Алишер навоий номидаги тошкент давлат ўзбек тили ва адабиёти университети ҳузуридаги илмий

The subject of the study is to highlight the traditional and innovational ways
of Turkish and Persian tadkirats dedicated to women. 
Research methods. Methods of description, classification, complex analysis, 
comparative-historical and statistical analysis were used to cover the topic of the 
dissertation. 
The scientific novelty of the research includes: 
12 tadkirats created in the XIX century and 7 tadkirats created in the XX 
century were analyzed for the first time from the point of view of literature and the 
works of women like Orzu Samarkandiy, Ruqiyabonu, Sito un-niso, Iffatiy, Davlat, 
Ofoq Begim Jaloir, Podshoh Khotun, Mehriy, Mahastiy, Kavkab, Ismat Begim were 
brought into scientific circulation; 

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On the basis of a comparative study of a total of 24 tadkirats, data on about 
200 women were summarized in 14 diagrams and 11 tables, and shortcomings were 
identified in the names of some poetesses; 
The stages of formation and development of tadkirats in Turkish and Persian 
dedicated to women in Eastern literature, the specific features of each stage are 
revealed on the basis of examples; 
It has been scientifically proven through examples that in the Turkish and 
Persian tadkirats dedicated to women, the approach to the classical tradition based 
on the criteria of individual creative thinking served as the basis for artistic content; 
The practical results of the research are as follows: 
 
The mention of poetesses who wrote in Persian in medieval literature was 
studied, the place of tradition in the tadkirats dedicated to women was determined, 
and the criteria of innovation were defined; 
The names of the Timurid princesses and writers of Movaraunnahr were 
restored through Persian tadkirats. Their poems have been translated and analyzed, 
proving that the arts are a leading poetic tool in the realization of the creative goal; 
The classical images used in the tadkirats dedicated to women have been 
classified and the principles of their interpretation have been scientifically proven; 
During the analysis of tadkirats in Turkish and Persian the evolution of 
classical art genres and the factors of renewal in them have been proven; 
New information has been provided about writers and poetesses of non-
Persian origin, such as Lutf Ali Ozar from Bukhara, Muhammad Gupomuiy from 
Arabia, Rozia Sultan Begim, Fatima Som, Vazir un-niso Begim, Humo from India.