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and piercing the north wall with doorways, creating
a building with a lateral
axis perpendicular to the
direction of prayer. Mosques built in the same style
as Damascus include Qasr al-Hayr, Qusayr
Hallabat, Raqqa, Balis, Diyarbakir and Der
a. Other
developments in religious architecture in the
Umayyad period include the introduction of the
mihrab and the minaret.
In secular building the most important
constructions of the Umayyad period were the
desert palaces of Syria and Palestine. Some of these
buildings were new foundations, whilst others were
Roman or Byzantine forts converted to meet the
needs of the new Arab rulers.
Significantly, most of
these buildings were abandoned soon after the fall
of the Umayyad regime and they remain as
monuments to the wealth and tastes of the dynasty.
Their size and scale vary enormously, from the
small and lavishly decorated bath house of Qusayr
Amrah to the great fortified city-palace of Qasr al-
Hayr al-Sharqi. From the outside most of these
buildings resemble fortresses; thus the main
entrance of Qasr al-Hayr al-Sharqi is protected by
two tall semi-circular towers and a machicolice. In
some of the palaces the effect of the fortifications is
softened
by great decorative friezes, as at Mshatta,
Qasr al-Hayr al-Gharbi and Khirbet al-Mafjar. Most
of these palaces include a bath house and a mosque
as well as living accommodation arranged
according to the bayt system. Each palace
comprised a number of bayts, each of which would
house a family or tribal unit. There is very little
differentiation between the rooms within each bayt,
so they were probably used simply as shelters in a
similar manner to a bedouin tent with no permanent
fixtures.
The building techniques employed by the
Umayyads were as diverse as the regions they
conquered, so that
major projects would employ
workmen of several different nationalities. At its
most conservative Umayyad architecture is indistin-
guishable from either Byzantine or Sassanian work
but usually there is a combination of eastern and
western elements which produce an unmistakably
Islamic building. One of the best examples of this
mixture is to be found at Mshatta where the walls
are of cut stone in the Syrian tradition, the vaults are
constructed in the Mesopotamian fashion and the
decorative carving is a mixture of Byzantine and
Coptic motifs.
The most common building materials used in
this period were stone, wood and brick.
In Syria
the majority of buildings were constructed out of
cut stone or ashlar masonry. The quality of
Umayyad masonry is generally very high with
sharp edges, tight joins and large blocks producing
buildings with a monumentality unsurpassed in
later Islamic building. Ashlar masonry is
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