Ministry of Secondary and Higher Education Jizzakh State Pedagogical Institute Faculty of Foreign Languages and Literature Bachelor’s degree in English Language and Literature English Language Theory and Teaching Methodology Subject



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John Galsworthy is English novelist and playwright, winner of the Nobel Prize for Literature in 1932.

Galsworthy’s family, of Devonshire farming stock traceable to the 16th century, had made a comfortable fortune in property in the 19th century. His father was a solicitor. Educated at Harrow and New College, Oxford, Galsworthy was called to the bar in 1890. With a view to specializing in marine law, he took a voyage around the world, during which he encountered Joseph Conrad then mate of a merchant ship. They became lifelong friends. Galsworthy found law uncongenial and took to writing. For his first worksFrom the Four Winds (1897), a collection of short stories, and the novel  Jocelyn (1898), both published at his own expense, he used the pseudonym John Sinjohn. The Island Pharisees (1904) was the first book to appear under his own name.

The Man of Property (1906) began the novel sequence known as The Foryte Saga  by which Galsworthy is chiefly remembered; 

 others in the same series are “Indian Summer of a Forsyte” (1918, in Five Tales), In Chancery (1920), Awakening (1920), and To Let (1921). The saga chronicles the lives of three generations of a large, upper middle-class family at the turn of the century. Having recently risen to wealth and success in the profession and business world, the Forsytes are tenaciously clannish and anxious to increase their wealth. The novels imply that their desire for property is morally wrong. 

The saga intersperses diatribes against wealth with lively passages describing character and background. In The Man of Property Galsworthy attacks the Forsytes through the character of Soames Forsyte, a solicitor who considers his wife Irene as a mere form of property. Irene finds her husband physically unattractive and falls in love with a young architect who dies. The other two novels of the saga, In Chancery and To Let, trace the subsequent divorce of Soames and Irene, the second marriages they make, and the eventual romantic  entanglements of their children. The story of the Forsyte family after World War was continued in The White Monkey (1924), The Silver Spoon (1926), and Swan Song (1928), collected in A Modern Comedy (1929). Galsworthy’s other novels include The Country House (1907), The Patrician (1911), and The Freelands (1915).

Galsworthy was also a successful dramatist, his plays, written in a naturalistic style, usually examining some controversial ethical  or social problem. They include The Silver Box (1906), which, like many of his other works, has a legal theme and depicts a bitter contrast of the law’s treatment of the rich and the poor; Strife (1909), a study of industrial relations; Justice (1910), a realistic portrayal of prison life that roused so much feeling that it led to reform; and Loyalties (1922), the best of his later plays. He also wrote verse.



T.S. Eliot (1888-1965)

An American  who spent most of his adult life in Britain and who eventually became a naturalised British citizen, T.S. Eliot is widely regarded as one of the most influential figures in 20th century literature. Eliot was awarded the prize in 1948, by which time he had become a leading figure in the United Kingdom’s literary establishment and an icon for successive generations of young poets. Eliot was born in St Louis, Missouri, but immigrated to Europe in his early 20s, living first in Paris  and then in London, where he met Ezra Pound. Together they would revolutionise 20th century literature, rejecting the staid realism of their predecessors in favour of a modernist stream-of-consciousness style that emphasised the ruptures of individual perspective. Eliot’s most famous works of his early period were The Love Song of Alfred Prufrock, a satire of modern ennui, and The Waste Land an apocalyptic epic in which Eliot channelled the disillusionment of his generation and the horror of World War One. Eliot’s works, along with other modernist classics such as James Joyce’s Ulyses and Virginia Woolf’s Mrs Dalloway changed the trajectory of English literature irrevocably.


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