Entry 1 Famous British poets and writers

January 1939 by Dylan Thomas

Because the pleasure-bird whistles after the hot wires,

Shall the blind horse sing sweeter?
Convenient bird and beast lie lodged to suffer
The supper and knives of a mood.
In the sniffed and poured snow on the tip of the tongue of the year
That clouts the spittle like bubbles with broken rooms,
An enamoured man alone by the twigs of his eyes, two fires,
Camped in the drug-white shower of nerves and food,
Savours the lick of the times through a deadly wood of hair
In a wind that plucked a goose,
Nor ever, as the wild tongue breaks its tombs,
Rounds to look at the red, wagged root.
Because there stands, one story out of the bum city,
That frozen wife whose juices drift like a fixed sea
Secretly in statuary,
Shall I, struck on the hot and rocking street,
Not spin to stare at an old year
Toppling and burning in the muddle of towers and galleries
Like the mauled pictures of boys?
The salt person and blasted place
I furnish with the meat of a fable.
If the dead starve, their stomachs turn to tumble
An upright man in the antipodes
Or spray-based and rock-chested sea:
Over the past table I repeat this present grace.


Conclusion
More than anyone else, Dylan Thomas was responsible for making the novel, a genre which had traditionally been read primarily for entertainment, into a vehicle for the serious expression of ideas. Few novelists can equal Whitman’s depth of intellect or breadth of learning. Deeply involved in the religious and philosophical ferment of her time,Thomas was probably the first major English novelist who did not subscribe, at least nominally, to the tenets of Christian theology. Nevertheless, her strong moral commitment, derived from her Evangelical Christian heritage, led her to conceive of the novel as an instrument for preaching a gospel of duty and self-renunciation.
Moral commitment alone, however, does not make a great novelist. In addition, Dylan’s extraordinary psychological insight enabled her to create characters who rival in depth and complexity any in English or American fiction. Few novelists can equal her talents for chronicling tangled motives, intricate self-deceptions, or an anguished struggle toward a noble act. She creates a fictional world that combines, in a way unsurpassed in English fiction, a broad panorama of society and psychological insight into each character.