part of the EU’s “RiConfigure” (Reconfiguring Re-
search and Innovation Constellations)
85
research
project. Social labs, which involve stakeholders from
industry, research, public institutions and civil
society, are geared towards the democratisation of
innovation. For instance, the IHS is working to-
gether with the ÖBB Open Innovation Lab on a so-
cial lab for mobility. Amongst other things, it is
lending its support in this regard to the “Community
creates mobility” project, where an open mobility
eco system made up of organisations from industry,
76
Austrian Research and Technology Report 2020
science, academia, civil society, the start-up com-
munity and many other committed mobility-minded
thinkers has been created.
The Austrian Patent Office, which manages data
on hundreds of thousands of intellectual property
rights such as patents, registered designs and trade-
marks, has prepared these data in the spirit of an
Open Data initiative and made it available to a wide
audience. This is another major step towards imple-
menting measure 12 of the OI Strategy, anchoring
Open Data and Open Access principles in research.
Universities and universities of applied sciences
are also implementing corresponding projects with
OI relevance within their field of activity.
Although these examples merely provide a rough
overview of ongoing OI initiatives,
86
they illustrate a
pleasing willingness amongst all stakeholder types
to take action. This can be seen across the board in
terms of the content of the measures defined in the
OI Strategy for Austria.
Implementing the Creative Industries Strategy
for Austria
The 2016 Creative Industries Strategy for Austria
has three main objectives: improving the competi-
tiveness of Austria’s creative industries; fully ex-
ploiting their transformative effect on other eco-
nomic sub-sectors, public administration and soci-
ety; and strengthening the innovation system
through innovation driven by the creative industries.
These objectives are being pursued through a total
of 8 fields of activity, 22 measures and 43 imple-
mentation initiatives.
Established in 2018, the independent Creative In-
dustries Advisory Board evaluated the implementa-
tion of the Creative Industries Strategy to date in its
first progress report
87
in 2019, concluding that two
thirds of the measures have already been implement-
ed or are currently under way. In the second part of its
report, the advisory board suggested injecting new
86 A tabular overview of the current OI initiatives can be found in Annex I.
87 See
https://www.bmdw.gv.at/Themen/Wirtschaftsstandort-Oesterreich/Kreativwirtschaft/Kreativwirtschaftsbeirat.html
momentum in areas such as impact orientation, fund-
ing and mentoring, in order to address relevant issues
in Austria’s creative industries and guide them in a
modern, sustainable and highly innovative direction.
Published in 2019, the Eighth Austrian Creative In-
dustries Report uses relevant data to highlight the
sector’s increasing importance as a driver of growth
and innovation: one in ten companies in Austria be-
long to the creative industries, which generate annu-
al sales of €22 billion – almost 4% of the country’s
total economic output (nearly as much as tourism
and just under twice as much as the automotive in-
dustry). A total of 153,000 people (both those em-
ployed by a company and freelancers) work at 42,300
firms. Since 2008, both the sales generated by and
the number of people employed in the creative in-
dustries have grown nearly twice as fast as in the
economy as a whole. The Eighth Austrian Creative
Industries Report focuses on the topic of internation-
alisation and illustrates how Austria’s creative indus-
tries are extremely successful here too, with 19% of
their output exported and nearly 30,000 companies
(seven in ten) involved in exports.
Continuing the internationalisation theme, Austria
also signed a cooperation agreement with Israel in
2019 to work more closely together in the creative
industries. The aim is to accelerate knowledge trans-
fer between the two countries and learn from best
practice models in order to strengthen the crossover
effects that the creative industries have on the econ-
omy as a whole.
Internationalisation is also at the heart of the
“Regional Creative Industries Alliance (RCIA)” Inter-
reg Europe project, which is being coordinated by
the Austria Wirtschaftsservice (aws) and which in-
volves a consortium of nine European regions. It is
geared towards increasing cooperation between
creative SMEs and companies from other economic
sectors by exchanging examples of good practice
between regional strategy-focused stakeholders
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