Attitude to culture and nature in uzbekistan

Support for the Arts. During the Soviet period, the government gave extensive support to the arts, building cultural centers in every city and paying the salaries of professional artists. With independence, state funding has shrunk, though it still makes up the bulk of arts funding. Many dance, theater, and music groups continue to rely on the state, which gives emphasis to large productions and extravaganzas, controls major venues, and often has an agenda for the artists to follow.
Other artists have joined private companies who perform for audiences of wealthy business-people and tourists. Some money comes in from corporate sponsorship and international charitable organizations—for example UNESCO and the Soros Foundation's Open Society Institute. Yet many artists have simply been forced to find other work.
Literature. The territory of Uzbekistan has a long tradition of writers, though not all were Uzbek. The fifteenth-century poet Alisher Navoi, 1441–1501, is most revered; among his works is a treatise comparing the Persian and Turkish languages. Abu Rayhan al-Biruni, 973–1048, born in Karakalpakistan, wrote a massive study of India. Ibn Sina, also known as Avicenna, 980–1037, wrote The Cannon of Medicine. Omar Khayyam, 1048–1131, came to Samarkand to pursue mathematics and astronomy. Babur, 1483–1530, born in the Ferghana Valley, was the first Moghul leader of India, and wrote a famous autobiography.
Until the twentieth century, Uzbek literary tradition was largely borne by bakshi, elder minstrels who recited myths and history through epic songs, and otin-oy, female singers who sang of birth, marriage and death.
The Jadids produced many poets, writers, and playwrights. These writers suffered greatly in the Stalinist purges of the 1930s. Later the Soviet Union asked of its writers that they be internationalists and further socialist goals. Abdullah Qahhar, 1907–1968, for example, satirized Muslim clerics. But with the loosening of state control in the 1980s, a new generation of writers renewed the Uzbek language and Uzbek themes. Many writers also were active in Birlik, which started as a cultural movement but is now suppressed.
Graphic Arts. Uzbekistan has begun a revival of traditional crafts, which suffered from the Soviet view that factory-produced goods were superior to handicrafts. Now master craftsmen are reappearing in cities such as Samarkand and Bukhara, supported largely by foreign tourists. Miniature painting is narrative in character, using a wide palette of symbols to tell their stories. They can be read from right to left as a book, and often accompany works of literature. Wood carving, of architectural features such as doors and pillars and of items such as the sonduq, a box given to a bride by her parents, also is regaining a place in Uzbek crafts. Ikat is a method of cloth dying, now centered in the Yordgorlik Silk Factory in Margilan. Silk threads are tie-dyed, then woven on a loom to create soft-edged designs for curtains, clothing, and other uses.