Iacobus Leodiensis [Iacobus de Montibus, Iacobus de Oudenaerde]

marches

109	March no.1 for Piano, with ‘Year of Jubilee’	[1890], c1894–5
110	March no.2 for Piano, with ‘Son of a Gambolier’	1895		inc.; > or <353
111	March no.3 for Piano, with ‘Omega Lambda Chi’	c1895–6		<53
112	March no.5 for Piano, with ‘Annie Lisle’	c1895		<54
113	March no.6 for Piano, with ‘Here’s to Good Old Yale’	c1895–6	New York, 16 Feb 1975	three versions, first and third inc., third without borrowed tune; second
114	March in G and C for Piano, with ‘See the Conquering Hero Comes’	c1896–7
115	March for Piano: The Circus Band	c1898–9

other works

116	The Celestial Railroad	c1922–5	Albany, NY, 30 Oct 1928	>88/ii (which borrows from 36), ?>lost Hawthorne Concerto;
117	Three Improvisations	1938	recorded New York, 11 May 1938	transcr. from recording and ed. G. and J. Dapogny (1983)
	i. Improvisation I			borrows from 10/v or 70
	ii. Improvisation II			=part of 91
	iii. Improvisation III			borrows from 96 or 125
118	Invention in D	c1898	New York, 16 Feb 1975
119	Minuetto, op.4	1886
120	New Year’s Dance	1887		?inc.
	Three Protests: see 124
122	Set of Five Take-Offs	c1909	New York, 23 March 1968	crit. edn J. Kirkpatrick (1991)
	i. The Seen and Unseen?
	ii. Rough and Ready et al.			borrows part of 1/iv coda
	iii. Song without (good) Words/The Good & the Bad (new & old)
	iv. Scene Episode			portion
	v. Bad Resolutions and Good WAN!
123	Four Transcriptions from ‘Emerson’	c1923–4, c1926–7	New York, 12 March 1948 [complete work]
	i. Slowly	c1923–4, c1926–7	New York, 6 Jan 1931	>part of 88/i, part of 22; borrows from 90, 91, 97
	ii. Moderato	c1926–7		>part of 88/i, part of 22; borrows from 107
	iii. Largo	c1926–7		>part of 88/i, part of 22
	iv. Allegro agitato– Broadly	c1926–7		>part of 88/i, part of 22; borrows from 99
124	Varied Air and Variations	c1920–22	New Haven, 18 May 1967	portions ed. as Three Protests (San Francisco, 1947); ed. J. Kirkpatrick and G. Clarke (Bryn Mawr, PA, 1971)
125	Waltz-Rondo	1911	Syracuse, NY, 8 Feb 1965	crit. edn J. Kirkpatrick and J. Cox (1978); portions borrowed in 96, 117/iii