Lesson №4 Theme №4


Activity 2 Writing about context in literature work. Use examples below and write about context in the literary work that you choose



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LESSON 4 Analysis of literary text

Activity 2 Writing about context in literature work. Use examples below and write about context in the literary work that you choose.
Examples of Context in Literature
1. Margaret Atwood, The Handmaid’s Tale
Set in a dystopian near-future, The Handmaid’s Tale follows Offred and other subjugated women who strive to reclaim their independence after a theonomic totalitarian state called Gilead usurps the US government. This quote comes from Chapter 6, as Offred and fellow handmaiden Ofglen observe the corpses of people murdered by the state:
Ordinary, said Aunt Lydia, is what you are used to. This may not seem ordinary to you now, but after a time it will. It will become ordinary.
Gripped by horror, Offred recalls these words, which suggest that “ordinary” is a matter of perspective and that, in time, Gilead’s atrocities will seem normal. Aunt Lydia’s assurance that murder, oppression, and subjugation can become commonplace, even routine, reveals the depth of Gilead’s power and depravity.
2. Charles Dickens, A Tale of Two Cities
This novel, set before and during the French Revolution, tells the story of Doctor Alexandre Menette, who is imprisoned in the Bastille for 18 years then moves to London to reunite with his daughter Lucie. Dickens contextualizes the setting in the very first paragraph:
It was the best of times, it was the worst of times, it was the age of wisdom, it was the age of foolishness, it was the epoch of belief, it was the epoch of incredulity, it was the season of Light, it was the season of Darkness, it was the spring of hope, it was the winter of despair, we had everything before us, we had nothing before us, we were all going direct to Heaven, we were all going direct the other way—in short, the period was so far like the present period, that some of its noisiest authorities insisted on its being received, for good or for evil, in the superlative degree of comparison only.
This passage immediately establishes that the novel’s main conflicts revolve around binary extremes, such as good and evil or wisdom and folly. This signals that the story is rife with contradiction and controversy, and that the setting is full of tension but also hope.

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