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universal‖typology‖of‖languages.‖Though‖we‖do‖ not‖shade‖the‖term‖‚Intonology‛,‖but‖
admit the possibility of scientific investigation of intonation in relation with linguistic
levels and comparative-typological study of various intonation types in languages.
Besides, it is possible to study intonational interference between the mother tongue and
foreign languages which has a theoretical and practical value.
Any utterance may have communicate expressive-emotional functions, which
may be formed either by intonational or lexic-grammatical means. Any sound
information is formed by intonation which also contributes to distinguish
communicative types of utterance. The expressive-emotional function of an utterance,
which is determined by the division of sense-groups in a context or in a text, may also
be formed by means of intonation. Various types of emotions expressed by intonation
are studied by a special branch of phonetics, the so-called phonostylistics. A.M.
Antipova‖ calls‖ it‖ ‚intonational‖ stylistics‛‖ which,‖ being‖ a‖ branch‖ of‖ intonology,‖ studies‖
intonations of different functional styles of a languages.
The distribution of intonation itself and its components depend on the situation
or context. It is called the text-forming function of intonation. The phonological,
phonostylistic and text-forming functions of intonation have not been deeply
investigated and these types of scientific approaches are going to develop in modern
linguistics. As to the place of intonation in transformational-generative grammar, it is
not clear how intonation can operate in this theory. As a prosodic unit intonation acts
with all its components, it can operate in phrase together with the grammatical and
lexical means of language.
Intonation is one of the most important means of organizing a phrase out of a
single word or a succession of words, it organizes an over phrasal unity consisting of
phrases and a text consisting of over phrasal unities. Intonation can change the
communicative type of the sentence altering a statement into a question, an order, a
request, etc. Due to intonation different thoughts and feelings, various connotations and
emotions may be conveyed by the speaker and perceived by the listener. Though the
interest to the phenomenon of intonation existed centuries ago owing to the
development of the theory of verse and the art of public speeches, scientific
investigations of intonation were carried out only in the 18th century.
A narrow definition of intonation as a tone was given by the representatives of
the‖ so‖ called‖ ‚Old‖ English‖ School‛‖ in‖ the‖ 1930s-40s. D. Jones, H. Sweet, W. Allen
understood intonation as the variations which take place in the pitch of voice (tone).The
same narrow definition of intonation was given by L. Armstrong and S. Ward, Russian
phoneticians Vitomskaya, O. Dikushina and others. E. Scriture defined intonation as a
combination of two components – tone and stress.
The above mentioned linguists identified intonation with one or two of its
components. Such definitions were too narrow and are considered wrong as they do
not reveal the essence of intonation. The problem of the structure of the utterance and
other scientific problems of intonation were discussed in the first half of the 20th
century. H. Palmer gave a detailed description of the intonation structure of the
utterance defining its structural units (elements): head – the first stressed syllable with
the following stressed and unstressed syllables up to the last stressed syllable; nucleus –
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