V .A . Vassilyev's phonological terms
toneme
(«intoneme»)
and
allotone1
coincide with M . Romportl's terms
«melodeme»
and
allomel2
though the phonological treatment of the latter dif
fers in some respects.
Comparing Czech, Polish, Russian, German, French, Hun
garian M . Romportl establishes that these languages do not all
exploit the means of melody in quite the same way which is de
termined by the difference in the place of melody and by
means of differentiation of utterances and not only by prosodic
means (stresses, pauses) and lexico-grammatical means (using
question words, special imperative forms, word order etc.).
The similarity and difference in the realization of melodic
forms are termed «homonymy and synonymy of means of in
tonation».
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