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of human nature – she admits that as a “middle-class African-American,” she has a
bias, and she is also wrong from time to time.
The main danger in this essay is oversimplification. It’s difficult to condense the
arguments of two leaders into a few paragraphs, and Freelon doesn’t present the
total view of their philosophies. She also assumes a familiarity on the part of the
admissions officers with issues of racial identity, which may or may not be true.
Overall, however, Freelon’s essay is an excellent example of how a personal identity
struggle can reveal a lot about the person inside.
“Thoughts Behind a Steam-Coated Door”
By Neha Mahajan
Till taught by pain Men really know not what good water’s worth.
------Lord Byron
A light gauze of steam coats the transparent door of my shower. The temperature
knob is turned as far as it can go, and hot drops of water penetrate my skin like tiny
bullets. The rhythm of water dancing on the floor creates a blanket of soothing
sound that envelops me, muffling the chaotic noises of our thin-walled house.
Tension in my back that I didn’t even know existed oozes out of my pores into
streams of water cascading in glistening paths down my body. I breathe in a mist of
herbal scented shampoo and liquid Dove soap, a welcome change from the
semi-arid air of Colorado. In the shower I am alone. No younger siblings barging
unannounced into my room, no friends interrupting me with the shrill ring of the
telephone, no parents nagging me about finishing college essays.
The ceramic tiles that line my bathroom wall have the perfect coefficient of
absorption for repeated reflections of sound waves to create the wonderful
reverberation that makes my shower an acoustic dream. The two by four stall is
transformed into Carnegie Hall as Neha Mahajan, world-renowned musician, sings
her heart out into a shampoo bottle microphone. I lose myself in the haunting
melisma of an aalaap, the free singing of improved melodies in classical Indian
music. I perfect arrangements for a capella singing, practice choreography for
Excalibur, and improvise songs that I will later strum on my guitar.
Sometimes I sit in the shower and cry, my salty tears mingling with the clear drops
upon my face until I can no longer tell them apart. I have cried with the despair of
my friend and mentor in the Rape Crisis Team when she lost her sister in a vicious
case of domestic abuse, cried with the realization of the urgency of my work. I have
cried with the inevitable tears after watching Dead Poet’s Society for the seventh
time. I have cried with the sheer frustration of my inability to convince a friend that
my religious beliefs and viewpoints are as valid as hers. Within these glass walls I
can cry, and my tears are washed away by the stinging hot water of the shower.
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