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Duration of Copyright and Rights in Performances Regulations 1995



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Duration of Copyright and Rights in Performances Regulations 1995

Was

Now

Literary, dramatic, musical or

artistic works (except for

computer-generated works)

50 years


70 years

from the end of the year in which the author dies



Computer-generated works

no legislation

50 years

from the end of the year in which it was made




8

Ownership

the author of the work is normally the first owner. (The author is the person who creates

the work).

However, if an employee creates a literary or artistic work (including a computer

programme) in the course of his employment, his employer is the first owner of

any copyright in the work.  The difficulty is determining whether a particular piece

of work is done in the course of an employee’s employment?  For example, a

computer programmer may write computer programme in his spare time: is this in

the course of his employment?

 Moral rights:

consist of a bundle of rights of the author of the work to be identified as such in

circumstances specified in CDPA.  It does not apply with respect to

computer programmes, nor to works which vest in employers by virtue of

their employment of the “author” ie neither the employer nor the employee

has the right to be identified;

moral rights are not infringed unless they are asserted.



Infringement

Without permission:

“substantial copying”: this is a question of degree and includes adaptations

selling or importing copyright material

performing, showing or broadcasting a play, music or film

but NOT independently creating the same work (hence advice to creators to

retain original drawings and to systematically date all their work)


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