Mihail Mitrea
University of Edinburgh, Edinburgh, United Kingdom;
mixailmitrea@gmail.com
Placing Golden Flourishes: Miracle Tales in the Saints’ Lives
of Philotheos Kokkinos
Miracles are the most evident mark of holiness (although they do not amount to holiness)
and are an integral part of almost any saint’s life, be it in the form of bios (kai politeia), enkōmion,
logos, hypomnēma, etc. Most often Byzantine hagiographers couch miracle tales throughout and
especially at the end of their hagiographical compositions (i.e., posthumous miracles) in order to
portray and promote the holy figures they praised. Notwithstanding the size and significance of
his hagiographical œuvre including lives of saints old and contemporary, Philotheos Kokkinos (ca.
1300–1377/8), the most prolific and arguably most gifted Palaiologan hagiographer, has received
particularly little scholarly attention. Into the narrative of his five vitae of contemporary saints—the
hypomnēma of Nikodemos the Younger (BHG 2307), the bioi kai politeiai of Sabas the Younger
(BHG 1606) and Germanos Maroules the Hagiorite (BHG 2164), the bios kai politeia kai enkōmion
of Isidore I Boucheiras (BHG 962), and the logos on Gregory Palamas (BHG 718)—Philotheos
weaved numerous accounts of healing and non-healing miracles which at times amount to almost
one-quarter of the vita. Although these miracle accounts composed by Kokkinos are among the
most successful literary compositions of this genre, little scholarly research has been dedicated to
them, except the contributions by Rigo and Talbot on the miracles of Gregory Palamas. Therefore,
they require further study.
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The present paper constitutes a preliminary survey, contextualization, and analysis of all the
miracle accounts in Kokkinos’ lives of contemporary saints. The analysis considers several aspects
such as the mechanisms employed by the hagiographer to construct the miracle accounts, their
typology, structure, mise-en-scène, and time-space particulars, the social status, age, and gender of
the beneficiaries of the miraculous powers, the typology of afflictions healed, the description of the
illness and of the afflicted, the role of the body, the psychological elements, the methods of healing,
the effect of the miracle on the beneficiaries and on the textual/internal audience and their reaction
(or lack of it), the social functions of the miracles (e.g., social acceptance and promotion of a saintly
figure; social dynamics around a holy figure; ability to suggest a transformation, and activate paideia
mechanisms), level of detail, linguistic registry, intertextuality, and finally the extent to which
the narrator/author is present in his texts. As I argue, a thorough examination of these features
points to Kokkinos’ agenda (among which perhaps his effort to patronize a truthful reception and
interpretation of the miracles) and intended audience, and offers insights into his thought-world.
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