Lecture 6 Interpretation of the text as a subject. Its aims, tasks and ties with other subjects. Literary text as a Poetic Structure. Plan



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Lecture 6

supraverbal (poetic) layer
. The verbal and supraverbal layers of the text are thus 
inseparable from each other because all the elements of the literary text mentioned 
above materialized in word sequence, make the latter acquire a meaning that is 
superimposed by the whole literary text. 
The cohesion of two layers , i.e. of the strictly verbal and supraverbal 
constituents is known as poetic structure of the literary text. There is nothing in 
the literary work that is not expressed in its poetic structure. It is the whole of the 
poetic structure that conveys the author's message. One element (or component) of 
the poetic structure is as important, as any other, for through them the author's entire 
message is conveyed. All the components of the poetic structure compose a 
hierarchy, an organization of independent layers. The basic unit of the poetic 
structure is the word. All the various layers of the structure, i.e. the syntactic, the 
semantic, the rhythmical, the compositional, the stylistic are expressed in words. 
The simile «he watched me intently like a prize--fighter», taken by itself is 
nothing, just a play of words, a word image, but within a literary text it is a unit ' 
which along with others of all tropes and figures of speech used in the novel «The 
Quiet American» goes to depict the image of Pyle. The image of Pyle in its turn, as 
one of the character-images, together with all the other ones in the novel goes to 
convey the author's message. 


Representation of the literary work in terms of a structure or a hierarchy of 
layers presupposes the concept of macro (theme and idea, image, genre, 
composition, etc.) and micro ( tropes ,figures of speech)-elements( components) 
and bears upon
form – content relationship

Macro and micro-elements is a functional, not an absolute category. Within 
a literary work a simile , for instance , is a micro – element in relation to a macro-
element which may be the image of a character , and the latter in its turn is a 
micro-element in relation to the macro-element which is the literary work itself , 
understood as an image of reality. 
The fact that macro-elements of a literary work are made out of micro-
elements means in the final analyses that micro- elements are form in relation to 
macro elements which are content.
Thus, an analysis in which the idea of the literary work is considered separate 
from the verbal materialization is an erroneous and harmful practice, because it leads 
the reader away from the appreciation of the essence of verbal art. 
Each literary work is a unique instance of imaginative representation of 
reality. Imaginative representation has its own principles which cohere all elements 
of the literary text and render it possible for the latter to constitute a world complete 
in itself. These principles are common to all literary works. 

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