social nor moral values. It is the artist’s fantasy that produces the refined and the beautiful. So it is
pointless to demand that there be any similarity between reality and its depiction in art. Thus, he
was a supporter of the “art-for-art’s sake” doctrine.
In his plays the author mainly dealt with the life of educated people of refined tastes.
Belonging to the privileged layer of society they spent their time in entertainments. In “The
Importance of Being Earnest” the author shows what useless lives his characters are leading. Some
of them are obviously caricatures, but their outlook and mode of behaviour truely characterize
London’s upper crust. Wilde rebels against their limitedness,
strongly opposes hypocrisy, but, being
a representative of an upper class himself, was too closely connected with the society he made fun
of; that is why his opposition bears no effective resistance.
The most popular works of the author are “The Happy Prince and Other Tales” (1888),
“The Picture of Dorian Gray” (1891), and the come-dies “Lady Windermere’s Fan” (1892). “A
Woman of No Importance” (1893), “An Ideal Husband” (1895), “The Importance of Being
Earnest” (1895). At the height of his popularity and success a tragedy struck. He was accused of
immorality and sentenced to two years’ imprisonment. When released from prison in 1897 he lived
mainly on the Continent and later in Paris. In 1898 he published
his powerful poem, “Ballad of
Reading Gaol”. He died in Paris in 1900.
“The Picture of Dorian Gray” is the only novel written by Oscar Wilde. It is centered round
problems of relationship between art and reality. In the novel the author describes the spiritual life
of a young man and touches upon many important problems of contemporary life: morality, art and
beauty. At the beginning of the novel we see an inexperienced youth, a kind and innocent young
man. Dorian is influenced by two men with sharply contrasting characters: Basil Hallward and Lord
Henry Wotton. The attitude of these two towards the young man shows their different approach to
life, art and beauty. The author shows the gradual degradation of Dorian Gray. The end of the book
is a contradiction to Wilde’s decadent theory. The fact that the portrait acquired its former beauty
and Dorian Gray “withered, wrinkled and loathsome of visage” lay on the floor with a knife in his
heart, shows the triumph of real beauty - a piece of
art created by an artist, a unity of beautiful form
and content. Besides that, it conveys the idea that real beauty cannot accompany an immoral life.
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