Philological science

Conclusion
Apparently, the given facts and information indicate that the world-wide study of the works of the great writer Boburday has begun. We hope that our newly established complex "Bobur and the World" will provide consistent information in this regard, as well as contribute to the emergence of Uzbek Bobur studies on a global scale.
References

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   Fakhriy Hiraviy .Ravzatu-s-salotin / Translated from Persian by S. Ganieva and J. Juraev. T .: Classical world, 2014. P.66.
   
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EPIC CONCEPT AND ITS EXPRESSIVENESS IN BERNARD SHAW AND ABDURAUF FITRAT’S DRAMAS


Makhliyo UMAROVA
DSc candidate, an associate professor, Uzbekistan State World Languages University
Abstract
This article deals with the actual problems of drama genre in English and Uzbek literature.Drama is a literary (dramatic), stage and cinematic genre. It became especially widespread in the literature of the XVIII-XXI centuries, gradually displacing another genre of drama - tragedy, opposing it with a predominantly everyday plot and a style closer to everyday reality. Unlike the lyrics and like the epic, the drama reproduces, first, the external world - the relationship between people, their actions, and the conflicts that arise. Unlike the epic, it has not a narrative, but a dialogical form. The aesthetic subject of the drama is the emotional and volitional reactions of a person, manifested in verbal and physical actions. Dramatic works are characterized by acute conflict situations that imperiously induce the character to verbal and physical action.
The dramatic works of George Bernard Shaw largely determined the development of English theater at the turn of the 19th and 20th centuries, as well as in the first decades of the 20th century. His artistic and social activities are extremely versatile. Uzbek drama began developing during jadid’s period. Among jadids there was Abdurauf Fitrat turned his attention to drama in order to reflect the historical events of the period in his works in an artistic and convincing way.