I was lucky to have the support of top-notch teams at InkWell (shout-
out to Alexis Hurley, Nathaniel Jacks, and Eliza Rothstein) and Viking (a
group of people whose curiosity I miss every week I’m not writing or
launching a book). Special thanks to Carolyn Coleburn, Whitney Peeling,
Lindsay Prevette, and Bel Banta for their publicity prowess;
Kate Stark,
Lydia Hirt, and Mary Stone for their creative marketing; Tricia Conley, Tess
Espinoza, Bruce Giffords, and Fabiana Van Arsdell for their editorial and
production expertise; Jason Ramirez for art direction; Camille LeBlanc for
wrangling; and Brian Tart, Andrea Schulz,
Madeline McIntosh, Allison
Dobson, and speed demon Markus Dohle for their ongoing support. Also, it
was a delight to collaborate with Matt Shirley on the charts. Along with
lending his characteristic cleverness and humor, he showed impressive
patience in working to make sure they fit the content and tone of the book.
A number of colleagues contributed to this book through conversations.
As always, Dan Pink gave excellent input on framing the idea and tips on
relevant research. My colleagues at Wharton—especially Rachel Arnett,
Sigal Barsade, Drew Carton, Stephanie Creary, Angela Duckworth, Cade
Massey,
Samir Nurmohamed, and Nancy Rothbard—modeled many of the
principles in the book and led me to think again about many of the points I
was making. I am also grateful to Phil Tetlock for the preacher-prosecutor-
politician framework and referrals to Kjirste Morrell and Jean-Pierre
Beugoms; Eva Chen, Terry Murray, and Phil Rescober for the analysis of
Jean-Pierre’s forecasts; Bob Sutton for putting Brad Bird on my radar and
analyzing his
Incredibles leadership so perceptively,
as well as Jamie Woolf
and Chris Wiggum for opening the Pixar door; Karl Weick for introducing
me to Mann Gulch; Shannon Sedgwick Davis and Laren Poole for putting
me in touch with Betty Bigombe and sharing background on her story; Jeff
Ashby and Mike Bloomfield for the referrals to Chris Hansen and Ellen
Ochoa; Eoghan Sheehy for the connection to Harish Natarajan; and
Douglas Archibald for recommending Ron Berger (props to Noah
Devereaux and the Strive Challenge for that serendipitous conversation).
Early on, Eric Best showed me how rethinking could help people raise the
bar,
and Brian Little, Jane Dutton, Richard Hackman, and Sue Ashford
taught me to see rethinking as one of the great joys of being an
organizational psychologist.
Every day, being a parent shows me that we all have the innate capacity
to change our minds. As I finished writing this book during the pandemic,
Henry wondered if the water supply might be affected and was eager to
rethink where we get running water (
Is there a tube that connects the ocean
to our house? We might get an octopus!). When I asked how she convinces
me
to rethink things, Elena opened my eyes to a persuasion technique I had
completely overlooked (
Puppy dog eyes! Works every time!). When we
were considering various optical illusions for the jacket of this book, Joanna
came up with a better idea (
What about a candle with a flame that’s water
instead of fire?). I came away rethinking where creative ideas come from: if
our twelve-year-old can come up with the perfect image for my book jacket,
what else can kids do? I love how happily and effortlessly our children
think again—and how they coax me to do it more often, too.
My deep gratitude goes to Allison Sweet Grant for her love, advice,
and humor every step of the way. As always,
she helped me rethink many
of my assumptions and put up with countless trivial questions, random
requests, and unnecessary debates. I still pronounce it
man-aze, not
may-o-
naze, but she makes a compelling point that no one says “Please pass the
man”; it’s “Please pass the mayo.” For the record, I don’t even like
mayonnaise.