part of twelfth grade. I could hardly believe it myself. From
the second half of tenth grade (10A) I had gone from
private to lieutenant colonel by the time I reached 12B. I
still had a full semester of school left, and another field-
grade examination was coming up. That meant I actually
had an opportunity to become colonel. If I made it, I would
be one of three ROTC colonels in Detroit.
I sat for the exam again and did the best of all the
competitors. I was made city executive officer over all the
schools.
I had realized my dream. I had gotten all the way to
colonel even though I had joined ROTC late. Several times
I thought, Well, Curtis, you got me started, and you made
captain. I've passed you, but I wouldn't have gotten into
the ROTC if you hadn't done it first.
At the end of my twelfth grade I marched at the head
of the Memorial Day parade. I felt so proud, my chest
bursting with ribbons and braids of every kind. To make it
more wonderful, we had important visitors that day. Two
soldiers who had won the Congressional Medal of Honor in
Viet Nam were present. More exciting to me, General
William Westmoreland (very prominent in the Viet Nam
war) attended with an impressive entourage. Afterward,
Sgt. Hunt introduced me to General Westmoreland, and I
had dinner with him and the Congressional Medal winners.
Later I was offered a full scholarship to West Point.
I didn't refuse the scholarship outright, but I let them
know that a military career wasn't where I saw myself
going. As overjoyed as I felt to be offered such a
scholarship, I wasn't really tempted. The scholarship
would have obligated me to spend four years in military
service after I finished college, precluding my chances to
go on to medical school. I knew my direction—I wanted to
be a doctor, and nothing would divert me or stand in the
way.
Of course the offer of a full scholarship flattered me. I
was developing confidence in my abilities—just like my
mother had been telling me for at least the past ten years.
Unfortunately I carried it a little too far. I started to believe
that I was one of the most spectacular and smartest
people in the world. After all, I had made this
unprecedented showing in ROTC, and I stood at the top of
my school academically. The big colleges wrote to me and
sent out their representatives to recruit me.
Meeting representatives from places like Harvard and
Yale made me feel special and important because they
wanted to recruit me. Few of us get enough experience at
feeling special and important, and I was no exception. I
didn't know how to handle all the attention. The school
reps flocked around me because of my high academic
achievements, and because I had done exceptionally well
on the Scholastic Aptitude Test (SAT), ranking somewhere
in the low ninetieth percentile—again, unheard of from a
student in the inner city of Detroit.
I laugh sometimes when I think of my secret for scoring
so high on the SAT. Back when my mother would allow us
to watch only two or three television shows and insisted
that we read two books a week, I did just that. One
program—
my favorite—was the General Electric College Bowl. On
that program—a quiz show—students from colleges
around the country sat as contestants and competed with
each other. The master of ceremonies asked factual
questions and challenged the knowledge of those students.
All week I looked forward to Sunday nights. In my
mind, I had already focused on another secret goal—to be
a contestant on the program. To get the chance to appear,
I knew I'd have to be knowledgeable in many subjects, so
I broadened my range of reading interests. Having
inherited a job in the science laboratory after Curtis
graduated helped me tremendously because the science
teachers saw my desire to know more. They gave me
extra tutoring and suggested books or articles for me to
read. Although I was doing well in most of the academic
subjects, I realized I didn't know a lot about the arts.
I started going downtown after school to the Detroit
Institute of Arts. I walked through the exhibit rooms until I
knew all the paintings in the main galleries. I checked out
library books about various artists and was really taking in
all of that material. Before long I could recognize the
masters' paintings, name the works themselves, cite the
artists' names and their styles. I learned all kinds of
information, such as when the artists lived and where they
received their training. I soon could recognize the
paintings or artists like a flash when questions came up
about them on College Bowl.
Next, I had to learn about classical music if I wanted to
compete. When I started that phase, I used to receive
weird looks from people. For instance, I'd be out on the
lawn digging up weeds or trimming the grass and have my
portable radio playing classical music. That was
considered strange behavior for a Black kid in Motown.
Everybody else was listening to jam and bebop.
In truth, I didn't much like the classical music. But here
again, Curtis played a decisive role in my life. By then he
was in the Navy, and once when he came home on leave
he brought a couple of records. One of them was
Schubert's Eighth Symphony (Unfinished). He played that
record endlessly.
“Curtis,” I asked, “why do you listen to that stuff? It
sounds absolutely ridiculous.”
“I like it,” he said. He might have tried to explain a little
about the music, but at the time I wasn't quite ready to
hear him. However, he played that record so often during
his two weeks at home that I found myself going around
humming the melody. About that time I realized that I had
actually begun to enjoy classical music!
Classical music wasn't totally foreign to me. I had taken
clarinet lessons since the seventh grade because that's
what my brother played. And after all, that meant my
mother had to rent only one instrument in the beginning,
and I could use Curtis's old music. Later I went on to
cornet until, in ninth grade, I switched to the baritone.
Curtis helped me to enjoy Schubert, and then I bought
a record as a gift for my mother. Truthfully, I bought it for
myself. The record contained the many overtures from
Rossini's operas, including the most well-known The
William Tell Overture.
My next step was listening to the German and the
Italian arias. I read books about operas and understood
the stories. By then I was saying, “This is great music.” I
no longer pushed myself to learn about classical music
because I wanted to be on College Bowl. I had gotten
hooked.
By the time I got to college I could listen to just about
any piece of music—from classical to pop—and I'd know
who wrote it. I have a good ear for recognizing styles in
music, and I cultivated that.
During college, every evening I used to listen to a
program called The Top One Hundred . It played only
classical music. I listened every night, and it wasn't long
before I knew the top one hundred cold. Then I decided to
branch out from just classical music, so I made it a point
to listen and learn from a wider range of music.
I did everything I knew to get ready to try out for the
College Bowl. Unfortunately, I never did get to appear on
the program.
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