On Becoming a Legal Person
109
ences between “genuine” dialogue, in which there are distinct voices, and a
mere question-answer adjacency pair form (which may or may not instanti-
ate differentiated voices). Silverstein would characterize the original Socratic
dialogues as actually a form of monologue: “Plato
writes dialectic monologue
but distributes it to multiple participants, frequently in the form of adjacency-
pair structures like Question/Answer, or Remark/Counter-Remark.”
22
To the
extent that this is replicated in law school classrooms, Silverstein notes, the
discourse could be said to “inculcate a sense that legal dialectic is a procedure,
an algorithm of interrogation for generating Q-A pair part investigation of is-
sues-that-matter, seeking a telos.”
23
As noted previously (note 42 in Chapter 4), the smoothest instances of
Socratic questioning found in this study most closely approximate this “mono-
logue in the form of dialogue.”
24
However, as we have seen, there are many
sources of variation on this prototypical form. First, a number of the class-
rooms in the study use shorter, more informal exchanges, sometimes ap-
proaching almost conversational style, in unpacking the case law genre. This
varies from being an occasional feature of class discussion in the more formal
classes (often during policy discussions) to being
a central organizing charac-
teristic of the classroom discourse. Second, the unruly student voices frequently
break out of the constricting frame of even the more tightly controlled Socratic
exchanges, so that we can identify genuinely independent footing and voice.
Third, at many points professors are attempting to teach students to take op-
posing positions in legal arguments; in these instances they are actually coach-
ing the students to create and occupy distinct voices (for example, through
role-playing). Finally, one fascinating feature of law school classroom discourse
is the ubiquitous use of reported speech to represent different perspectives or
voices, right alongside a frequent blurring of footing and elision of bound-
aries in the construction of the legal self. (The blurring of footing, of course,
relies on there being a distinction in the first place.)
Thus, we can distinguish a number of kinds of exchanges, all of which
might be characterized as Socratic: (a) monologue in pair-part form, produced
in exchanges between one or more students and the professor (the
classroom
analogue, perhaps, of direct examination in the courtroom, where ideally at-
torney and client together construct one narrative through their question-
answer exchanges, keeping in mind that the actual performance often falls
interestingly short of the ideal);
25
(b) multiple kinds of two-part dialogue in
pair-part form (including one in which the professor and student respond to
one another in their own voices, and others in which professors and students
take on alternative voices or roles or make arguments, based on the exigencies
of legal argument; here, the closest legal analogue might be the dialogue be-
tween judges and attorneys during oral argument at the appellate level); (c)
discussions in which the class as a whole or multiple students chime in, either
mediated through the professor or (very rarely) unmediated,
but nonetheless
using distinct voices (though generally this still occurs in pair-part structures);
and (d) an interesting interstitial category of coproduced speech in which the
professor acts much as a parent does when coaching a child who is not yet
110
Similarity
proficient in a new verbal routine (so that the learner’s distinct voice is still
apparent in the back and forth between interlocutors).
26
Some of these cat-
egories can overlap in a single exchange, producing very interesting patterns
of footing and voice. Note that Silverstein’s point about inculcating an algo-
rithm of interrogation still holds whether the pair-part structure instantiates
a monologue in search of a telos, or a dialogue whose purpose is the uncover-
ing of legal truth.
(4) An obvious, but important, correlative pedagogical message is the con-
stant metalinguistic emphasis on language form as the actual source of episte-
mological certainty: that it is in and through speech that cases unfold,
arguments emerge, and legal truth is discovered.
Matoesian has correctly ar-
gued that this process conceals how law “constructs claims to knowledge, truth,
and facticity in the details of discursive interaction,”
27
because the message is
conveyed through tacit metalinguistic structuring and ideology and is there-
fore naturalized. In other words, students are never explicitly told that episte-
mological certainty lies in dialogic form. Instead, they are gradually tutored
in a way of reading and speaking, at the same time as they are slowly reori-
ented to conceptualize people as above all producers of argument and strat-
egy. From this position, it appears natural to accept that the facts emerging
from the nested authoritative levels of discourse in legal settings will be the
basis for definitive legal findings, just as it seems unremarkable that we would
understand people who could be characterized quite differently (as distraught,
in
conflict, behaving emotionally) as constantly motivated by their best pos-
sible strategic positioning in an argumentative territory defined by legal out-
posts. Thus, the same metalinguistic process that Matoesian identifies as
concealing the construction of legal epistemology and facticity
is
the process
by which these tasks are accomplished.
The use of direct quotation in law school classrooms moves even further,
beyond presenting the arguments of opposing parties, of courts, of lawyers,
or of internal dialogue in service of legal analysis. Professors also at times re-
count abstract theories in dialogic form, often after assigning a theoretical
article by a legal philosopher. These theories could be thought of as optimally
suited for presentation in third-person, descriptive format. And that does
happen.
But in the following excerpt, we see the dialogic alternative, as the
professor presents the theories of two (of course, competing) legal scholars
on the issue of “specific performance”:
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