The
Pioneers
introduced two of the three fundamental ideas of the environmental movement: the
conservation of natural resources for man, and the beauty of nature and the wilderness.”
33
In
“James Fenimore Cooper and the Conservation Schism,” Nelson Van Valen contends that “that
the first major struggle between utilitarian and preservationist was not that between Pinchot and
Muir over California's Yosemite National Park but the almost equally famous, albeit fictional,
contest between two equally redoubtable antagonists, Marmaduke Temple and Nathaniel
Bumppo, over New York's Lake Otsego wilderness.”
34
In
“
Cooper's ‘Course of Empire’:
Mountains and the Rise and Fall of American Civilization in
The Last of the Mohicans
,
The Spy
,
and
The Pioneers,”
Ian Marshall places The Pioneers in a continuum of the “Leatherstocking
Tales” that he says mirrors Thomas Cole’s “Course of Empire” paintings, which shows the cycle
of man’s conquest of nature followed by nature’s return.
35
The Pioneers, according to Marshall,
30
Paul K. Johnston, “Puritan in the Wilderness: Natty Bumppo's Language & America's Nature Today,” Presented
at the 11th Cooper Seminar,
James Fenimore Cooper: His Country and His Art
at the State University of New York
College at Oneonta, July, 1997
31
William Cronon, “The Trouble With Wilderness, Or Getting Back to the Wrong Nature”
Environmental History,
Vol. 1, No. 1. (January, 1996) 7-28
32
Johnston
33
Hugh MacDougall, “James Fenimore Cooper: Pioneer of the Environmental Movement,” 1990;
34
Nelson Van Valen, “James Fenimore Cooper and the Conservation Schism,”
New York History
, Vol. LXII, No. 3
(July 1981), pp. 289-306.
35
Ian Marshall, “Cooper's ‘Course of Empire’: Mountains and the Rise and Fall of American Civilization in
The
Last of the Mohicans
,
The Spy
, and
The Pioneers”
1989
marshall.html>
10
is in the stage of consummation, as pastoral gives way to civilization, which ultimately is
followed by ruin.
Class distinctions are another focus of scholarship for some. In his work, James Fenimore
Cooper, Novelist of Manners, Donald Darnell describes The Pioneers as Cooper’s version of de
Crevecouer’s “Letters of an American Farmer”, albeit without a villainous land baron.
36
Instead,
he wrote, The Pioneers treats class distinctions gently and Temple is “respected by one and all
and governs by reason and example.” Interestingly, Darnell argues that Cooper, rather than use
religion to show any kind of democratic bent, instead uses it to “index a character’s social
status.” Episcopalianism is the religion of the upper class, other Protestant sects make up the
majority of the common people, and those that find fault with pastor Grant’s compromise service
are the “lower-class characters and villains” of the novel, he argues.
37
In “Landownership and Representation of Social Conflict in
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