Anglo-saxon poetry. Pagan poetry content Introduction 3

Conclusion

Thus, the epic world of the poem is a world of opposing good and evil, a world of heroic deeds, exaggerated feelings and possibilities, a world that reflects the real life of singers and listeners, but only with one of its sides - heroic, festive, unusual. This world opposes the ordinary world, but reflects all its contradictions. Good in the poem is expressed through the image of Beowulf , while evil is expressed through his enemies, monsters.
The struggle for glory and jewels, loyalty to the leader, bloody revenge as an imperative of behavior, the dependence of a person on the Destiny reigning in the world and a courageous meeting with it, the tragic death of a hero - all these are the defining themes not only of Beowulf , but also of other monuments of the German epic.
Expressed in the confrontation between two warring forces, the conflict divides the images of the poem into two camps, in one of which - the hero, the king and queen of the tribe, their squads, in the other - monsters, opponents of the hero. The world of the poem is divided into two parts: in the center of the first - the hero, in the center of the second - his opponents. All the elements of this world gravitate towards one of the poles; there are no "neutral" details not connected with this or that camp. Images of characters and their characteristics, temporal and spatial features, objects - everything bears the imprint of belonging to the world of heroes or their opponents. The opposition of individual elements is so consistent and comprehensive that the world of monsters appears as an inverted world of heroes. It has the same characteristics, but with a minus sign. This is a kind of absolute opposite of the world of heroes, its reverse side.

Bibleograhpy

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