Iacobus Leodiensis [Iacobus de Montibus, Iacobus de Oudenaerde]

piano

sonatas

87	Sonata no.1 for Piano	assembled c1915–16, c1921	New York, 17 Feb 1949	ed. L. Harrison and W. Masselos (1954); corr. edn (1979); 2nd corr. edn (1990)
	i. Adagio con moto–Allegro con moto–Allegro risoluto–Adagio cantabile	c1909–10, c1915–16, rev. c1921, c1926–7		>lost organ piece
	iia. Allegro moderato– Andante	c1915–16, c1920–21		>43/ii
	iib. Allegro–Meno mosso con moto (In the Inn)	c1915–16, c1920–22		>43/i;
	iii. Largo–Allegro–Largo	c1915–16, rev. c1921–2
	iva.	c1921		portion >part of 85 or 82 (also used in 107)
	ivb. Allegro– Presto–Slow	c1921	>43/iv; portion reworked in 128/ii
	v. Andante maestoso–Adagio cantabile–Allegro–Andante	c1920–22, rev. c1926–7		portion >part of 122/iv; borrows from 106
88	Sonata no.2 for Piano: Concord, Mass., 1840–60	c1916–19; rev. 1920s–40s	Cos Cob, CT, 28 Nov 1938 [complete work]	(Redding, CT, 1920); edn (1947)
	i. Emerson	c1916–19	Paris, 5 March 1928	>22; uses portions of 90, 91, 97, 99; portion used in 107; <123
	ii. Hawthorne	c1916–17		>lost Hawthorne Concerto; borrows from 36, 85, 262;
	iii. The Alcotts	c1916–17	3 Aug 1921	>lost Alcott Overture
	iv. Thoreau	c1918–19	Hartford, CT, 12 Dec 1928	portions
89	Three-Page Sonata	[1905], c1910–11, rev. c1925–6	New York, 25 April 1949	ed. H. Cowell (1949); crit. edn J. Kirkpatrick (Bryn Mawr, PA, 1975); other edns in Joyce (E1970), Baron (D1987)

studies

90	Study no.1: Allegro	c 1910–11	New York, 23 March 1968	inc.; portion < or >part of 82; portions used in 22, 88/i, 91, 123/i
91	Study no.2: Andante moderato–Allegro molto	c1910–11, rev. c1925	New York, 23 March 1968	borrows part of 90;
93	Study no.5: Moderato con anima	c1912–13	New York, 23 March 1968	crit. edn A. Mandel (Bryn Mawr, PA, 1988)
94	Study no.6: Andante	c1912–13	New York, 23 March 1968
95	Study no.7: Andante cantabile	c1912–13	New York, 23 March 1968
96	Study no.8: Trio (Allegro moderato–Presto)	c1912–13	New Haven, 21 Nov 1966	borrows from 125
97	Study no.9: The Anti-Abolitionist Riots in the 1830’s and 1840’s	c1912–13	New York, 3 April 1950
99	Study no.11: Andante	c1915–16		inc.; > or
100	Study no.15: Allegro moderato	c1917–18	New York, 23 March 1968	inc.
101	Study no.16: Andante cantabile	c1917–18	Middletown, CT, 19 April 1991	inc.; real. J. Kirkpatrick and D. Berman (with 103)
103	Study no.19: Andante cantabile	c1914	Middletown, CT, 19 April 1991	inc.; real. J. Kirkpatrick and D. Berman (with 101)
104	Study no.20: March (Slow Allegro or Fast Andante)	c1917–19	New York, 23 March 1968	portion borrowed in 9/ii; crit. edn J. Kirkpatrick (Bryn Mawr, PA, 1981)
105	Study no.21: Some Southpaw Pitching	c1918–19	New York, 3 April 1950	>parts of 2/iii and 2/v; ed. H. Cowell (1949); crit. edn J. Kirkpatrick (Bryn Mawr, PA, 1975)
106	Study no.22: Andante maestoso–Allegro vivace	c1918–19, c1922–3		portion borrowed in 87/v; ed. H. Cowell (San Francisco, 1947); crit. edn J. Kirkpatrick (Bryn Mawr, PA, 1973)
107	Study no.23: Allegro	c1920–22	New York, 23 March 1968	portion >part of 85 or 82 (also used in 87/iva); portions >part of 22, part of 88/i; portion used in 123/ii; crit. edn J. Kirkpatrick (Bryn Mawr, PA, 1990)