The ministry of higner and secondary specialized education of the republic of uzbekistan urgench state university


  CHAPTER 1. THE OLD, THE NEW, THE NEWEST: AN INTRODUCTION



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Materials design Materials adaptation in Foreign Language Teaching

 



CHAPTER 1. THE OLD, THE NEW, THE NEWEST: AN INTRODUCTION 
TO MATERIALS AND RESOURCES FOR LANGUAGE TEACHING
Sometimes a teacher may think that language contents are the core of its 
daily practice. Even though this is not inaccurate, the saying that “the medium is 
the message” can also be applied to language teaching. Not only is it important to 
consider materials as a central aspect of the profession but also as a decisive 
element in the relationship among the teacher, the learner and the language (not to 
mention the community of users of that language and their culture). This is the 
reason why in this chapter the materials and resources available to a language 
teacher are given some space and attention as part of a course on language teaching 
methodology.
Materials and resources have been divided into three sections: the old, the 
new and the newest. The first one includes the most traditional elements in a 
language classroom: the blackboard, the textbook, visual aids and hand-made 
materials. The second comprises the over-head projector, the audio player and the 
video camera and video player. Finally, the latter section deals with the 
information and communication technologies which represent the brand-new 
present and the future of our profession.
In general, the objective of this chapter is to prove that teachers have a wide 
range of materials and resources available to them. Some of them may look more 
“teachercentred” and some other may be more suitable for a “learner-centred” 
environment. However, the challenge, in every case, is to use them wisely, which 
means purposefully, critically and creatively.
1.1.Technology, Materials and Design in Foreign Language Teaching
FLT materials – that is artefacts produced for language teaching (Levy and 
Stockwell 2006) – can be taken to include tasks, websites, software, courseware, 
online courses and virtual learning environments. So clearly language teaching 
materials conceptualised in this way may include rather more than may be the case 



for materials conceptualised in face-to-face classroom settings. However, Levy and 
Stockwell identify earlier precedents for this view, drawing on the work of Breen, 
Candlin and Waters (1979) who distinguish between 
content
materials as sources 
of information and data and 
process
materials which act as frameworks within 
which learners can use their communicative abilities. FLT products then 
encompass both content and process dimensions of materials. While FLT materials 
can be seen as sharing many of the features of non- FLT materials, they also have a 
number of unique features largely due to the materiality of the medium. We review 
these features in the next section, but first consider the concept of design.
The centrality of design to the theory and practice of FLT identified by 
Levy (1997, 1999, 2002) has emerged as a recurrent theme in the literature on 
technology-mediated language teaching (Salaberry 2001, GonzalezLloret 2003, 
Gruba 2004, Yutdhana 2005, Wang 2006, Hampel 2006, Rosell-Aguilar 2005). 
Levy and Stockwell note that design – including for example, materials design, 
screen design, task design and software design – ‘enters into the discourse of FLT 
in many forms and at a variety of levels, from the scale of an institution down to 
the level of an exercise’ (p. 10). Furthermore, the design process is extremely 
complex, endeavouring to draw on elements of theory, research and practice in an 
optimal way given the affordances of particular technologies and the opportunities 
and constraints of individual contexts, not the least of which are the needs and 
resources of teachers and learners. As such, design procedures and practices have 
been closely examined.

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