15
August | 2020
CUTTING- EDGE SCIENCE
CULTUROLOGY
TRADITION AND INNOVATION IN RISHTON POTTERY
Khayitboboeva Khurshida Pirmakhmatovna
Researcher of the 2nd stage of the
National Institute of Art and Design
named after Kamoliddin Behzod
E-mail address: xurshida1402@gmail.com
Annotation: This article provides information about the role of modern Rishtan art in
the applied art of Uzbekistan and the unique role of Rishtan pottery in the cultural heritage
of our people. After gaining independence, the Uzbek state began a new era in its history,
opening new historical pages in the field of culture and art. Attitudes towards cultural
heritage and national values will change radically, and a new process will take place in the
field of applied arts.
Keywords: Cultural heritage, national values, applied arts, pottery, tradition, innovation,
ceramics, bowls, bowls, bowls, flatware.
As the process of integration intensifies and globalization deepens, the diversity of
world cultures, embracing the cultural heritage and modern achievements of different
peoples, is becoming increasingly important. The uniqueness
of the applied art of
Uzbekistan, in particular, the
modern applied art of Rishtan, is determined by the
spiritual, aesthetic and historical foundations of the cultural heritage of our people. In
the process of its gradual development, the traditional applied art, which is constantly
enriched
with new ideas, has managed to demonstrate the national identity of the
people
After gaining independence, the Uzbek state began a new era in its history, opening
new historical pages in the field of culture and art. Attitudes towards cultural heritage
and national values will change radically, and a new process will take place in the field
of applied arts. Forgotten traditional holidays, customs, rituals, as well as a number of
lost crafts have been revived.
In the field of applied arts, the "Teacher-Apprentice"
system was established, and the social status of artisans began to grow. Given the process
of transition to a market economy, the state has created a number of tax incentives for
masters of applied arts.
During this period, UNESCO and other international
organizations also provide
some assistance in the development of folk arts in Uzbekistan. Uzbekistan's independence
has largely determined the future development of traditional arts and crafts. Despite the
huge economic difficulties faced by our country in the first years of its independent
development, economic support of culture and arts, as well as arts and crafts, creation
of conditions for the formation of private entrepreneurshi p,
economic and tax benefits
for masters of applied arts. took responsibility forgiving. Such a prudent policy paved the
way for the revival and improvement of traditional arts and crafts. The growth of
national identity has played an important role in increasing interest in cultural heritage.
Since 1993, the traditional pottery of Uzbekistan has emerged from the crisis. Masters
of Rishtan, such as U.Ashurov, I.Kamilov, Sh.Yusupov, A.Toirov, R.Usmanov,
A.Esonov, N.Kadirov, restored the traditional forms of ceramics using the technology
of working with alkali.
From ancient times the people of Rishtan were famous for their pottery. According