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Conclusion
The main problem is that the high cost is often much more than the cost of the highest quality stereo microphone. There is an alternative solution - portable stereo recorders such as the zoom h4n. They are convenient in that they have their own power supply, memory cards and allow you to record sound with a sampling rate of up to 96000.
Everyone likes their own microphone, so in this case you should rely only on your own taste.
When recording sound (be it musical or not), it is worth considering that along with the right microphone for sound recording in the home, its correct location relative to the sound source is just as important. Of course, this is not the end of the mics themselves. The choice of microphone depends not only on the location of the recording, but also on what needs to be recorded. So, different microphones are better suited for recording different musical instruments and sound sources (vocals, drum kit, orchestra, etc.).
As for the sound recording technique, there is also a direct dependence on what sound the person prefers to record, and on what instrument will be recorded. This way you can achieve the effect of proximity by placing the microphone directly in front of the vocalist. It is possible to record a guitar with different recording techniques, obtaining slightly different timbres of one recorded instrument.
If it is necessary to record sounds in nature, then in 90% of cases narrowly directed microphones (gun microphones) are best suited, which also require a good wind protection system. Binaural recordings are recordings that are made by two microphones placed in a model of a human head, or rather, in the auricles.
Due to the characteristic reflection of sound, the minimal difference between the recordings from the right and left ears - very natural recordings are achieved. Listening to binaural recordings in headphones often gives the impression of the complete presence of the sound source in the room. However, this recording method has its own problems - phase distortions that will appear when converting stereo to mono (which can certainly happen when the recording / composition is further used by the listener / consumer).
Premises and sound recording
In addition to the useful signal, background noise is present in the recording. If this noise is the result of a breath of wind, then you can get rid of it with special protection for the microphone. If the sound is recorded in the studio and nearby, for example, there are unwanted sound sources, then soundproofing is necessary (although when choosing the location of the studio, you should always carefully study the noise picture of the surrounding space, if there are any serious noise sources that can interfere with further work).
Soundproofing is as much an art as choosing the best microphone/recording technique. Most often, soundproofing is done to absorb street noise. Sometimes a second wall is placed, sometimes the walls are simply treated with sound-absorbing materials. It often makes sense to replace doors and windows. What exactly needs to be done depends on each specific case and possibilities.
In addition to the problem of external noise, there is also the problem of the acoustics of the room itself, in which sound recording will be made.
Each room has its own acoustics - the characteristic reflections of a sound wave from the surfaces of the room. Be it reverb, echo, flutter echo.
Different rooms react differently to different sound sources. When choosing one here again, everything is relative. To record sounds, it is best to reduce sound reflections to nothing (anechoic chamber).
At the entrance to such premises, it is usually pawned in the ears. In general, the fight against sound reflections is done using two methods: 1) Increasing the area of absorbing surfaces 2) Adding forms that crush sound waves.
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