Chapter I. General information about grammatical categories of verb in english grammar 6



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The category of mood, 405-group, Ikromjonova Madina

CONCLUSION


Having made our work, we come to conclusion, that mood is the grammatical category of the verb reflecting the relation of the action denoted by the verb to reality from the speaker's point of view.
The category of mood expresses the relations between the action and reality from the speaker’s point of view. He can treat it as real, unreal, probable or as a kind of inducement. Hence, we traditionally differentiate 3 principal types of mood in English: the indicative, the imperative and the oblique moods. The number and types of concrete mood forms can vary with different authors, because of the variety of verb forms, their homonymy on the plane of expression and difference on the plane of content.
In the conclusion of my work, I would like to say some words according the done course work. The main research was written in the main part of my course paper. So here I’ll give content of it with the description of question discussed in each paragraph.
The main part of my work consists of following items:
General information about grammatical categories of verb in English grammar, grammatical category of mood in English.
In summary, I would like to point out that in treating the category of mood it is necessary to make a distinction between mood and modality. Modality is a notional category which expresses the relation of the utterance to reality as stated by the speaker. There are two semantic types of modality: reality and unreality. Reality represents actions as facts, while unreality is seen as comprising non-factuality, inducement and supposition. Means of expressing modality are various. Mood is the morphological means of expressing modality.
To sum up, the category of mood is often seen as the category of the verb expressing relations between the situation and reality from the point of view of the speaker. In other words, the category of mood shows the subjective appraisal of the situation reality-unreality by the speaker. The category of mood in the present day English verb has generated many discussions. It has been treated in many different ways and is considered the most controversial category of the verb. Some linguists admit that due to the complexity of this category it seems hardly possible to arrive at any convincing and universally acceptable conclusion concerning it7.


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