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3 Motifs and symbolis in Virginia Woolf’s workS
The Waves is a 1931 novel byVirgiana Woolf and is considered to be her most experimental work. The book consists of spoken by six characters Bernard, Susan, Rhoda, Neville, Jinny, and Louis.^] Also important is Percival, the seventh character, though readers never hear him speak in his own voice. The soliloquies that span the characters' lives are broken up by nine brief third-person interludes detailing a coastal scene at varying stages in a day from sunrise to sunset. As the six characters or "voices" speak, Woolf explores concepts of individuality, self and community. Each character is distinct, yet together they compose a gestalt about a silent central consciousness. In a 2015 poll conducted by bbc The Waves was voted the 16th greatest British novel ever written. The novel follows its six narrators from childhood through adulthood. Woolf is concerned with the individual consciousness and the ways in which multiple consciousnesses can weave together.Bernard is a story-teller, always seeking some elusive and apt phrase. Some critics see Woolf's friend E. M. Forster as an inspiration for him. Louis is an outsider who seeks acceptance and success. Some critics see in him aspects of T. S. Eliot whom Woolf knew well.Neville, who may be partly based on another of Woolf's friends, Lytton StracheK, seeks out a series of men, each of whom becomes the present object of his transcendent love.
Jinny is a socialite whose world view corresponds to her physical, corporeal beauty. There is evidence that she is based on Woolf's friend Mary Hutchinson .Susan flees the city, preferring the countryside, where she grapples with the thrills and doubts of motherhood. Some aspects of Susan recall Woolf's sister Vanessa Bell Rhoda is riddled with self-doubt, anxiety and depression, always rejecting and indicting human compromise, always seeking out solitude. She echoes Shelley's poem "The Question". Rhoda resembles Virginia Woolf in some respects.Percival, partly based on Woolf's brother, Thoby Stephen is the miraculous but morally flawed hero of the other six. He dies midway through the novel, while engaged on an imperialist quest in India. Percival never speaks on his own in The Waves, but readers learn about him in detail as the other six characters repeatedly describe and reflect on him. The difficulty of assigning genre to this novel is complicated by the fact that The Waves blurs distinctions between prose and poetry, allowing the novel to flow between six not dissimilar interior monologues. The book similarly breaks down boundaries between people, and Woolf herself wrote in her Diary that the six were not meant to be separate "characters" at all, but rather facets of consciousness illuminating a sense of continuity. Even the term "novel" may not accurately describe the complex form of The Waves as is described in the literary biography of Woolf by Julia Briggs (An Inner Life, Allen Lane 2005).
Woolf called it not a novel but a "playpoem". The book explores the role of the "ethos of male education" in shaping public life, and includes scenes of some of the characters experiencing bullying during their first days at school.^]Marguerite Yourcenar translated The Waves into French over a period of ten months in 1937. She met Virginia Woolf during this period and wrote: "I do not believe I am committing an error ... when I put Virginia Woolf among the four or five great virtuosos of the English language and among the rare contemporary novelists whose work stands some chance of lasting more than ten years."Although The Waves is not one of Virginia Woolf's most famous works, it is highly regarded. Literary scholar Frank N. Magill ranked it one of the 200 best books of all time in his reference book, Masterpieces of World Literature.^] In The Independent British author Amy Sackville wrote that "as a reader, as a writer, I constantly return, for the lyricism of it, the melancholy, the humanity."
Theatre director Katie Mitchell who adapted The Waves for the stage, called the work "entrancing […] Woolf's point is that the lasting and significant events in our lives are small and insignificant in the eyes of the outside world."1970s Glam Rock singer Steve Harley the lead singer of Steve Harley and Cockney Rebel wrote a song titled 'Riding The Waves (For Virginia Woolf)' as track five on his 1978 debut solo album 'Hobo with a Grin . Woolf had long been an influence on Harley's music, and much of the lyrics of the song are taken from 'The Waves'.Italian pianist Ludovico Einaudi composed his first piano album, Le Onde based on the novel.In addition to Mrs. Dalloway (1925) and To the Lighthouse (1927), she wrote the novels The Voyage Out (1915), Jacob's Room (1922), Orlando (1928), and The Waves (1931). Her most famous essay was A Room of One's Own (1929).Woolf is considered to be one of the more important 20th century novelists. A modernist, she was one of the pioneers of using stream of consciousness as a narrative device alongside contemporaries such as Marcel Proust, Dorothy Richardson and James Joyce Woolf's reputation was at its greatest during the 1930s, but declined considerably following World War II. The growth of feminist criticism in the 1970s helped re-establish her reputation. Virginia submitted her first article in 1890, to a competition in Tit-Bits Although it was rejected, this shipboard romance by the 8-year-old would presage her first novel 25 years later, as would contributions to the Hyde Park News, such as the model letter "to show young people the right way to express what is in their hearts", a subtle commentary on her mother's legendary matchmaking. She transitioned from juvenilia to professional journalism in 1904 at the age of 22. Violet Dickinson introduced her to Mrs. Lyttelton the editor of the Women's Supplement of The Guardia n a Church of England newspaper. Invited to submit a 1,500-word article, Virginia sent Lyttelton a review of W.D. Howells The Son of Royal Langbirth and an essay about her visit to Haworth that year, Haworth, November 1904. The review was published anonymously on 4 December, and the essay on the 21st. In 1905, Woolf began writing for The Times Literary Supplement
Woolf would go on to publish novels and essays as a public intellectual to both critical and popular acclaim. Much of her work was self-published through the Hogarth Press "Virginia Woolf's peculiarities as a fiction writer have tended to obscure her central strength: she is arguably the major lyrical novelist in the English language. Her novels are highly experimental: a narrative, frequently uneventful and commonplace, is refracted—and sometimes almost dissolved—in the characters' receptive consciousness. Intense lyricism and stylistic virtuosity fuse to create a world overabundant with auditory and visual impressions "The intensity of Virginia Woolf's poetic vision elevates the ordinary, sometimes banal settings"—often wartime environments—"of most of her novels."Her first novel, The Voyage Out,^] was published in 1915 at the age of 33, by her half-brother's imprint, Gerald Duckworth and Company Ltd This novel was originally titled Melymbrosia, but Woolf repeatedly changed the draft. An earlier version of The Voyage Out has been reconstructed by Woolf scholar Louise.DeSalvo and is now available to the public under the intended title. DeSalvo argues that many of the changes Woolf made in the text were in response to changes in her own life.^] The novel is set on a ship bound for South America, and a group of young Edwardians onboard and their various mismatched yearnings and misunderstandings. In the novel are hints of themes that would emerge in later work, including the gap between preceding thought and the spoken word that follows, and the lack of concordance between expression and underlying intention, together with how these reveal to us aspects of the nature of love."Mrs Dalloway (1925) centres on the efforts of Clarissa Dalloway, a middle-aged society woman, to organise a party, even as her life is paralleled with that of Septimus Warren Smith, a working-class veteran who has returned from the First World War bearing deep psychological scars".
"To the Lighthouse (1927) is set on two days ten years apart. The plot centres on the Ramsay family's anticipation of and reflection upon a visit to a lighthouse and the connected familial tensions. One of the primary themes of the novel is the struggle in the creative process that beset painter Lily Briscoe while she struggles to paint in the midst of the family drama. The novel is also a meditation upon the lives of a nation's inhabitants in the midst of war, and of the people left behind."^] It also explores the passage of time, and how women are forced by society to allow men to take emotional strength from them.Orlando: A Biography (1928)^] is one of Virginia Woolf's lightest novels. A parodic biography of a young nobleman who lives for three centuries without ageing much past thirty (but who does abruptly turn into a woman), the book is in part a portrait of Woolf's lover Vita Sackville-West It was meant to console Vita for the loss of her ancestral home, Knole House though it is also a satirical treatment of Vita and her work. In Orlando, the techniques of historical biographers are being ridiculed; the character of a pompous biographer is being assumed for it to be mocked
"The Waves (1931) presents a group of six friends whose reflections, which are closer to recitatives than to interior monologues proper, create a wave-like atmosphere that is more akin to a prose poem than to a plot-centred novel".Flush: A Biography (1933) is a part-fiction, part-biography of the cocker spaniel owned by Victorian poet Elizabeth Barrett Browning The book is written from the dog's point of view. Woolf was inspired to write this book from the success of the Rudolf Besier play The Barretts of Wimpole Street In the play, Flush is on stage for much of the action. The play was produced for the first time in 1932 by the actress Katharine Cornell. Main article: The Years. The Years (1936),traces the history of the genteel Pargiter family from the 1880s to the "present day" of the mid-1930s. The novel had its origin in a lecture Woolf gave to the National Society for Women's Service in 1931, an edited version of which would later be published as "Professions for Women". Woolf first thought of making this lecture the basis of a new book-length essay on women, this time taking a broader view of their economic and social life, rather than focusing on women as artists, as the first book had. She soon jettisoned the theoretical framework of her "novel-essay" and began to rework the book solely as a fictional narrative, but some of the non-fiction material she first intended for this book was later used in Three Guineas (1938).
Main article: Between the Acts"Her last work, Between the Acts (1941), sums up and magnifies Woolf's chief preoccupations: the transformation of life through art, sexual ambivalence, and meditation on the themes of flux of time and life, presented simultaneously as corrosion and rejuvenation—all set in a highly imaginative and symbolic narrative encompassing almost all of English history." This book is the most lyrical of all her works, not only in feeling but in style, being chiefly written in verse. While Woolf's work can be understood as consistently in dialogue with the Bloomsbury Group particularly its tendency (informed by G.E. Moore among others) towards doctrinaire rationalism, it is not a simple recapitulation of the coterie's ideals.