paulavichus, sound: Leonid Gavrichenko Cast: Yelena Shiffers, Yelena Shachkova, Yuri Astafyev, Vladimir Yeryomin, Vladimir Kuznetsov, Ivan Latyshev Film version of Tatyana Tolstaya’s short story “Sonya” Lyrical drama about a young girl living in a large friendly family of Leningrad intellectuals. The story is mixed with the description of people surrounding her and of the atmosphere of Leningrad in the 30’s — beginning of the 40’s.
Prussian princess Sophia arrives in St. Petersburg. Sge is fated to become Catherina the Great, the most famous Russian empress.
1159 IZYDI... (GO AWAY...) 1991, 89 min., color and b/w Tragicomedy Director: Dmitry Astrakhan, screenplay: Dmitry Astrakhan, Oleg Danilov, camera: Yuri Vorontsov, production designer: Sergei Kokovkin, Maria Petrocva, misic: Alexander Pantykin, sound: Alexander Sysolyatin Cast: Otar Megvinetukhutsesi, Tamara Skhirtladze, Yelena Anisimova, Tatyana Kuznetsova, Vladimir Kabalin, Valentin Bukin, Viktor Mikhailov, Alexander Lykov, Viktor Bychkov Loosely based on novels by Sholom Aleichem, Alexander Kuprin, Isaak babel Motl Rabinovich started his own business — opened a dairy store. A womanizer, a drunkard and a hard worker he was nor worse and was not better then his neighbors, the only difference was in the shape of his nose and color of his curly hair. All the village came to Motl celebrate opening of his store. The villagers were having a great time and no one could suspect that there was trouble ahead.
1160 LOSHAD, SKRIPKA...I NEMNOGO NERVNO (A HORSE, A VIOLIN...AND SOME NERVOUSNESS) 1991, 30 min., color Director: Irina Yevteyeva, screenplay: Irina Yevteyeva, Yuri Krtavtsov, camera: Genrikh Marandzhyan, misic: Algirdas Paulavichus, music pieces by Dmitry Shostakovich, animation: Irina Yevteyeva, L. Tomashevskaya, A. Vasilyev, sound: Leonid Gavrichenko Cast: Georgy Traugot, Margarita Bychkova, Semyon Furman, Alexander Petrov, Boris Cherdyntsev, Tatyana Arkhangelskaya An experimental film made on the intersection of different types of films — documentary, feature and animation. 1161 ARIFMETIKA UBIISTVA (ARITHMETIC OF MURDER) 1991, 102 min., color Psychological thriller Director: Dmitry Svetozarov, screenplay: Mikhail Popov, Dmitry Svetozarov, camera: Sergei Astakhov, production designer: Yelena Zhukova, misic: Andrei Makarevich, Alexander Krutikov, sound: Konstantin Zarin Cast: Sergei Bekhterev, Zinaida Sharko, Yuri Kuznetsov, Lev Borisov, Olga Samoshina, Vladimir Kashpur, Vyachslav Yakovlev Based on Mikhail Popov’s novel “Let’s Talk!”. Investigation of a murder committed in a communal apartment. Each of the tenants is a suspect.
1162 ZHERTVA DLYA IMPERATORA (A SACRIFICE FOR THE EMPEROR) 1991, 91 min., color, “First and Experimental Film”, “Lenfilm” Drama Director: Roza Orynbasarova, screenplay: Vitaly Moskalenko, camera: Sergei Yurizditsky, production designer: Sergei Kokovkin, misic: Andrei Sigle, sound: Konstantin Zarin Cast: Alexander Sporykhin, Sergei Kushakov, Alexei Guskov, Svetlana Svirko, Mikhail Shchetinin, Dao Dae Adaptation of Aleksander Kuprin’s short story “Junior Captain Rybnikov” The film portrays a Japanese General Staff officer infiltrates the military circles of St. Petersburg.
The lead character of the film, Mark, is going to emigrate to Israel. Before leaving for the homeland of his ancestors, Mark pays a visit to his native town where he spent his childhood. Here he meets his death — in what seems to be an absurd accident. 1164 KOLTSO (THE TERMINAL) 1991, 85 min., color, ”Lenfilm”, All-Union Cinema and Television Centre for Children and Youth Melodrama Director: Valery Martynov, screenplay: Aleksander Galin, Valery Martynov, camera: Valery Martynov, production designer: Yuri Pugach, misic: Andrei Sigle, sound: Aleksander Shulga Cast: Platon Martynov, Tatyana Rasskazova, Igor Chernyevich, Irina Tychinina, Vladimir Yeryomin, Boris Sokolov The mother of the 7-year old Platon sends him to his grandmother's and goes away with her lover on the Christmas vacation. However, the boy's grandmother does not recognize her grandson and on New Year's eve Platon is left on his own. At first he enjoys himself immensely getting together with his friends and riding for long hours on a tram. But then he finds himself in a police station among homeless children. The tram driver Viktor helps Platon get out of the police station… 1165 AFGANSKY IZLOM (AFGHAN BREAKDOWN) 1991, 140 min., color, ”Ladoga”, “Russkoje Video”, “Clemi Cinematografica” (Italy) War drama Director: Vladimir Bortko, screenplay: Alexander Chervinsky, Mikhail Leshchinsky, Leonid Bogachuk, Ada Petrova, camera: Valery Fedosov, Pavel Zasyadko, production designer: Vladimir Svetozarov, misic: Vladimir Dashkevich, sound: Kirill Kuzmin Cast: Micele Placido, Tatyana Dogileva, Mikhail Zhigalov, Filipp Yankovsky, Alexei Serebryakov, Nina Ruslanova, Nikolai Ustinov, Artur Uvarov During the last days of the war in Afghanistan, one battalion, which is providing cover to withdrawing Soviet troops, is ambushed. All the men, including their brave commander major Bandura, lay down their lives to save their comrades. 1166 BYELIYE NOCHI (THE WHITE NIGHTS) 1991, 90 min., color, ”Lenfilm” Melodrama Director: Leonid Kvinikhidze, screenplay: Vladimir Valutsky, camera: Eduard Rozovsky, production designer: Larisa Shilova, misic: Maxim Dunayevsky, sound: Igor Vigdorchik Cast: Anna Matyukhina, Vadim Lyubshin, Galina Polskikh, Nikolai Yeryomenko, Vitaly Usanov Fiodor Dostoyevsky's novel of the same title takes place in modern times. One summer night, Mitya, a bread vagon driver, meets a girl and gives her a ride home. They make a date. During their next meeting, the girl tells Mitya how boring her life was until a new tenant appeared in their flat.
The film is focused on the versions of the Leningrad Bolsheviks’ leader Kirov's assassination as suggested by Orlov, the ex- KGB general who narrowly escaped death in Stalin purges. 1168 LAPA (PROTECTION) 1991, 87 min., color, “Golos”, “Lenfilm” Criminal drama Director: Yuli Koltun, screenplay: Edgar Dubrovsky, camera: Yuri Shaigardanov, production designer: Vladimir Yuzhakov, misic: Mark Samoilov, sound: Garri Belenky Cast: Yuri Orlov, Vyachslav Bambushek, Varery Kosoi, Tatyana Kabanova, Anastasiya Vlasova, Ilya Zmeyev The action of the film begins in the 70's and ends up in our days. The story is pivoted on the conflict of two strong and exceptional characters. The main hero of the film is appointed head of a large foreign trade company and his new job immediately draws attention of the chief of a corporation engaged in an illegal business. We see the metamorphosis of one of the characters and find out what happens to the other hero six years later. We also see what methods the mafia is using today. 1169 MECHENIYE (THE BRANDED)) 1991, 126 min., color, “Lenfilm” Thriller Director: Vyacheslav Sorokin, screenplay: Andrei Romanov, camera: Igor Markov, production designer: Mikhail Gavrilov, misic: Stanislav Vazhov, sound: Artur Shchikhov Cast: Aleksei Nilov, Sergei Varchuk, Yelena Starostina, Vadim Lobanov, Margarita Zvonaryova Two young boys punish the mobsters connected with corrupt policemen. 1170 NEVOZVRASHCHENETS (THE DEFECTOR) 1991, 123 min., color, ”Troitsky Most”, “Tekhnopolisbank” Political anti-utopia Director: Sergei Snezhkin, screenplay: Alexander Kabakov, Sergei Snezhkin, camera: Vladimir Burikin, production designer: Pavel Parkhomenko, misic: Alexander Khaifel, sound: Aliakper Gasan-Zade Cast: Yuri Kuznetsov, Nikolai Yeryomenko, Sr., Nadyezhda Zhivodyorova, Yuri Oskin, Viktor Aristov, Yelena Anisimova, Era Ziganshina Loosely based on Alexander Kabakov’s novel of the same title. The lead character of the film is a journalist and TV reporter. He is also a dissident and a police informer, who has long complicated relations with the authorities. Tired and dissatisfied with everything and above all, with himself, he decides to concentrate on his purely professional activities. Accidentaly he gets hold of the original documents about preparation of a communist coup. The journalist makes his choice — he will never return to his former life. Any danger, any punishment would be better than lies and compromises with his conscience. 1171 LOKH – POBYEDITEL VODY (GOOFBALL — THE CONQUEROR OF VODA) 1991, 91 min., color, “Troitsky Most” Criminal drama Written and directed by: Arkady Tigay, camera: Yuri Veksler, production designer: Mikhail Suzdalov, misic: Sergei Kuriokhin, sound: Aliakper Gasan-Zade Cast: Sergei Kuriokhin, Larisa Borodina, Vladimir Yeryomin, Andrei Krasko, Oleg Kasavnenko, Aleksander Glazun, Andrei Ponomarev, Valentin Zhilyaev Pavel Gorelikov together with his friend Kostya opens a small workshop where they use scrap metal and various fragments to assemble elementary computer games for children. However, this little humble place is attacked by racketeers. Realizing that police failed to protect them the helpless impractical Pavel, a goofball, declares war on the gangsters... 1172 OPYT BREDA LYUBOVNOGO OCHAROVANIYA (EXPERIENCE THE ENCHANTMENT AND DELIRIUM OF LOVE) 1991, 109 min., color, “Lenfilm” Tragic farce Written and directed by: Valery Ogorodnikov, camera: Sergei Nekrasov, production designer: Viktor Ivanov, misic: Edison Denisov, sound: Larisa Maslova Cast: Masha Pyrenkova, Sergei Afanasyev, Alexander Romantsov, Alexander Vorobyov, Svetlana Gaitan, Aleksei Zubarev The tragic love story in which the heroes — Pasha and Angel — are patients at a mental hospital. In this cruel world they choose death… 1173 PYUSHCHIYE KROV (BLOOD-SUCKERS) 1991, 108 min., color, “Lenfilm” Phantasmagoric melodrama Director: Yevgeny Tatarsky, screenplay: Artur Makarov, camera: Konstantin Ryzhov, production designer: Isaak Kaplan, misic: Sergei Kuriokhin, sound: Igor Vigdorchik Cast: Marina Vladi, Donatas Banionis, Andrei Sokolov, Marina Maiko, Konstantin Afonsky, Andrei Urgant, Igor Murugov Loosely based on Aleksei Tolstoy's short story “Vampire.” The vivid film focuses on the story of a grandmother who is a vampire. 1174 PAPA, UMER DED MOROZ (DADDY, SANTA CLAUS IS DEAD) 1991, 71 min., b/w, “First and Experimental Film”, “Lenfilm” Ironical horror Director: Yevgeniy Yufit in co-operation with Vladimir Maslov, screenplay: Vladimir Maslov, camera: Alexander Burov, production designer: Yevgeny Yufit, sound: Mikhail Podtakui Cast: Anatoly Yegorov, Ivan Ganzha, Lyudmila Koslovskaya, Boris Ilyasov, Maxim Gribov, Olga Shramko, Valery Krishtapenko, Sasha Lyalin Loosely based on Alexei Tolstoy's short story “Vampire's Family.” The action of the novel takes place in modern times. Can Santa Claus die? And if the answer is “yes, “does it mean that time will also stop? Everyone knows that it is Santa Claus who brings the New Year and starts the new cycle of life. A young biologists looks for a secluded place where he can continue his research. He finds a village inhabited by some strange people, everyone seems to be possessed by some mystical maniacal ideas.
1175 TMA (THE DARKNESS) 1991, 58 min., color, “Troitsky Most”, “La Sept” (Channel 7 of TV, France), “Sodaperaga” (France) Drama Director: Igor Maslennikov, screenplay: Jacques Baynac, camera: Vladimir Brylyakov, production designer: Natalya Kochergina, misic: Vladimir Dashkevich, sound: Leonid Gavrichenko Cast: Oleg Yankovsky, Kseniya Kachalina, Yevgeny Vesnik, Svetlana Kryuchkova Based on Leonid Andreyev’s short story of the same title. At the turn of the century when Leonid Andreyev was working on this story, some people believed that terrorism was liberating, noble and self-sacrificing. This story of a terrorist and a prostitute reflects this disastrous and romantic delusion of its time.
A dying father leaves his three sons an accordion, an old house and a clock…
1177 RUKOPIS (THE MANUSCRIPT) 1991, 57 min., color, ”Troitsky Most”, “La Sept” (Channel 7 of TV, France), ”Sodaperaga” (France) Social drama Director: Aleksei Muratov, screenplay: Jacques Baynac, camera: Vladimir Ilyin, production designer: Mikhail Gerasimov, misic: Andrei Sigle, sound: Oksana Strugina Cast: Vladimir Ivashov, Irina Brazgovka, Zinovy Gerdt, Andrei Zaikov, Alexander Kalyagin, Boris Kluyev, Lydia Fedoseyeva-Shukshina, Zoya Buryak In a countryside writers' colony, a young writer is working on her autobiographical story dealing with the arrest and death of her husband. She is is mad with fear, suspicion, mistrust andanxiety. The film shows how a totalitarian state intrudes upon people's private lives and their creative work, how it mutilates souls and distorts relations between people. 1178 SADY SKORPIONA (THE GARDENS OF THE SCORPION) 1991, 102 min., color, b/w, ”First and Experimental Film”, Creative Initiative Centre, “Zerkalo” (Syktyvkar) Fragments combined Written and directed by: Oleg Kovalov, camera: Anatoly Lapshov, sound: Garri Belenky, music from pieces by: Carl Orph, Bela Bartok, Dmitry Shostakovich, Nino Rota, Krsistof Penderetsky This political film has elements of satire and philosophical lyricism about the epoch of Great Expectations. It is a surrealistic collage, and a free combination of fragments of Soviet films made in the 20s — 30s. These films were both great and ordinary, feature films and documentaries, instructive films and animations. 1179 TRAVA I VODA (GRASS AND WATER) 1991, 50 min., color, “First and Experimental Film” Melodrama Written and directed by: Viktor Tikhomirov, camera:Vladimir Vasilyev, production design: Viktor Tikhomorov, misic: Boris Grebenshchikov, sound: Mikhail Belovolov Cast: Venya Kravchuk, Yuri Nazarov, Natasha Tikhomirova Set in the days of Khrushchev's thaw, the film centers on the complicated relations of a father and his teenager son. The film shows the awakening of artistic and creative impulses in a young man standing on the threshold of his independent life. 1180 SOKRAT (SOCRATES) 1991, 121 min., color, “Petropol”, “Sojuztelefilm” Drama Director: Viktor Sokolov, screenplay:Mikhail Kurayev, camera: Eduard Rosovsky, production designers: Larisa Shilova, Elvira Karatyshkina, misic: Shandor Kallosh, sound:Galina Potseluyeva Cast: Olga Mateshko, Grigory Aredakov, Yevgeny Merkuryev, Boris Klyuyev, Alexander Galko, Valery Kukhareshin, Avgustin Milovanov, Saulus Kisas, Valentina Yakunina, Viktor Gogolev Adaptation of the play “Barefoot in Athens” by American playwright Maxwell Anderson. The film centers on the tragic last period of Socrates's life. The long war with Sparta ended up with Athens completely humbled, deprived of its might and prosperity. In the atmosphere of general despair and irritation, democracy is replaced first by tyranny and then by oligarchy. And at that time, a strange old man is wandering about the streets and markets, entering into conversations and asking confusing questions. Gradually the man becomes the focus of public irritation. After all he was the friend and teacher of the most famous Athenian citizens: Aristides, Harmodius and Critas who led the city-state to defeat and collapse.
Loosely based on Samuel Beckett's play of the same title. We see how the inner world of a man collapses when the world around him goes to pieces. We watch the degradation of the lead character who gives up love, friendship and basic moral standards because the society around him does not need these values. Gradually his ties to the world are getting thinner and thinner. One day he comes across a boat in a courtyard and lies down in it like in a coffin and closes the lid. At the end of the film we see the flooded streets of the city and a tram that comes to a dead stop.
Sci-fi. Philosophic anti-utopia on the fragility of human life... Anton is desperate. His daughter is suffering from a serious ailment and has been discharged from the clinic without any signs of improvement. He takes his last chance: he will try his luck in the so called “zone” — the site of a nuclear catastrophe that happened many years ago. Now this place is inhabited by strange human mutants. These people are super-healers and they are his last resort.
Loosely based on a book by Dmitry Lazarev. Basically the film is set in a mental hospital. However, absurdity has no bounds. A man is just a random victim of the universal madness. In this world of total madness, the heroes of the film try to find answers and, moreover, they feel it necessary to give answers to the questions put before them.
Loosely based on the novel by Alexei Cherkasov of the same title. The film is set in 1827 in Siberia. The aristocrat, Loparev, has been convicted for participation in a revolt against tsar. He escapes from prison and takes refuge in a settlement of Old believers, the dissident Orthodox sect hiding in the forests from the persecution of the official church and state authorities. This film first opened the unknown world of the Old Believers, their customs and traditions. The film offers the vivid story of fatal love between Loparev and Yefimia, as well as the description of exceptional Russian characters, it meditates on the inevitable fall of tyranny.
Loosely based on Anatoly Marienhof’s novel of the same title. The hero of the film is a university professor, a historian and a bookworm. The heroine is a daughter of wealthy parents who emigrated from the country after the first decrees of Soviet power. They are the so called 'blue blood', outcasts who can not adjust to realities of post-revolutionary life and to the “building of the new world.' The film offers a cynical view on the events that were taking place in Russia in 1918 — 1924.
A little Russian girl lost in a foreign country, makes friends with a black janitor, who is also another lonely outcast excluded from society.
1187 CHICHA (CHICHA) 1991, 88 min., color, “Golos”, “Rosich” Cinema Centre Comedy Director: Vitaly Melnikov, screenplay: Vladimir Vardunas, camera: Valery Mulgaut, production designer: Andrei Vasin, misic: Vadim Bibergan, sound: Asya Zvereva Cast: Mikhail Dorofeyev, Nina Usatova, Sergei Sazont’yev, Borislav Brondukov, Lera Mulakevich, Misha Kabatov, Vanya Smirnov The funny and moving story of Stepan Chichulin, the shy soloist in a provincial folk group, who has been imitating the voices of other singers all his life. 1188 CHEKIST (CHEKIST) 1991, 57 min., color, “Troitsky Most”, “La Sept” (Channel 7 of TV, France), “Sodaperaga” (France) Tragic farce Director: Alexander Rogozhkin, screenplay: Jacques Baynac, camera: Valery Mulgaut, production designer: Grigory Obraztsov, misic: Dmitry Pavlov, sound: Nikolai Astakhov Cast: Igor Sergeyev, Alexei Poluyan, Mikhail Vasserbaum, Sergei Isanin, Vasily Domrachev, Alexander Medvedev, Nina Usatova Loosely based on the novel “Chip” by Vladimir Zazubrin. The film takes place in the gloomy days of the Red Terror when within a short period of time millions of people representing the best part of Russian society were executed without any investigation or trial. The film is centred on a psychological portrait of a executioner- a man who has power over both the murderers and their victims.
A bird's eye view of the city 1190 RUSSKIY BALET BEZ ROSSII (RUSSIAN BALLET WITHOUT RUSSIA) 1991, 30 min., color, “Troitsky Most” Documentary Director: Pavel Kogan, screenplay: Erlena Karakoz, camera: Viktor Mikhalchenko, production designer: Dmitry Volkov, sound: Sergei Litvyakov A film about the destinies of those who fled Russia after the revolution of 1917. It is a reminiscence of turn of the century Russian ballet, when the world was amazed by this new wonder. On the screen we see very old people who gave their lives to the art: Nina Vyrubova, Nina Tikhonova, Marina Chelidova, Irina Grzhebina, Olga Debazil, Dmitry Bushen, Irina Nizhinskaya. Their names are very well known to all those who have every right to be proud of the great contribution of Russian art to the world ballet history. 1191 TANTSUYET FARUKH RUZIMATOV (FARUKH RUSIMATOV IS DANCING) 1991, 48 min., color, ”Troitsky Most” Documentary Written and directed by: Svetlana Chizhova, camera:Vasily Seryi, Yevgeny Guzeyev, production designer: Vladimir Gasilov, misic: Timur Kogan The authors of the film take a close-up of Farukh Ruzimatov, a brilliant ballet soloist who successfully performed in America and Japan. The dancer's life is shown — long exhausting rehearsals that later result in the ethereal lightness of his dance on the stage, his attempts to seek his own style, his desire to express the music sounding in his heart through his dance, and his constant feeling of dissatisfaction with himself which is a distinctive feature of a true artist. 1192 CHELOVYEK SO SVALKI (A MAN FROM A GARBAGE DUMP) 1991, 4 parts, 285 min., color, “Petropol”, “Sojuztelefilm” Melodrama Director: Boris Gorlov, screenplay: Viktor Petrov, camera: Vladimir Kovzel, production designer: Vladislav Orlov, misic: Algirdas Paulavichus, sound: Alexander Bershadsky Cast: Anatoly Kotenyov, Era Ziganshina, Yelena Kondratyeva, Alexander Lykov, Alexander Kavalerov, Svetlana Repitina, Pyotr Merkuryev The story of Gerasim Dyagilev, a young man working at a factory in Siberia. In the 60's, when he was a child, he lived in a working class neighborhood located near the large municipal garbage dump. A strong willed boy, Gerasim makes several attempts to break away from his surroundings. He makes a brilliant career in sports, and becomes the European champion in boxing. However, the world of sports has its laws and one day Gerasim drops out from among the sport elite. 1984... He returns to his native town, to his mother's hut standing near the dump. He goes to pot, and starts drinking. However, his strong character saves him from complete degradation. He gets a job at the factory and marries a girl he went to school with. 1193 OTRAZHENIYE V ZERKALE (REFLECTION IN A MIRROR) 1992, 87 min., color “Lenfilm” with input from “Kanar” LTD Psychological drama Director: Svetlana Proskurina, screenplay: Andrei Chernykh, camera: Dmitry Mass, production designer: Yuri Pashigorev, misic: Vyacheslav Gaivoronsky, sound: Vladimir Persov Cast: Viktor Proskurin, Inna Pivars, Yevgeniya Dobrovolskaya, Natalya Pavlova The hero of the film is a well-known actor. Reflecting himself in the characters he plays on stage, in eyes of women, in the silent awe of the audience he looses touch with his ego. His attempts to reach his inner self are blocked by habits, illusions and self-deception. He behaves in a way that earlier would seem to him unthinkable and crazy. His life resembles a theatrical production, lost in search of lost reality — with no director, no author and no applause. 1194 ANGELY V RAYU (ANGELS IN HEAVENS) 1992, 98 min., color, ”Troitsky Most”, ”Ognon Pictures” National Centre of French Cinematography (Paris) Social drama Written and directed by: Yevgeny Lungin, camera: Valery Mulgaut, production designers: Sergei Kokovkin, Boris Petrushansky, misic: Andrei Makarevich, sound: Eduard Vanunts Cast: Konstantin Gayekha, Yelena Svintsova, Dinara Drukarova, Andrei Tolubeyev, Vladimir Kabalin, Olga Volkova Loosely based on Pyotr Kozhevnikov’s novel of the same title. Story of silly youngsters living in the gloomy “stagnation” times, when lie was often presented as truth, ugliness — as beauty. Life of its heroes rather resembles hell — although they do not realize it. There will be no other life and they are content with this one — with its love, betrayal, death, fights, disco, vodka and vague uncertain future…
Russian language course for foreigners. 1196 OSTROV MYURTVYKH (THE ISLAND OF THE DEAD) 1992, 86 min., color Written and directed by: Oleg Kovalov, camera: Vladimir Snmirnov, production designer: V. Cheiskauskas, D. Pakhomov, sound: Garri Belyenky, Marina Polyanskaya, misic: Mozart, Beethoven, Meyerbeer, Saint-Saens, Bartok Cinema variation on the theme of the Russian history of the beginning of the 20th century. A surrealistic collage where fragments from early Russian feature, documentary and animated films acquire a new unexpected meaning. The film is dedicated to the memory of Vera Kholodnaya, the famous Russian film star.
1197 PUSTELGA (A KESTREL) 1992, 87 min., color Lyrical drama Written and directed by: Sergei Rusakov, camera: Alexander Chugunov, production designer: Viktor Amelchenkov, music: Andrei Misin, sound: Garri Byelenky Cast: Nina Ruslanova, Sergei Garmash, Galina Makarova, Igor Sukachev, Alyosha Igushkin, Roma Baryshev The film is set in Russia in the ‘70s. A boy nicknamed “Shumilka” (“Noisy”) lives in a remote village on a shore of a cold sea. A mischievous mocker with the soul of Charlie Chaplin, he dreams of the fame of the Great Mime. Loathing morals and manners of a small provincial town, its miserable and half drunk inhabitants, Shumilka is prepared to take vengeance on the surrounding world.
1198 VOLOGDA ROMANCE 1992, 85 min., colour, Lenfilm — “Vybor” (Lennauchfilm) Scientific-popular Director: Alexander Sidelnikov, screenplay: Alexander Sidelnikov, Anatoly Ekhalov, camera: Alexander Nazarov, music: Vladimir Sokolov, sound: Svetlana Akmanova Footage shot by camera men Vacily Sery and Vladimir Petukhov is used in the film
1199 VOSTOCHNY ROMAN (ORIENTAL ROMANCE) 1992, 92 min., color, “Golos” Historic and social drama Director: Viktor Titov, screenplay: Pavel Lungin, Aleksander Chervinsky, camera: Sergei Astakhov, production designers: Sergei Shemyakin, Yelena Zhukova, misic: Nikolai Martynov, sound: Nataliya Avanesova Cast: Larisa Belogurova, Nikolai Yeryomenko, Jr., Armen Dzhigarkhanyan, Ramaz Chkhikvadze, Nonna Petrosyan, Olga Volkova The story of the lead character of the film is the story of her rise and moral degradation. We see Mamlakat when she is a child, a young girl and a mature woman. A typical character of her epoch, she is stuffed with its slogans. Pursuing her goals she easily discards ethical standards. Her life was not an easy one: love, life with a man she did not love, a labor camp, again love and a reciprocal feeling, earthquakes, fires, post-war devastation. She ruins her own family and takes part in deceiving people of her country. 1200 NA IRTYSHE (ON THE BANKS OF THE IRTYSH) 1992, 58 min., color, “Troitsky Most”, “La Sept”, “Sodaperaga” (France) Historical drama Director: Vyacheslav Sorokin, screenplay: Jacques Baynac, camera: Nikolai Stroganov, production designer: Mikhail Gavrilov, sound: Alexei Shulga Cast: Stepan Chaizov, Nikolai Pavlov, Viktor Gogolev, Yegor Chiglev, Viktor Khozyainov, Elena Rufanova Loosely based on the novel by Sergei Zalygin of the same title. The film is set in the tragic period in Russian history — the so called agricultural “collectivization”, when for the sake of a wrong idea agricultural land was ruthlessly confiscated from its true owners — Russian peasants, hard workers who were feeding the country.
Loosely based on Mark Aldanov’s novel of the same title. The film is set in St. Petersburg in winter of 1917, on the eve of the February revolution. The secret police investigators, rich merchants and their families, journalists, bankers and military engineers live with the premonition of approaching disaster which will spare no one.
Private detective Sam Patrick has to solve the mystery of an old chest lost in the house belonging to an ex-pilot. The atmosphere is getting very tense, one murder is followed by another until Sam Patrick himself almost falls a victim of this intrigue... 1203 GADZHO (GADZHO) 1992, 90 min., color, “Panorama”, “Lenfilm” Melodrama Director: Dmitry Svetozarov, screenplay: Dmitry Svetozarov, Mikhail Popov, camera: Alexander Ustinov, Valery Revich, production designer: Yelena Zhukova, misic: Timur Kogan, sound: Konstantin Zarin, gipsy songs rendition: Aliona Buzylyova Cast: Sergei Bekhterev, Natalya Inozemtseva, Sasha Chorny, Stefan Sukhovsky, Lidia Oglu, Lazar Tumarkin, Nikolai Trofimov The hero of the film, Rodion Chechunov, a musician playing in a small provincial operetta orchestra falls in love with a beautiful gipsy. He leaves his family and joins the wandering gipsy band. He finds neither new home, nor love -only pity. For the gipsy people he will always remain “Gadzho” – the stranger... 1204 POSLEDNYAYA TARANTELLA (THE LAST TARANTELLA) 1992, 36 min., color, “Petropol”, “Accord-film” Film-ballet Written and directed by: Alexander Belinsky, camera: Eduard Rozovsky, production designer: Natalya Vasilyeva, misic: Timur Kogan, sound: Natalya Avanesova Cast: Olga Chenchikova, Anna Plisetskaya, Makhar Vazilev, Masha Vazileva, Gali Abaidulov, Nikolai Kovmir Loosely based on Maxim Gorky’s “Tales of Italy” 1205 DNEVNIK NAIDENNIY V GROBY (DIARY FOUND IN A COFFIN) 1992, 110 min., color, ”Barmaley”, ”Lenfilm”, “Gambit Production”(Poland) Written and directed by: Jan Kidawa-Blonsky, Iatsek Kondratsky, Zenen Oleinichak, camera: Zdzhislav Naida, production designer: Barbara Novak, Vlad Orlov, misic: Mikhail Lorents Cast: Olaf Lobashenko, Olga Kabo, Marzhena Trybala, Katarina Skrzhinetska, Anna Maicher, Edward Linde-Lyubashenko, Boguslav Linda An eccentric Melodrama with a tragic end. 1206 KAMEN (STONE) 1992, 83 min., b/w, ”Lenfilm”, “Piermskaya kinostudiya” Drama Director: Alexandr Sokurov, screenplay: Yuri Arabov, camera: Alexander Burov, production designer: Vladislav Solovyev, music from pieces by Piotr Tchaikovsky, W.-A. Mozart, Gustav Mahler, sound: Vladimir Persov Cast: Leonid Mozgovoy, Pyotr Alexandrov, Vadim Semyonov The main character of the film, the Guest, returns after his death to his house, guarded by the young Watchman. The only other alive creature near him is the crane... 1207 ZAL OZHIDANIYA (WAITING ROOM) 1992, 58 min., color, ”Troitsky Most”, “La Sept”, “Sodaperaga” (France) Drama Director: Roza Orynbasarova, screenplay: Alexander Belsky, Rosa Orynbasarova, camera: Sergei Lando, production designer: Alexander Boronkin, misic: Andrei Sigle, sound: Boris Andreyev Cast: Alexander Chaban, Andrey Pavlovets, Alexander Vedyakin, Felix Agadzanyan, Veronica Bel'skaya The new rich businessmen and entrepreneurs, “the new Russians” who have the power to restore the city’s past glory. It is not easy for them to find common language with vulnerable St. Petersburg intellectuals, accustomed to their life full of troubles in the old dilapidated city and fearful of the “coming brutes”. 1208 RAKET (RACKET) 1992, 175 min., 5 parts, color, “Vilon”, “Petropol”, “Ekran” Thriller Director: Ernest Yasan, screenplay: Viktor Merezhko, camera: Ivan Bagayev, production designer: Eduard Isayev, misic: Sergei Banevich, sound: Mikhail Viktorov Cast: Vladimir Yeryomin, Sergei Shkalikov, Natalya Danilova, Anna Samokhina, Irina Klimova, Viktor Ilyichov, Alexander Demyanenko A popular TV reporter Alexei Kornilov who covers the most sensational city news, often shows people who would rather prefer to keep in the background. The film begins with the scene of funerals of the head of the city. However, Kornilov’s reportage of this event is not shown in the TV news and the man who could shed some light on this situation is found dead. Kornilov begins his own investigation of the murder. Capitain Glazkov, an Afghan war veteran and now the deputy chief of the police department for fight with organized crime, helps Kornilov. They trace a criminal group that unites former Party functionaries, merchants and corrupt members of city administration... A tough struggle begins...
Loosely based on Jean-Baptiste Moliere’s comedy “Le Tartuffe” “We are lucky that there fools in this world”, sings Tartuffe about the family of Orgon. Authors of the film believe that stupidity is the greatest misfortune — it allows all the tartuffes, swindlers and crooks to triumph over honest people. Lively colourful film is immensely popular among wide range of viewers.
After a heavy drinking party several people living in a dreadful St. Petersburg communal apartment find in it a window that opens...on Paris. This is the beginning of a series of funny adventures of the Russians in the “city of their dreams” and of incredible experience of French “guests” on the banks of the Neva river. Russian personages of the film enjoy their wanderings down Paris streets while the French go through all the ordeals of every day life in Russia...
1211 SOTVORENIYE ADAMA (CREATION OF ADAM) 1992, 93 min., color, ”Javashir Kamandar”, “Neva”, ”Lenfilm” Melodrama Director: Yuri Pavlov, screenplay: Vladimir Maslov, Vitaly Moskalenko, camera: Sergei Machilsky, production designer: Mikhail Suzdalov, misic:Andrei Sigle, sound: Alexander Bershadsky Cast: Saulyus Balandis, Sergei Vinogradov, Irina Metlitskaya, Anzhelika Nevolina, Alexander Strizhenov The guardian angel comes to Andrei in one of the most miserable days of his life. The angel calls himself Filipp and looks like an ordinary man. Andrei who takes all his words and actions for a stupid and cruel joke, tries to avoid Filipp. Gradually, endless patience and loving care of Filipp stir the deep emotion of love in Andrei’s heart. Filipp disappears but the brief encounter has changed Andrei, allowed him to discover his vast resources of love and humanism and to obtain confidence in himself. 1212 NEVESTA IZ PARIZHA (BRIDE FROM PARIS) 1992, 85 min., color, “Diapazon”, “Lenfilm” Comic melodrama Director: Otar Dugladze, screenplay: Boris Ratzer, Vladimir Konstantinov, Otar Dugladze, camera: Alexander Chirov, production designer: Alexei Fedotov, misic: Oleg Khromushin, sound: Galina Gorbonosova Cast: Galina Polskikh, Nikolai Trofimov, Stanislav Sadalsky, Alexandra Zakharova, Andrei Sokolov This story began when Madame Dubois, a tourist from Paris, broke her heel on a St. Petersburg street and went in a shoe repair shop. Some time later the family of one of the workers of the shop plays host to Orlette — a young niece of Madame Dubois. 1213 UDACHI VAM, GOSPODA! (GOOD LUCK, GENTLEMEN!) 1992, 102 min., color, “Lenfilm”-“2-B-2” production A comedy Director: Vladimir Bortko, screenplay: Vladimir Bortko, Nataliya Bortko, Arkady Inin, Semyon Altov, camera: Vladimir Kovzel, production designer: Marksen Gaukhman-Sverdlov, misic: Vladimir Dashkevich, sound:Garry Belenky Cast: Nikolai Karachentsev, Andris Zhagars, Darya Mikhailova, Viktor Pavlov, Bronislav Brondukov, Valentina Talyzina, Valentina Kovel, Semyon Furman Two Afghan war veterans and a young provincial girl who is dreaming to become an actress unite in an effort to survive and to achieve success in life. After a series of adventures all their wishes come true — but in a different way... Vladimir marries Olga and Oleg becomes a successful businessman. 1214 STRANNYE MUZHCHINY SEMYONOVOY YEKATERINY (STRANGE MEN OF SEMYONOVA YEKATERINA) 1992, 152 min., 2 parts, color, ”Ladoga”, “Lenfilm” Criminal melodrama Director: Viktor Sergeyev, screenplay: Andrei Romanov, camera: Sergei Sidorov, Anatoly Rodionov, production designers: Yevgeny Gukov, Boris Poroshin, misic: Andrei Petrov, sound: Asya Zvereva Cast: Natalya Fisson, Alexander Abdulov, Andrei Sokolov, Yuri Kuznetsov, Nikolai Lavrov, Alexander Khochinsky The main character of the film, Katerina, is a drama theatre actress. Far from being a star, awkward, eccentric and extravagant she is capable of working rare wonders — the wonders of compassion, kindness, selflessness and love, reminding us the old truth: our salvation is in ourselves — if only we could come to our senses and remember that we are human beings.
Once upon a time in one large country there was a village Khlyupovo. And one day all the residents of the village — young and old — got so sick and tired of all the ministers with and without portfolios that they decided that their village should separate from the country. 1216 KOMEDIYA STROGOGO REZHIMA (A PRISON COMEDY) 1992, 78 min., color, ”Crown”, “Igris”, “Lenfilm” Grotesque comedy Director: Vladimir Studennikov, Mikhail Grigoryev, screenplay: Vladimir Studennikov, Mikhail Grigoryev, camera: Anatoly Lapshov, production design: Yuri Pashigorev, Pavel Parkhomenko, misic: Viktor Pleshak, sound: Leonid Gavrichenko Cast: Viktor Sukhorukov, Ivan Krivoruchko, Lev Kubarev, Stanislav Kantsevich, Nadezhda Zharikova, Viktor Mikhailov, Viktor Solovyov Loosely based on Sergey Dovlatov’s story “Zone” On the eve of the all-union festival, the centenary of Lenin’s birthday, attempting to win attention of higher authorities administration of a Colony decides to stage in the prison a play on October revolution.
1217 DYM (SMOKE) 1992, 183 min., color, TV film, 3 parts, ”Petropol”, “Ekran”, ”Polifon Film und Fernsee, GmBH” Melodrama Director: Ayan Shakhmaliyeva, screenplay: Nataliya Ryazantseva, camera:Sergei Yurizditsky, production designers: Georgy Kropachev, Adreas Lupp, misic: Vadim Bibergan, sound: Eduard Vanunts Cast: Larisa Menshova, Vladislav Vetrov, Alexander Romantsov, Stanislav Lyubshin, Oksana Kiryushchenko, Alla Meshcheryakova, Viktor Stepanov, Tatyana Vasilyeva, Sergei Bekhterev, Gali Abaidulov Loosely based on the novel “Smoke” by Ivan Turgenev. 1218 LABIRINT LYUBVI (LABYRINTH OF LOVE) 1992, 91 min., color, ”Nautilus” with input from Kombank Murman, “Lenfilm” Melodrama Written and directed by: Tamara Lapigina, camera: Valery Mironov, production designer: Boris Kozlov, misic: Andrei Sigle, sound: Larisa Maslova Cast: Maria Ignatova, Alexander Baluyev, Andrei Tolubeyev, Alexander Dolsky The heroine of the film, Yelena, comes to the Baltic sea coast to visit her friend. In spite of all her efforts she can not tear actor Shuvalov out of her heart. Her vacation is over and she returns to her daily routine — the hectic world of film-making. During shooting of a film Shuvalov is killed. Yelena can not find her way out of the impasse. 1219 DVADTSAT VTOROVO IYUNYA, ROVNO V CHETYRE CHASA (ON JUNE 22, AT 4 A.M. SHARP) 1992, 91 min., color Melodrama Director: Boris Galkin, screenplay: Vadim Trunin, camera: Igor Bogdanov, production designer: Yelena Galkina, sound: Aleksei Shulga Cast: Sergei Parshin, Alexander Parshin, Irina Rozanova, Antonina Shuranova, Natalya Dikareva, Nikolai Kryukov It is not a war film, it is a film about happiness lost. So many of these people — brimming over with life, kind, loving and loved, will be separated forever by World War II. The last minutes before the outbreak of the war: the clock on a lively square of a sunlit southern town shows 4 a.m., June 22, 1941. 1220 LESTNITSA SVETA (STAIRCASE OF LIGHT) 1992, 88 min., color, “Universal-film, Ltd”, The Baltic Trade and Industry House, “Liquid-film” (Ireland), “Lenfilm” Melodrama Written and directed by: Gerard Michael McCarthy, camera: Valery Martynov, production designer: Vladimir Yuzhakov, misic:Neil Burn, sound: Yelena Demidova Cast: Zhenya Korkhin, Igor Kostolevsky, Viktoria Korkhina, Andrei Urgant, Inga Ilm The story of an 11-year old Petersburg boy Misha Orlov and his mother Julia. Misha loves watching “Murderer”, the TV psychological serial. “Once he sees the car of actor Borodin, who plays the main character in the serial and follows him up to the film studio. The boy meets people belonging to the “dreamland of cinema” and watches the process of shooting films. Looking for her son Julia comes to the studio, meets Borodin and falls in love with him... Julia gives up her job of a waitress, which she feels sick and tired of, and starts working at the studio. Her sudden death breaks the usual cinema illusion. However, Misha, still living in the psychological world of “Murderer” has already made up his mind: he would destroy this place, which produces nightmares instead of dreams… 1221 ELEGIYA IZ ROSSII (ELEGY FROM RUSSIA) 1992, 70 min., color, joint production of Russian Cinematography Committee, “Lenfilm”, St.Petersburg Documentary Film Studio Documentary Written and directed by: Alexander Sokurov, camera: Alexander Burov, misic: Pyotr Chaikovsky, sound: Vladimir Persov, photography:Maxim Dmitriyev Russia, end of the 19th century, European news-reels, beginning of the 20th century. Natural combination of documentary and poetic elements is a characteristic feature of Sokurov’s films. The sound, the image and photographs of the end of the 19th century Russia are intertwined to create an artistic symbol, making us nostalgic for the past times which we have never seen or experienced...
Loosely based on Sholom Aleichem’s story “Mottle Boy”. The lead character of the film, set at the end of the 19th — beginning of the 20th century, is an eleven- year- old Jewish boy with an amazingly fantastic concept of the world and people around him.
Loosely based on Virginia Wolf’s novel “Orlando”. Tells the story of the person who is travelling in time. He has been living for 400 years — at first in the disguise of a man, later — in that of a woman.
The story narrated by Jean-Luc Godard in his famous “A Bout de Souffle” has been transferred by the film director into modern St. Petersburg. A boy meets a girl and she betrays him.This simple fairy-tale is plunged into the atmosphere of screen myths and legends. 1225 DITYA (CHILD) 1992, 56 min., color, “Troitsky Most”, “La Sept”, “Sodaperaga” (France) Drama Director: Viktor Titov, screenplay: Jacques Baynac, camera: Sergei Astakhov, production designers: Sergei Shemyakin, Yelena Zhukova, sound:Natalya Avanesova Cast: Natalya Danilova, Andrei Pavlovets, Alexander Zavyalov, Armen Mirzakhanyan, Berch Bokhosyan Loosely based on Vsevolod Ivanov’s short story of the same title. The small episode of the cruel civil war times, story of defenselessness of human life in front of unreasoning violence.
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