Further reading: Martin Frishman and Hasan Uddin
Khan, eds., The Mosque: History, Architectural Develop-
ment, and Regional Diversity (New York: Thames and
Hudson, 1994); Oleg Grabar, The Formation of Islamic
Art (New Haven, Conn.: Yale University Press, 1973);
Renata Holod and Hasan Uddin-Khan, The Mosque and
the Modern World: Architects, Patrons, and Designs since
the 1950s (London: Thames and Hudson, 1997); David
McCauley, The Mosque (New York: Houghton Mifflin,
2003).
moulid
See
mawlid
.
Mudejar
Muslims residing willingly as subjects of a Chris-
tian kingdom of the Iberian Peninsula (see a
nda
-
lUsia
) were known as Mudejars. The phenomenon
of Mudejarism emerged with the Christian capture
of Muslim territories, for example Toledo (1085),
and concluded with the decrees of compulsory
conversion to Christianity (1501, 1515, 1526). The
Spanish term mudéjar derives from an Arabic verb
connoting inter alia the taming of wild animals.
Mudejarism differs conceptually from the Quranic
status of
dhimmi
(protected peoples) that Muslims
accorded non-Muslim “p
eople
oF
the
b
ook
” resid-
ing in Islamic territories. Whereas Islamic law
protected non-Muslims, the Mudejars could be
disenfranchised and enslaved with impunity.
The survival of Mudejar culture and institu-
tions depended upon whether the capture was
accomplished through negotiated surrender or
military defeat, the ratio of Muslim to Christian
populations, the competing interests of the mon-
archy and the papacy, and economic exigencies.
For instance, during the conquest of the Balearic
Islands, the Muslims of Menorca refused to surren-
der and were enslaved. In Aragon, Navarre, Castile,
and Portugal, however, many Mudejars capitulated
following negotiations between local Muslim rulers
and the Christians. In theory, these treaties safe-
guarded Mudejar property, customs, and institu-
tions provided they swore loyalty to the monarchy
and paid an annual capitulation tax. In practice,
however, Mudejar rights were often curtailed.
Congregational
mosqUe
s were confiscated and
converted into churches. In Aragon, the Crown
appointed Islamic judgeships and judicial rulings
could be overturned in a higher Christian court.
In Navarre and especially Valencia, where the
Mudejar majority constituted an indispensable
economic “royal treasure,” Muslims were banned
from emigration to Islamic territories. Papal coun-
cil edicts ordering the use of distinguishing cloth-
ing for Muslims (Fourth Lateran Council, 1215)
and prohibiting the call to
prayer
and Muslim pil-
grimages (Council of Vienna, 1311) were applied
in Castile and Aragon, but rarely enforced in
Valencia. Increasingly from the 13th century,
Mudejars were confined to ghettos (aljamas).
Mudejar institutions declined as the supply
of competent teachers of Arabic and the Islamic
sciences diminished. In response, the Mudejars
developed strategies of cultural resistance. Isa
ibn Jubayr of Segovia translated the q
Uran
and
an abridged
sUnna
into Romance (Latin-derived
languages) for the Mudejars who no longer under-
stood Arabic. Mudejars banned from travel abroad
K 486
moulid
wrote to Muslim jurists (
mUFti
s) to seek legal
opinions (
FatWa
s) regarding how to preserve
Islam under Christian rule. Mudejar jurists and
preachers urged the strict application of Islamic
ritual purity and morality codes in everyday life.
Such strategies also challenged uncompromising
judges such as m
Uhammad
i
bn
r
Ushd
(d. 1122),
who condemned the Mudejars for remaining in
non-Muslim territory.
Under the patronage of Christian monarchs,
Mudejars collaborated in the translation schools
that transmitted classical and Islamic knowledge
to western Europe. Mudejar architects, artisans,
and institutions left their cultural imprint on the
Iberian Christian kingdoms. Mudejar
arabesqUe
decorations and brickwork appear in churches
and palaces built in Spain and Portugal and in the
Americas from the 16th century. Following the
royal decrees of compulsory conversion to Chris-
tianity, Mudejars came to be known as Moriscos.
See also
architectUre
; c
hristianity
and
i
slam
.
Linda G. Jones
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