Physical contests pursued for the goals and challenges they entail. Sports are part of every

Traditional Asian sports
Like the highly evolved civilizations of which they are a part, traditional Asian sports are ancient and various. Competitions were never as simple as they seemed to be. From the Islamic Middle East across the Indian subcontinent to China and Japan, wrestlers—mostly but not exclusively male—embodied and enacted the values of their cultures. The wrestler’s strength was always more than a merely personal statement. More often than not, the men who strained and struggled understood themselves to be involved in a religious endeavour. Prayers, incantations, and rituals of purification were for centuries an important aspect of the hand-to-hand combat of Islamic wrestlers. It was not unusual to combine the skills of the wrestler with those of a mystic poet. Indeed, the celebrated 14th-century Persian pahlavan (ritual wrestler) Maḥmūd Khwārezmī was both.
Typical of the place of sport within a religious context was the spectacle of 50 sturdy Turks who wrestled in Istanbul in 1582 to celebrate the circumcision of the son of Murad III. When Indian wrestlers join an akhara (gymnasium), they commit themselves to the quest for a holy life. As devout Hindus, they recite mantras as they do their knee bends and push-ups. In their struggle against “pollution,” they strictly control their diet, sexual habits, breathing, and even their urination and defecation.

sumo wrestling
While the religious aspects of Turkish and Iranian “houses of strength” (where weightlifting and gymnastics were practiced) became much less salient in the course of the 20th century, the elders in charge of Japanese sumo added a number of Shintō elements to the rituals of their sport to underscore their claim that it is a unique expression of Japanese tradition. A somewhat arbitrary distinction can be made between wrestling and the many forms of unarmed hand-to-hand combat categorized as martial arts. The emphasis of the latter is military rather than religious, instrumental rather than expressive. Chinese wushu (“military skill”), which included armed as well as unarmed combat, was highly developed by the 3rd century BCE. Its unarmed techniques were especially prized within Chinese culture and were an important influence on the martial arts of Korea, Japan, and Southeast Asia. Much less well known in the West are varma adi (“hitting the vital spots”) and other martial arts traditions of South Asia. In the early modern era, as unarmed combat became obsolete, the emphasis of Asian martial arts tended to shift back toward religion. This shift can often be seen in the language of sports. Japanese kenjutsu (“techniques of the sword”) became kendō (“the way of the sword”).
Of the armed (as opposed to unarmed) martial arts, archery was among the most important in the lives of Asian warriors from the Arabian to the Korean peninsulas. Notably, the Japanese samurai practiced many forms of archery, the most colourful of which was probably yabusame, whose mounted contestants drew their bows and loosed their arrows while galloping down a straight track some 720 to 885 feet (220 to 270 metres) long. They were required to shoot in quick succession at three small targets—each about 9 square inches (55 square cm) placed on 3-foot- (0.9-metre-) high poles 23 to 36 feet (7 to 11 metres) from the track and spaced at intervals of 235 to 295 feet (71.5 to 90 metres). In yabusame, accuracy was paramount.
In Turkey, where the composite (wood plus horn) bow was an instrument of great power, archers competed for distance. At Istanbul’s Okmeydanı (“Arrow Field”), the record was set in 1798 when Selim III’s arrow flew more than 2,900 feet (884 metres).
As can be seen in Mughal art of the 16th and 17th centuries, aristocratic Indians—like their counterparts throughout Asia—used their bows and arrows for hunting as well as for archery contests. Mounted hunters demonstrated equestrian as well as toxophilite skills. The Asian aristocrat’s passion for horses, which can be traced as far back as Hittite times, if not earlier, led not only to horse races (universal throughout Asia) but also to the development of polo and a host of similar equestrian contests. These equestrian games may in fact be the most distinctive Asian contribution to the repertory of modern sports.
In all probability, polo evolved from a far rougher game played by the nomads of Afghanistan and Central Asia. In the form that survived into the 21st century, Afghan buzkashi is characterized by a dusty melee in which hundreds of mounted tribesmen fought over the headless carcass of a goat. The winner was the hardy rider who managed to grab the animal by the leg and drag it clear of the pack. Since buzkashi was clearly an inappropriate passion for a civilized monarch, polo filled the bill. Persian manuscripts from the 6th century refer to polo played during the reign of Hormuz I (271–273). The game was painted by miniaturists and celebrated by Persian poets such as Ferdowsī (c. 935–c. 1020) and Ḥāfeẓ (1325/26–1389/90). By 627 polo had spread throughout the Indian subcontinent and had reached China, where it became a passion among those wealthy enough to own horses. (All 16 emperors of the Tang dynasty [618–907] were polo players.) As with most sports, the vast majority of polo players were male, but the 12th-century Persian poet Neẓāmī commemorated the skills of Princess Shīrīn. Moreover, if numerous terra-cotta figures can be trusted as evidence, polo was also played by aristocratic Chinese women.
There were also ball games for ordinary men and women. Played with carefully sewn stuffed skins, with animal bladders, or with found objects as simple as gourds, chunks of wood, or rounded stones, ball games are universal. Ball games of all sorts were quite popular among the Chinese. Descriptions of the game cuju, which resembled modern football (soccer), appeared as early as the Eastern Han dynasty (25–220). Games similar to modern badminton were also played in the 1st century. Finally, the Ming dynasty (1368–1644) scroll painting Grove of Violets depicts elegantly attired ladies playing chuiwan, a game similar to modern golf.