the tanned skins and fabrics woven from the hair
of goats, sheep, and
camel
s as well as from palms,
reeds, and grasses. Houses in villages, towns, and
cities
in many parts of the Middle East, North
Africa, and Asia have traditionally been made
of raw or baked mud brick reinforced by stone
or wood if available. In rocky areas of y
emen
,
western Arabia, and the Levant (s
yria
, Israel-Pal-
estine, l
ebanon
, and J
ordan
), local stone is used
for house construction. The urban palaces and
mansions of medieval Muslim rulers in e
gypt
,
t
Urkey
, Persia, and i
ndia
were made of profes-
sionally cut stone, together with baked brick and
wood. Houses made mostly of wood are limited
to forestlands, such as those of eastern Europe,
the Caspian Sea region, the Hindu Kush, i
ndone
-
sia
, and m
alaysia
. The Industrial Revolution and
colonization of Muslim lands by European pow-
ers brought the introduction of new manufac-
tured materials, such as steel-reinforced concrete,
aluminum, glass, and plastics. This has resulted
in the creation of housing that is often alienated
from its natural setting. Manufactured materials
and modern designs have also made it possible
to erect multistory apartment blocks capable of
accommodating hundreds if not thousands of
people in a single residential area.
The stereotypical “Islamic” dwelling is often
said to be the Middle Eastern courtyard house,
a complex of rooms situated around a courtyard
that is open to the sky but closed to the out-
side. Entrance is provided by a single doorway
or gate that leads into the courtyard. Windows
may be lacking or are placed high enough so
that passersby cannot look inside the house. The
courtyard is a work area and provides access to
guest rooms, private living quarters, storerooms,
and a stable. It also allows for air circulation,
an advantage in regions that have a hot climate.
Yet the association of the courtyard house with
Islam is a tenuous one at best. Courtyard houses
existed in the Middle East and Mediterranean
regions for centuries before Islam’s appearance.
Moreover, after Muslims had established their
religion in the Mediterranean and Middle Eastern
regions, both they and their non-Muslim neigh-
bors continued to use this house form as well as
others. As Muslims migrated beyond the Middle
East, they usually adopted the local domestic
architectural traditions of Africans, Asians, and
Europeans. Whatever traditional architectural
forms Muslims have used for their housing have
generally allowed for the accommodation of
extended families and varying degrees of interac-
tion between public and private spheres of social
life. There has been little evidence for an absolute
separation of public and private spaces, and the
same is true with respect to the segregation of
men and women within the house. Rather, such
divisions are situational, depending on temporal,
social, and economic factors. The
harem
—a seg-
regated domestic area for
Women
—is a creation
of wealthy landholders and urban elites, not a
product of Islamic religion per se.
The symbolic and legal significance of houses
in Islam can be situated, to an extent, in the
q
Uran
and
hadith
, where Arabic words such as
bayt and
dar are used both for ordinary human
dwellings and for sacred places and dwellings in
the
aFterliFe
. The Quran asserts that God created
ordinary dwellings and furnishings to demon-
strate his grace to people so that they would “sub-
mit” to him (Q 16:80–83). On the other hand, it
also states that God has punished disbelieving and
immoral people by destroying them and ruining
their houses (for example, Q 7:74–79, 27:45–52).
Believers who give up their homes and emigrate to
God and m
Uhammad
are promised great rewards
(Q 4:100).
The Grand Mosque in m
ecca
is called “God’s
sacred house,” and the k
aaba
is called “the first
house created for people” (Q 3:96–97, 5:97, 5:2).
The hadith state that the Kaaba is an earthly rep-
lica of “the frequented house” in heaven, which
is visited by thousands of
angel
s each day. In
addition to these sacred places, there is the house
of Muhammad in m
edina
, which consisted of
the private apartments of his wives facing toward
K 312
houses
an open courtyard. This house became a sacred
center, and Muhammad is reported to have said,
“Whoever visits my house deserves my interces-
sion [on J
Udgment
d
ay
].” It was also a place of
communal prayer that served as a model for other
mosques in Syria, i
raq
, e
gypt
, and North Africa.
In popular Islamic usage, all mosques can be
called “houses of God.”
The chapters of the Quran associated with the
latter part of Muhammad’s career (622–632) con-
tain ritual commandments and rules concerning
houses, both human and divine. The most impor-
tant pilgrimage command in the Quran urges
“people to perform a
haJJ
to the house [the Kaaba]
if they are able to do so” (Q 3:97). With respect
to ordinary houses, believers are instructed to
request permission before entering a person’s
house (Q 24:27–29), and they are to permit a
divorced woman to keep her house, at least until
it can be determined whether she is pregnant (Q
65:1, 6).
Nearly one-third of the references to houses
in the Quran pertain to the rewards and punish-
ments that await people in the afterlife.
paradise
is called the “house of peace,” the “house of the
god-fearing,” or simply “the house” (dar). The
people of
paradise
are promised dwellings and
lofty apartments among its gardens and flowing
rivers. Evildoers, on the other hand, will go to the
F
ire
(hell), which is also called the “evil house”
and the “house of perdition.” Their shelters there
will be made of fire.
Even though Muslims do not adhere to reli-
gious building codes with respect to their housing,
they do employ religious symbols and amulets to
sanctify their dwellings. Many place verses of the
Quran, the names of God, or pictures of mosques
in Mecca, Medina, or J
erUsalem
on their house
walls. These forms of “decoration” are intended
to secure God’s blessing for the household and
to repel evil forces. In rural and working class
neighborhoods of Egypt, families decorate the
walls of their homes with religious inscriptions
and images when members of the family perform
the hajj. These pilgrimage murals often express
symbolic relations between the pilgrim’s home
and the sacred houses of Mecca, Medina, and
paradise. Shii homes in Lebanon, Iraq, and i
ran
often display prayers for the People of the House
(
ahl
al
-
bayt
) and the 12 i
mam
s, or portraits of
beloved Shii
saint
s and shrines. The use of reli-
gious symbols and talismans, combined with
efforts to adhere to codes of etiquette, hospitality,
and morality in the home, are believed to make it
a center of blessing with its own sacred character
(hurma).
See also
amUlet
;
haram
;
harem
;
mosqUe
.
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